Scanning Technician: Deluxe Entertainment
The 5th Wave (2016)
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Imaging Technician: Deluxe Entertainment
Ted 2 (2015)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Imaging Technician: Sony Colorworks
No Good Deed (2014)
Directed by: Sam Miller
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
Imaging Technician: Colorworks
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Imaging Technician: Colorworks
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Imaging Technician: Sony Colorworks
Sex Tape (2014)
Directed by: Jake Kasdan
Cinematography by: Tim Suhrstedt
Cameras: ARRI ALEXA XT Camera
Imaging Technician: Colorworks
Annie (2014)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Imaging Technician: Colorworks
The Equalizer (2014)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Cameras: ARRI ALEXA Plus 4:3 Camera
Imaging Technician: Sony Colorworks
A Million Ways to Die in the West (2014)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Imaging Technician: Sony Colorworks
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Imaging Technician: Colorworks
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Imaging Technician: Colorworks
Bad Teacher (2011)
Directed by: Jake Kasdan
Cinematography by: Alar Kivilo
Edited by: Tara Timpone
Cameras: Panavision Panaflex Platinum Camera
Imaging Technician: Colorworks
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Imaging Technician: Colorworks
The Other Guys (2010)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Imaging Technician: Colorworks
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Imaging Technician: Colorworks
The Karate Kid (2010)
Directed by: Harald Zwart
Cinematography by: Roger Pratt
Edited by: Joel Negron
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Cooke S4 Lenses
Lead Camera: Pacific Title And Art Studio
The Twilight Saga: New Moon (2009)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Digital Imaging Lead Camera: Pacific Title And Art Studio
Kill Theory (2009)
Directed by: Chris Moore
Cinematography by: David A. Armstrong
Edited by: Maureen Meulen
Digital Imaging Lead Camera: Pacific Title And Art Studio
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Lead Camera: Pacific Title And Art Studio
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Lead Camera: Pacific Title And Art Studio
Righteous Kill (2008)
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Paul Hirsch
Lead Camera: Pacific Title And Art Studio
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Digital Imaging Lead Camera: Pacific Title And Art Studio
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Lead Camera: Pacific Title And Art Studio
RV (2006)
Directed by: Barry Sonnenfeld
Cinematography by: Fred Murphy
Edited by: Kevin Tent
Visual Effects Lead Camera: Pacific Title And Art Studio
Seraphim Falls (2006)
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
Lead Camera: Pacific Title And Art Studio
Clerks II (2006)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Lead Camera: Pacific Title And Art Studio
The Wicker Man (2006)
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch
Visual Effects Lead Camera: Pacific Title And Art Studio
Lonely Hearts (2006)
Directed by: Todd Robinson
Cinematography by: Peter Levy
Edited by: Kathryn Himoff
Lead Camera: Pacific Title And Art Studio
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Lead Camera: Pacific Title And Art Studio
The Lost City (2005)
Directed by: Andy Garcia
Cinematography by: Emmanuel Kadosh
Edited by: Christopher Cibelli
Scan/record Operator
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lead Camera: Pacific Title And Art Studio
Rent (2005)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
Digital Imaging Lead Camera: Pacific Title And Art Studio
The Sisterhood of the Traveling Pants (2005)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Lead Camera: Pacific Title And Art Studio
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Lead Camera: Pacific Title And Art Studio
The Girl Next Door (2004)
Directed by: Luke Greenfield
Cinematography by: Jamie Anderson
Edited by: Mark Livolsi
Lead Camera: Pacific Title And Art Studio
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Lead Camera: Pacific Title And Art Studio
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Scan/record Operator
House of Sand and Fog (2003)
Directed by: Vadim Perelman
Cinematography by: Roger Deakins
Edited by: Lisa Zeno Churgin
Lenses: Cooke S4 Lenses
Scan/record Operator
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Scan/record Operator
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Scan/record Operator
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Scan/record Operator
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Scan/record Operator
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Scan/record Operator
Ghost Ship (2002)
Directed by: Steve Beck
Cinematography by: Gale Tattersall
Edited by: Roger Barton
Scanning And Recording Operator: Pacific Title Imaging
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
4K Digital Restoration: Universal Pictures
Phantom of the Opera (1943)
Directed by: Arthur Lubin
Edited by: Russell F. Schoengarth
