Logistics Coordinator
Bridge of Spies (2015)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Supervising Sound Editor
Joyful Noise (2012)
Directed by: Todd Graff
Cinematography by: David Boyd
Edited by: Kathryn Himoff
Re-recording Mixer
Our Idiot Brother (2011)
Directed by: Jesse Peretz
Cinematography by: Yaron Orbach
Penguin Sound Effects Recordist
Mr. Popper's Penguins (2011)
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Effects Editor
Rabbit Hole (2010)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Joe Klotz
Cameras: Red One Camera
Re-recording Mixer
Trust (2010)
Directed by: David Schwimmer
Cinematography by: Andrzej Sekula
Edited by: Douglas Crise
Re-recording Mixer
Adventureland (2009)
Directed by: Greg Mottola
Cinematography by: Terry Stacey
Edited by: Anne McCabe
Sound Effects Editor
Did You Hear About the Morgans? (2009)
Directed by: Marc Lawrence
Cinematography by: Florian Ballhaus
Edited by: Susan E. Morse
Cameras: ARRICAM Studio (ST) Camera
Lenses: Hawk V-Series Lenses
Re-recording Mixer
Accidents Happen (2009)
Directed by: Andrew Lancaster
Cinematography by: Ben Nott
Edited by: Roland Gallois
Supervising Sound Editor
Bandslam (2009)
Directed by: Todd Graff
Cinematography by: Eric Steelberg
Edited by: John Gilbert
Cameras: Panavision Cameras
Sound Designer
Tenderness (2009)
Directed by: John Polson
Cinematography by: Tom Stern
Cameras: Panavision Cameras
Sound Effects Recordist
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Sound Effects Recordist
I'm Not There (2007)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Jay Rabinowitz
Cameras: Aaton LTR Camera, Moviecam Compact Camera
Sound Effects Recordist
No Reservations (2007)
Directed by: Scott Hicks
Cinematography by: Stuart Dryburgh
Edited by: Pip Karmel
Re-recording Mixer
The Savages (2007)
Directed by: Tamara Jenkins
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Sound Designer
Dedication (2007)
Directed by: Justin Theroux
Cinematography by: Stephen Kazmierski
Edited by: Andy Keir
Re-recording Mixer / Supervising Sound Editor
Purple Violets (2007)
Directed by: Edward Burns
Cinematography by: William Rexer
Edited by: Thom Zimny
Cameras: ARRI Cameras
Re-recording Mixer / Sound Designer
Infamous (2006)
Directed by: Douglas McGrath
Cinematography by: Bruno Delbonnel
Edited by: Camilla Toniolo
Sound Effects Recordist
Freedomland (2006)
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Sound Designer
Shortbus (2006)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Brian A. Kates
Re-recording Mixer
The Groomsmen (2006)
Directed by: Edward Burns
Cinematography by: William Rexer
Edited by: Jamie Kirkpatrick
Sound Effects Recordist
16 Blocks (2006)
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer / Supervising Sound Editor
Shadowboxer (2005)
Directed by: Lee Daniels
Cinematography by: M. David Mullen
Re-recording Mixer
The Notorious Bettie Page (2005)
Directed by: Mary Harron
Cinematography by: W. Mott Hupfel III
Edited by: Tricia Cooke
Foley Editor
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Sound Effects Supervisor
'The Wire' Ebb Tide (2003)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Sound Effects Supervisor
'The Wire' Collateral Damage (2003)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Sound Effects Editor
'The Wire' Hot Shots (2003)
Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Sound Effects Supervisor
'The Wire' Hard Cases (2003)
Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Sound Effects Supervisor
'The Wire' Undertow (2003)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Allyson C. Johnson
Sound Effects Supervisor
'The Wire' All Prologue (2003)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Allyson C. Johnson
Sound Effects Supervisor
'The Wire' Backwash (2003)
Directed by: Thomas J. Wright
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Sound Effects Supervisor
'The Wire' Duck and Cover (2003)
Directed by: Daniel Attias
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Sound Designer
'The Wire' Stray Rounds (2003)
Directed by: Timothy Van Patten
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Sound Effects Supervisor
'The Wire' Storm Warnings (2003)
Directed by: Rob Bailey
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Sound Effects Editor
'The Wire' Bad Dreams (2003)
Directed by: Ernest R. Dickerson
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Sound Effects Editor
'The Wire' Port in a Storm (2003)
Directed by: Robert F. Colesberry
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Foley Editor
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Sound Designer
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Sound Effects Recordist
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Sound Effects Recordist
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Sound Effects Recordist
People I Know (2002)
Directed by: Daniel Algrant
Cinematography by: Peter Deming
Edited by: Suzy Elmiger
Sound Effects Supervisor / Sound Effects Editor / Supervising Sound Editor / Sound Designer - 22 Episodes, 2002-2003
The Wire (2002)
Directed by: Joe Chappelle, Ernest R. Dickerson, Clark Johnson, Ed Bianchi, Steve Shill, Daniel Attias, Timothy Van Patten, Agnieszka Holland, Brad Anderson, Clement Virgo, Rob Bailey, Elodie Keene, Christine Moore, Alex Zakrzewski, Anthony Hemingway, Seith Mann, Milcho Manchevski, Peter Medak, Gloria Muzio, Robert F. Colesberry, Thomas J. Wright, Leslie Libman, Jim McKay, David Platt, Joy Kecken, Scott Kecken, Dominic West
Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Lenses: Panavision Lenses
Sound Effects Editor
'The Wire' The Detail (2002)
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Supervising Sound Editor
'The Wire' The Buys (2002)
Directed by: Peter Medak
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Sound Effects Editor
'The Wire' Old Cases (2002)
Directed by: Clement Virgo
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Supervising Sound Editor
'The Wire' The Pager (2002)
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Sound Effects Editor
'The Wire' The Wire (2002)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Supervising Sound Editor
'The Wire' One Arrest (2002)
Directed by: Joe Chappelle
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Sound Effects Editor
'The Wire' Lessons (2002)
Directed by: Gloria Muzio
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Supervising Sound Editor
'The Wire' Game Day (2002)
Directed by: Milcho Manchevski
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Supervising Sound Editor
'The Wire' The Hunt (2002)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Supervising Sound Editor
'The Wire' Sentencing (2002)
Directed by: Timothy Van Patten
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Supervising Sound Editor
Hedwig and the Angry Inch (2001)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Andrew Marcus
Sound Effects Recordist
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Foley Editor
The Man Who Wasn't There (2001)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Sound Effects Recordist
The Royal Tenenbaums (2001)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Sound Supervisor
Sidewalks of New York (2001)
Directed by: Edward Burns
Cinematography by: Frank Prinzi
Edited by: David Greenwald
Foley Editor
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Foley Supervisor
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Sound Designer
American Psycho (2000)
Directed by: Mary Harron
Cinematography by: Andrzej Sekula
Edited by: Andrew Marcus
Supervising Foley Editor
Bowfinger (1999)
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Supervising Foley Editor
Summer of Sam (1999)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Barry Alexander Brown
Supervising Foley Editor
Titus (1999)
Directed by: Julie Taymor
Cinematography by: Luciano Tovoli
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Supervising Foley Editor
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Supervising Foley Editor
Gloria (1999)
Directed by: Sidney Lumet
Cinematography by: David Watkin
Edited by: Tom Swartwout
Sound Editor
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
Man on the Moon (1999)
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Foley Editor
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Foley Supervisor
The Impostors (1998)
Directed by: Stanley Tucci
Cinematography by: Ken Kelsch
Edited by: Suzy Elmiger
Supervising Foley Editor
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Foley Editor
Celebrity (1998)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Foley Editor
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Supervising Foley Editor
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Foley Supervisor
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Assistant
The Object of My Affection (1998)
Directed by: Nicholas Hytner
Cinematography by: Oliver Stapleton
Edited by: Tariq Anwar
Foley Supervisor
The Big Lebowski (1998)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Supervising Foley Editor
Desperate Measures (1998)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Panaflex Platinum Camera
Assistant Sound Editor
Kundun (1997)
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Assistant Sound Editor
The Ice Storm (1997)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Sound Effects Recordist
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Assistant Sound Editor
The Devil's Own (1997)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Supervising Sound Editor
States of Control (1997)
Directed by: Zachary Winestine
Cinematography by: Susan Starr
Edited by: Jim Villone
Assistant Sound Editor
Deconstructing Harry (1997)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Sound Effects Recordist
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Supervisor
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Sound Effects Recordist
Get on the Bus (1996)
Directed by: Spike Lee
Cinematography by: Elliot Davis
Edited by: Leander T. Sales
Assistant Sound Editor
Everyone Says I Love You (1996)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Sound Effects Recordist
Girl 6 (1996)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Samuel D. Pollard
Assistant Sound Editor
Before and After (1996)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Sound Effects Recordist
Lone Star (1996)
Directed by: John Sayles
Cinematography by: Stuart Dryburgh
Edited by: John Sayles
Assistant Sound Editor
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Recordist
The Birdcage (1996)
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Recordist
Fargo (1996)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 BL4 Camera
Sound Effects Recordist
Get Shorty (1995)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Sound Effects Recordist
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Sound Effects Recordist
Clockers (1995)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Sam Pollard
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Sound Effects Recordist
The Indian in the Cupboard (1995)
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Apprentice Sound Editor
Bullets Over Broadway (1994)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Sound Intern
Imaginary Crimes (1994)
Directed by: Anthony Drazan
Cinematography by: John J. Campbell
Edited by: Elizabeth Kling