Dailies
Kinds of Kindness (2024)
Directed by: Yorgos Lanthimos
Cinematography by: Robbie Ryan
Edited by: Yorgos Mavropsaridis
Colorist: Dailies
To Leslie (2022)
Directed by: Michael Morris
Cinematography by: Larkin Seiple
Edited by: Chris McCaleb
Cameras: ARRICAM Lite (LT) Camera
Additional Colorist: Dailies
The Nun (2018)
Directed by: Corin Hardy
Cinematography by: Maxime Alexandre
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Colorist: Dailies
Lights Out (2016)
Directed by: David F. Sandberg
Cinematography by: Marc Spicer
Cameras: ARRI ALEXA Camera
Additional Colorist: Dailies
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Colorist: Dailies
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Colorist: Dailies
Steve Jobs (2015)
Directed by: Danny Boyle
Cinematography by: Alwin H. Küchler
Edited by: Elliot Graham
Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Colorist: Dailies
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Additional Colorist: Dailies
Dumb and Dumber To (2014)
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Colorist: Dailies
'Breaking Bad' Confessions (2013)
Directed by: Michael Slovis
Cinematography by: Arthur Albert
Edited by: Kelley Dixon
Colorist: Dailies
We're the Millers (2013)
Directed by: Rawson Marshall Thurber
Cinematography by: Barry Peterson
Edited by: Michael L. Sale
Cameras: ARRI ALEXA Camera
Colorist: Dailies And Digital Intermediate, EFiln
Lovelace (2013)
Cinematography by: Eric Alan Edwards
Cameras: ARRIFLEX 416 Camera
Colorist: Dailies
'Breaking Bad' Granite State (2013)
Directed by: Peter Gould
Cinematography by: Michael Slovis
Colorist: Dailies
'Breaking Bad' Ozymandias (2013)
Directed by: Rian Johnson
Cinematography by: Michael Slovis
Edited by: Skip Macdonald
Colorist: Dailies
'Breaking Bad' To'hajiilee (2013)
Directed by: Michelle MacLaren
Cinematography by: Michael Slovis
Edited by: Kelley Dixon
Colorist: Dailies
'Breaking Bad' Rabid Dog (2013)
Directed by: Sam Catlin
Cinematography by: Michael Slovis
Edited by: Skip Macdonald
Colorist: Dailies
'Breaking Bad' Buried (2013)
Directed by: Michelle MacLaren
Cinematography by: Arthur Albert
Colorist: Dailies
'Breaking Bad' Blood Money (2013)
Directed by: Bryan Cranston
Cinematography by: Michael Slovis
Edited by: Kelley Dixon
Colorist: Dailies
'Breaking Bad' Hazard Pay (2012)
Directed by: Adam Bernstein
Cinematography by: Michael Slovis
Edited by: Skip Macdonald
Colorist: Dailies
'Breaking Bad' Gliding Over All (2012)
Directed by: Michelle MacLaren
Cinematography by: Michael Slovis
Edited by: Kelley Dixon
Colorist: Dailies
'Breaking Bad' Say My Name (2012)
Directed by: Thomas Schnauz
Cinematography by: Michael Slovis
Edited by: Skip Macdonald
Colorist: Dailies
'Breaking Bad' Buyout (2012)
Directed by: Colin Bucksey
Cinematography by: Michael Slovis
Edited by: Kelley Dixon
Colorist: Dailies
'Breaking Bad' Fifty-One (2012)
Directed by: Rian Johnson
Cinematography by: Michael Slovis
Edited by: Kelley Dixon
Colorist: Dailies
'Breaking Bad' Dead Freight (2012)
Directed by: George Mastras
Cinematography by: Michael Slovis
Edited by: Skip Macdonald
Colorist: Dailies
'Breaking Bad' Madrigal (2012)
Directed by: Michelle MacLaren
Cinematography by: Michael Slovis
Edited by: Kelley Dixon
Colorist: Dailies
Won't Back Down (2012)
Directed by: Daniel Barnz
Cinematography by: Roman Osin
Edited by: Kristina Boden
Cameras: ARRICAM Lite (LT) Camera
Colorist: Dailies
Bad Teacher (2011)
Directed by: Jake Kasdan
Cinematography by: Alar Kivilo
Edited by: Tara Timpone
Cameras: Panavision Panaflex Platinum Camera
Colorist: Dailies
Death at a Funeral (2010)
Directed by: Neil LaBute
Cinematography by: Rogier Stoffers
Edited by: Tracey Wadmore-Smith
Cameras: Panavision Genesis Camera
Colorist: Dailies
Little Fockers (2010)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
Additional Colorist: Dailies
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Colorist: Video Dailies
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Colorist: Dailies
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Colorist: High-definition Dailies
Crazy Heart (2009)
Directed by: Scott Cooper
Cinematography by: Barry Markowitz
Colorist: Dailies
My Best Friend's Girl (2008)
Directed by: Howard Deutch
Cinematography by: Jack N. Green
Edited by: Seth Flaum
Colorist: Dailies
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Colorist: Dailies - 15 Episodes, 2012-2013
Breaking Bad (2008)
Directed by: Michelle MacLaren, Adam Bernstein, Vince Gilligan, Colin Bucksey, Michael Slovis, Bryan Cranston, Terry McDonough, Johan Renck, Rian Johnson, Scott Winant, Peter Gould, Tricia Brock, Bronwen Hughes, Tim Hunter, Jim McKay, Phil Abraham, John Dahl, Félix Enríquez Alcalá, Charles Haid, Peter Medak, John Shiban, David Slade, George Mastras, Thomas Schnauz, Sam Catlin
Cinematography by: Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams
Colorist: Dailies
Fracture (2007)
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
Additional Colorist: Dailies
Shoot 'Em Up (2007)
Directed by: Michael Davis
Cinematography by: Peter Pau
Edited by: Peter Amundson
Colorist: Dailies
The Dog Problem (2006)
Directed by: Scott Caan
Cinematography by: Phil Parmet
Edited by: Jeffrey M. Werner
Colorist: Dailies
Loving Annabelle (2006)
Directed by: Katherine Brooks
Cinematography by: Cynthia Pusheck
Edited by: Lori Ball
Colorist: Dailies
Grandma's Boy (2006)
Directed by: Nicholaus Goossen
Cinematography by: Mark Irwin
Edited by: Tom Costain
Colorist: Dailies
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Colorist: Dailies
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Colorist: Dailies
Lords of Dogtown (2005)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Colorist: Dailies
I Heart Huckabees (2004)
Directed by: David O. Russell
Cinematography by: Peter Deming
Edited by: Robert K. Lambert
Colorist: Dailies
Sideways (2004)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Cameras: Panavision Panaflex Platinum Camera
Colorist: Dailies
50 First Dates (2004)
Directed by: Peter Segal
Cinematography by: Jack N. Green
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Colorist: Dailies
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Dailies Colorist
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Colorist: Dailies
Adaptation. (2002)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Colorist: Dailies
Salmonberries (1991)
Directed by: Percy Adlon
Cinematography by: Newton Thomas Sigel
Edited by: Conrad M. Gonzalez
