Re-recording Mixer
Black Panther: Wakanda Forever (2022)
Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Re-recording Mixer: Skywalker Sound
6 Underground (2019)
Directed by: Michael Bay
Cinematography by: Bojan Bazelli
Re-recording Mixer
A Quiet Place (2018)
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Re-recording Mixer
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Re-recording Mixer
Columbus (2017)
Directed by: Kogonada
Cinematography by: Elisha Christian
Edited by: Kogonada
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke S4 Lenses
Re-recording Mixer
Midnight Special (2016)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Dialogue Editor / Re-recording Mixer
Creed (2015)
Directed by: Ryan Coogler
Cinematography by: Maryse Alberti
Editing System: Avid Editing System
Additional Re-recording Mixer: Skywalker Sound
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Additional Re-recording Mixer
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Re-recording Mixer / Supervising Dialogue Editor
I Origins (2014)
Directed by: Mike Cahill
Cinematography by: Markus Förderer
Edited by: Mike Cahill
Cameras: Red Epic Camera
Re-recording Mixer / Sound Designer
The Raid 2 (2014)
Directed by: Gareth Evans
Edited by: Gareth Evans
Lenses: Zeiss Ultra Prime Lenses
Additional Re-recording Mixer
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
Re-recording Mixer: Dialogue/adr
How to Train Your Dragon 2 (2014)
Directed by: Dean DeBlois
Cinematography by: Gil Zimmerman
Edited by: John K. Carr
Re-recording Mixer / Supervising Sound Designer
Infinitely Polar Bear (2014)
Directed by: Maya Forbes
Cinematography by: Bobby Bukowski
Edited by: Michael R. Miller
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Style Lenses
Additional Re-recording Mixer, Sound Designer
Dirty Wars (2013)
Directed by: Rick Rowley
Cinematography by: Rick Rowley
Cameras: Canon EOS-5D Mark II Camera, Panasonic Cameras
Sound Editor & Re-recording Mixer, Sound Effects Recordist
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
Prince Avalanche (2013)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Colin Patton
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Mud (2012)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Supervising Sound Editor And Re-recording Mixer
LUV (2012)
Directed by: Sheldon Candis
Cinematography by: Gavin Kelly
Edited by: Jeff Wishengrad
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Additional Re-recording Mixer
Madagascar 3: Europe's Most Wanted (2012)
Edited by: Nick Fletcher
Editing System: Avid Editing System
Re-recording Mixer
Take Shelter (2011)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Parke Gregg
Re-recording Mixer: Departue Studios & Technicolor Victory Stage A
Big Stan (2007)
Directed by: Rob Schneider
Cinematography by: Victor Hammer
Re-recording Mixer
Abominable (2006)
Directed by: Ryan Schifrin
Cinematography by: Neal Fredericks
Edited by: Chris Conlee
Re-recording Mixer
Shortbus (2006)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Brian A. Kates
Mix Technician
Clerks II (2006)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Mix Supervisor: Todd-AO , Re-recording Mixer: Todd-AO
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
Directed by: Larry Charles
Cameras: Panasonic AJ-HDC27 Varicam Camera
Assistant Re-recording Mixer , Mix Technician
The Prize Winner of Defiance, Ohio (2005)
Directed by: Jane Anderson
Cinematography by: Jonathan Freeman
Edited by: Robert Dalva
Mix Technician
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Dubbing Mixer , Mix Technician
Rent (2005)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
Re-recording Mixer
The Matador (2005)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Mix Technician
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Re-recording Mixer
Finding Neverland (2004)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Editing System: Avid Editing System
Assistant Re-recording Mixer , Mix Technician
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Sound Mix Technician: English Version
Howl's Moving Castle (2004)
Directed by: Hayao Miyazaki
Cinematography by: Atsushi Okui
Edited by: Takeshi Seyama
Mix Technician
Spin (2003)
Directed by: James Redford
Cinematography by: Paul Ryan
Edited by: Nick Smith
Cameras: Panavision Cameras
Editing System: Autodesk Smoke Editing System
Mix Technician
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Assistant Re-recording Mixer , Sound Mix Technician
Punch-Drunk Love (2002)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Cameras: Panavision Panaflex Platinum Camera
Assistant Re-recording Mixer , Mix Technician
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Mix Technician
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Assistant Re-recording Mixer , Music Recording Assistant, Skywalker Sound Technical Staff: Mix Technician
Requiem for a Dream (2000)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Cameras: Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Assistant Re-recording Mixer / Mix Technician
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Machine Room Operator
A Midsummer Night's Dream (1999)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Assistant Re-recording Mixer , Mix Technician
Anywhere But Here (1999)
Directed by: Wayne Wang
Cinematography by: Roger Deakins
Edited by: Nicholas C. Smith
Assistant Re-recording Mixer , Mix Technician
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Assistant Re-recording Mixer , Machine Room Operator
Office Space (1999)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Machine Room Operator
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Machine Room Operator
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Re-recording Mixer - 5.1 Dolby Digital Remix
A Better Place (1997)
Directed by: Vincent Pereira
Cinematography by: Ian Dudley
Edited by: Vincent Pereira
Cameras: ARRIFLEX 16SR Camera
