Sound Consultant
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Sound Consultant
Triangle (2009)
Directed by: Christopher Smith
Cinematography by: Robert Humphreys
Edited by: Stuart Gazzard
Cameras: Panavision Genesis Camera
Sound Consultant: Soundelux
Nowhere Boy (2009)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Edited by: Lisa Gunning
Supervising Sound Editor
Last Chance Harvey (2008)
Directed by: Joel Hopkins
Cinematography by: John de Borman
Edited by: Robin Sales
M's Husband, Supervising Sound Editor
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Supervising Sound Editor
Vantage Point (2008)
Directed by: Pete Travis
Cinematography by: Amir Mokri
Edited by: Stuart Baird
Supervising Sound Editor
Hannibal Rising (2007)
Directed by: Peter Webber
Cinematography by: Ben Davis
Supervising Sound Editor
Black Book (2006)
Directed by: Paul Verhoeven
Cinematography by: Karl Walter Lindenlaub
Supervising Sound Editor
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses
Supervising Sound Editor
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Supervising Sound Editor
Breaking and Entering (2006)
Directed by: Anthony Minghella
Cinematography by: Benoît Delhomme
Edited by: Lisa Gunning
Lenses: Zeiss Ultra Prime Lenses
Supervising Sound Editor
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Supervising Sound Editor
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Supervising Sound Editor
King Arthur (2004)
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
Supervising Sound Editor
Two Brothers (2004)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Noëlle Boisson
Supervising Sound Editor
The Life of David Gale (2003)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Supervising Sound Editor
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Sound / Supervising Sound Editor, Voice On Tannoy
Enemy at the Gates (2001)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Supervising Sound Editor
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Supervising Sound Editor
Birthday Girl (2001)
Directed by: Jez Butterworth
Cinematography by: Oliver Stapleton
Edited by: Christopher Tellefsen
Supervising Sound Editor
Angela's Ashes (1999)
Directed by: Alan Parker
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Additional Supervising Sound Editor
RKO 281 (1999)
Directed by: Benjamin Ross
Cinematography by: Mike Southon
Edited by: Alex Mackie
Supervising Sound Editor
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Editor
Bean (1997)
Directed by: Mel Smith
Cinematography by: Francis Kenny
Edited by: Chris Blunden
Sound Consultant
The Wings of the Dove (1997)
Directed by: Iain Softley
Cinematography by: Eduardo Serra
Edited by: Tariq Anwar
Cameras: ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Supervising Sound Editor
Michael Collins (1996)
Directed by: Neil Jordan
Cinematography by: Chris Menges
Supervising Sound Effects Editor
Evita (1996)
Directed by: Alan Parker
Cinematography by: Darius Khondji
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke Xtal Express Lenses
Supervising Sound Editor
Copycat (1995)
Directed by: Jon Amiel
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Supervising Sound Editor
Princess Caraboo (1994)
Directed by: Michael Austin
Cinematography by: Freddie Francis
Edited by: George Akers
Supervising Sound Editor
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Supervising Sound Editor
Nell (1994)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Jim Clark
Supervising Sound Editor
The Young Americans (1993)
Directed by: Danny Cannon
Cinematography by: Vernon Layton
Edited by: Alex Mackie
Supervising Sound Editor
Little Buddha (1993)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Pietro Scalia
Supervising Sound Editor
The Commitments (1991)
Directed by: Alan Parker
Cinematography by: Gale Tattersall
Edited by: Gerry Hambling
Cameras: Panavision Cameras
Supervising Sound Editor
The Josephine Baker Story (1991)
Directed by: Brian Gibson
Cinematography by: Elemér Ragályi
Edited by: Graham Walker
Dialogue Editor
The Krays (1990)
Directed by: Peter Medak
Cinematography by: Alex Thomson
Edited by: Martin Walsh
Sound Editor
Batman (1989)
Directed by: Tim Burton
Cinematography by: Roger Pratt
Edited by: Ray Lovejoy
Adr Editor
We're No Angels (1989)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Cameras
Dialogue Editor
Without a Clue (1988)
Directed by: Thom Eberhardt
Cinematography by: Alan Hume
Edited by: Peter Tanner
Sound Editor
Angel Heart (1987)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Lenses: Panavision Lenses
Supervising Sound Editor
Haunted Honeymoon (1986)
Directed by: Gene Wilder
Cinematography by: Fred Schuler
Edited by: Christopher Greenbury
Dialogue Editor
The Killing Fields (1984)
Directed by: Roland Joffé
Cinematography by: Chris Menges
Edited by: Jim Clark
Sound Editor
Birdy (1984)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Cameras: Panavision Cameras
Assistant Editor
The Keep (1983)
Directed by: Michael Mann
Cinematography by: Alex Thomson
Cameras: ARRIFLEX 35 BL3 Camera
Sound Editor
Shoot the Moon (1982)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Cameras: Panavision Cameras
Sound Editor
Pink Floyd: The Wall (1982)
Directed by: Alan Parker
Cinematography by: Peter Biziou
Edited by: Gerry Hambling
Foley Editor
Eye of the Needle (1981)
Directed by: Richard Marquand
Cinematography by: Alan Hume
Edited by: Sean Barton
Assistant Editor
Fame (1980)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Cameras: Panavision Cameras