Benjamin Cheah

  103 Titles
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Re-recording Mixer

Our Idiot Brother  (2011)

Directed by: Jesse Peretz
Cinematography by: Yaron Orbach

Re-recording Mixer

Adventureland  (2009)

Directed by: Greg Mottola
Cinematography by: Terry Stacey
Edited by: Anne McCabe

Re-recording Mixer

Accidents Happen  (2009)

Directed by: Andrew Lancaster
Cinematography by: Ben Nott
Edited by: Roland Gallois

Supervising Sound Editor

Bandslam  (2009)

Directed by: Todd Graff
Cinematography by: Eric Steelberg
Edited by: John Gilbert

Sound Designer

Tenderness  (2009)

Directed by: John Polson
Cinematography by: Tom Stern

Sound Effects Recordist

No Reservations  (2007)

Directed by: Scott Hicks
Cinematography by: Stuart Dryburgh
Edited by: Pip Karmel

Re-recording Mixer

The Savages  (2007)

Directed by: Tamara Jenkins
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates

Sound Designer

Dedication  (2007)

Directed by: Justin Theroux
Cinematography by: Stephen Kazmierski
Edited by: Andy Keir

Re-recording Mixer / Supervising Sound Editor

Purple Violets  (2007)

Directed by: Edward Burns
Cinematography by: William Rexer
Edited by: Thom Zimny
Cameras:

Re-recording Mixer / Sound Designer

Infamous  (2006)

Directed by: Douglas McGrath
Cinematography by: Bruno Delbonnel
Edited by: Camilla Toniolo

Sound Effects Recordist

Freedomland  (2006)

Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore

Sound Designer

Shortbus  (2006)

Cinematography by: Frank G. DeMarco
Edited by: Brian A. Kates

Re-recording Mixer

The Groomsmen  (2006)

Directed by: Edward Burns
Cinematography by: William Rexer

Sound Effects Recordist

16 Blocks  (2006)

Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich

Re-recording Mixer

The Notorious Bettie Page  (2005)

Directed by: Mary Harron
Cinematography by: W. Mott Hupfel III
Edited by: Tricia Cooke

Sound Effects Supervisor

'The Wire' Ebb Tide  (2003)

Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford

Sound Effects Supervisor

'The Wire' Collateral Damage  (2003)

Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford

Sound Effects Editor

'The Wire' Hot Shots  (2003)

Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny

Sound Effects Supervisor

'The Wire' Hard Cases  (2003)

Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny

Sound Effects Supervisor

'The Wire' Undertow  (2003)

Directed by: Steve Shill
Cinematography by: Uta Briesewitz

Sound Effects Supervisor

'The Wire' All Prologue  (2003)

Directed by: Steve Shill
Cinematography by: Uta Briesewitz

Sound Effects Supervisor

'The Wire' Backwash  (2003)

Directed by: Thomas J. Wright
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford

Sound Effects Supervisor

'The Wire' Duck and Cover  (2003)

Directed by: Daniel Attias
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny

Sound Effects Supervisor

'The Wire' Storm Warnings  (2003)

Directed by: Rob Bailey
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford

Sound Effects Editor

'The Wire' Bad Dreams  (2003)

Directed by: Ernest R. Dickerson
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny

Sound Designer

Undercover Brother  (2002)

Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr

Sound Effects Recordist

Murder by Numbers  (2002)

Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy

Sound Effects Recordist

People I Know  (2002)

Directed by: Daniel Algrant
Cinematography by: Peter Deming
Edited by: Suzy Elmiger

Sound Effects Editor

'The Wire' The Detail  (2002)

Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni

Supervising Sound Editor

'The Wire' The Buys  (2002)

Directed by: Peter Medak
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny

Sound Effects Editor

'The Wire' Old Cases  (2002)

Directed by: Clement Virgo
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford

Supervising Sound Editor

'The Wire' The Pager  (2002)

Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni

Sound Effects Editor

'The Wire' The Wire  (2002)

Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny

Supervising Sound Editor

'The Wire' One Arrest  (2002)

Directed by: Joe Chappelle
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford

Sound Effects Editor

'The Wire' Lessons  (2002)

Directed by: Gloria Muzio
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni

Supervising Sound Editor

'The Wire' Game Day  (2002)

Directed by: Milcho Manchevski
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny

Supervising Sound Editor

'The Wire' The Hunt  (2002)

Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni

Supervising Sound Editor

'The Wire' Sentencing  (2002)

Directed by: Timothy Van Patten
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford

Supervising Sound Editor

Hedwig and the Angry Inch  (2001)

Cinematography by: Frank G. DeMarco
Edited by: Andrew Marcus

Sound Supervisor

Sidewalks of New York  (2001)

Directed by: Edward Burns
Cinematography by: Frank Prinzi
Edited by: David Greenwald

Sound Effects Editor

Shaft  (2000)

Directed by: John Singleton
Cinematography by: Donald E. Thorin

Sound Designer

American Psycho  (2000)

Directed by: Mary Harron
Cinematography by: Andrzej Sekula
Edited by: Andrew Marcus

Supervising Foley Editor

Bowfinger  (1999)

Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson

Supervising Foley Editor

Summer of Sam  (1999)

Directed by: Spike Lee
Cinematography by: Ellen Kuras

Supervising Foley Editor

Titus  (1999)

Directed by: Julie Taymor
Cinematography by: Luciano Tovoli
Lenses:

Supervising Foley Editor

Gloria  (1999)

Directed by: Sidney Lumet
Cinematography by: David Watkin
Edited by: Tom Swartwout

Foley Supervisor

The Impostors  (1998)

Directed by: Stanley Tucci
Cinematography by: Ken Kelsch
Edited by: Suzy Elmiger

Supervising Foley Editor

You've Got Mail  (1998)

Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks

Supervising Foley Editor

He Got Game  (1998)

Directed by: Spike Lee
Cinematography by: Ellen Kuras, Malik Hassan Sayeed

Foley Editor

Celebrity  (1998)

Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse

Foley Editor

Primary Colors  (1998)

Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt

Supervising Foley Editor

Practical Magic  (1998)

Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling

Foley Supervisor

Beloved  (1998)

Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto

Foley Assistant

The Object of My Affection  (1998)

Directed by: Nicholas Hytner
Cinematography by: Oliver Stapleton
Edited by: Tariq Anwar

Assistant Sound Editor

The Ice Storm  (1997)

Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres

Sound Effects Recordist

Cop Land  (1997)

Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay

Assistant Sound Editor

The Devil's Own  (1997)

Directed by: Alan J. Pakula
Cinematography by: Gordon Willis

Supervising Sound Editor

States of Control  (1997)

Directed by: Zachary Winestine
Cinematography by: Susan Starr
Edited by: Jim Villone

Assistant Sound Editor

Deconstructing Harry  (1997)

Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse

Sound Effects Recordist

As Good as It Gets  (1997)

Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks

Sound Effects Recordist

Get on the Bus  (1996)

Directed by: Spike Lee
Cinematography by: Elliot Davis
Edited by: Leander T. Sales

Assistant Sound Editor

Everyone Says I Love You  (1996)

Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse

Sound Effects Recordist

Girl 6  (1996)

Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed

Sound Effects Recordist

Big Night  (1996)

Cinematography by: Ken Kelsch
Edited by: Suzy Elmiger

Assistant Sound Editor

Before and After  (1996)

Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy

Sound Effects Recordist

Lone Star  (1996)

Directed by: John Sayles
Cinematography by: Stuart Dryburgh
Edited by: John Sayles

Sound Effects Recordist

The Birdcage  (1996)

Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt

Sound Effects Recordist

Fargo  (1996)

Directed by: Joel Coen, Ethan Coen
Cinematography by: Roger Deakins
Edited by: Ethan Coen, Joel Coen

Sound Effects Recordist

Get Shorty  (1995)

Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman

Sound Effects Recordist

The Indian in the Cupboard  (1995)

Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford

Apprentice Sound Editor

Bullets Over Broadway  (1994)

Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse

Sound Intern

Imaginary Crimes  (1994)

Directed by: Anthony Drazan
Cinematography by: John J. Campbell
Edited by: Elizabeth Kling

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