Executive Producer
Undefeated (2011)
Post-production Producer: Visionbox Media Group
Captivity (2007)
Directed by: Roland Joffé
Cinematography by: Daniel Pearl
Edited by: Richard Nord
Post-production Producer: Visionbox Media Group
The Painted Veil (2006)
Directed by: John Curran
Cinematography by: Stuart Dryburgh
Edited by: Alexandre de Franceschi
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Co-producer / Post-production Producer: Visionbox Media Group
First Snow (2006)
Directed by: Mark Fergus
Cinematography by: Eric Alan Edwards
Edited by: Jay Cassidy
Post-production Producer: Visionbox Media Group
The Illusionist (2006)
Directed by: Neil Burger
Cinematography by: Dick Pope
Edited by: Naomi Geraghty
Post-production Supervisor: Visionbox Media Group
The Woods (2006)
Directed by: Lucky McKee
Cinematography by: John R. Leonetti
Cameras: Panavision Cameras
Post-production Producer: Visionbox Media Group
The Matador (2005)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Co-producer
The L.A. Riot Spectacular (2005)
Directed by: Marc Klasfeld
Cinematography by: Barry Norwood
Edited by: Richard Alarcon
Cameras: Sony DSR-500WS Camera
Post-production Producer: Visionbox Media Group
Aurora Borealis (2005)
Directed by: James C.E. Burke
Cinematography by: Alar Kivilo
Edited by: Richard Nord
Post-production Producer: Visionbox Media Group, Post-production Sound Services
One Point O (2004)
Cinematography by: Christopher Soos
Post-production Producer: Visionbox Media Group
Never Die Alone (2004)
Directed by: Ernest R. Dickerson
Cinematography by: Matthew Libatique
Edited by: Stephen Lovejoy
Post-production Producer: Visionworks
The Cooler (2003)
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn
Editing System: Avid Editing System
Technical Consultant
Insomnia (2002)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Dody Dorn
Post-production Services
Point of Origin (2002)
Directed by: Newton Thomas Sigel
Cinematography by: Anthony G. Nakonechnyj
Edited by: Cindy Mollo
Technical Consultant
Path to War (2002)
Directed by: John Frankenheimer
Edited by: Richard Francis-Bruce
Technical Consultant
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Post-production Services
American Pie 2 (2001)
Directed by: J.B. Rogers
Cinematography by: Mark Irwin
Cameras: Moviecam Compact Camera
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses
Post-production Services, Supervising Sound Editor
Teddy Bears' Picnic (2001)
Directed by: Harry Shearer
Cinematography by: Jaime Reynoso
Edited by: Jeffrey Ford
Post-production Services
The Mummy Returns (2001)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Post-production Services
Tortilla Soup (2001)
Directed by: Maria Ripoll
Cinematography by: Xavier Grobet
Edited by: Andy Blumenthal
High Definition Conforming: Digital Difference
Manic (2001)
Directed by: Jordan Melamed
Cinematography by: Nicholas Hay
Post-production Services
61* (2001)
Directed by: Billy Crystal
Cinematography by: Haskell Wexler
Edited by: Michael Jablow
Cameras: ARRIFLEX 435 ES Camera
Technical Consultant
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Technical Consultant
Gladiator (2000)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Technical Consultant
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Technical Consultant
I Dreamed of Africa (2000)
Directed by: Hugh Hudson
Cinematography by: Bernard Lutic
Edited by: Scott Thomas
Technical Services
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Technical Consultant
Traffic (2000)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Post-production Services
Memento (2000)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Dody Dorn
Cameras: Panavision Panaflex Gold II Camera
Technical Consultant
Under Suspicion (2000)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: John Smith
Sound
Snow Falling on Cedars (1999)
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Technical Consultant
American Beauty (1999)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Cameras: Panavision Panaflex Platinum Camera
Technical Consultant
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Post-production Services
South Park: Bigger, Longer & Uncut (1999)
Directed by: Trey Parker
Edited by: John Venzon
Post-production Services
The Insider (1999)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Technical Services
Varsity Blues (1999)
Directed by: Brian Robbins
Cinematography by: Chuck Cohen
Edited by: Ned Bastille
Music Consultant
Babe: Pig in the City (1998)
Directed by: George Miller
Cinematography by: Andrew Lesnie
Technical Consultant
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Technical Consultant
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Post-production Services
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Technical Consultant
Wild Things (1998)
Directed by: John McNaughton
Cinematography by: Jeffrey L. Kimball
Edited by: Elena Maganini
Technical Services
Can't Hardly Wait (1998)
Cinematography by: Lloyd Ahern II
Edited by: Michael Jablow
Post-production Services
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Technical Consultant
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Technical Services
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Technical Consultant
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt