Preview Colorist
Miracles from Heaven (2016)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Lenses: ARRI Lenses
Digital Intermediate Colorist
It Follows (2014)
Directed by: David Robert Mitchell
Cinematography by: Mike Gioulakis
Edited by: Julio Perez IV
Cameras: ARRI ALEXA Plus Camera, Red Epic Camera
Digital Intermediate Colorist
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Colorist
'Eagleheart' Bringing Up Beezor (2012)
Directed by: Benjamin Berman
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Colorist
'Eagleheart' Blues (2012)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Daniel Haworth
Colorist
'Eagleheart' Gabey, Calvin, and Stu (2012)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Colorist
'Eagleheart' Silly Sammy (2012)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Daniel Haworth
Colorist
'Eagleheart' Little Dude (2012)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Daniel Haworth
Colorist
'Eagleheart' Tinselwood (2012)
Directed by: Peter Lauer
Cinematography by: Christian Sprenger
Colorist
'Eagleheart' Beat Shack (2012)
Directed by: Peter Lauer
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Colorist
'Eagleheart' Honor Thy Marshal (2012)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Colorist
'Eagleheart' Exit Wound the Gift Shop (2012)
Directed by: Benjamin Berman
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Colorist
'Eagleheart' Tramps (2012)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Colorist
'Eagleheart' Bringing Down Bunju (2012)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Colorist
'Eagleheart' Old Gary (2012)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Daniel Haworth
Digital Intermediate Colorist , Digital Intermediate Colorist: Cameron Pace Group , Stereoscopic Digital Intermediate Colorist
Cirque du Soleil: Worlds Away (2012)
Directed by: Andrew Adamson
Cinematography by: Brett Turnbull
Cameras: Sony HDC-1500 Camera
Stereo Correction Specialist
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Digital Colorist
'Eagleheart' Get Worse Soon (2011)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Digital Colorist
'Eagleheart' Creeps (2011)
Directed by: Eric Appel
Cinematography by: Christian Sprenger
Digital Colorist
'Eagleheart' Master of da' Skies (2011)
Directed by: Eric Appel
Cinematography by: Christian Sprenger
Digital Colorist
'Eagleheart' A Mug of Chili and a Bowl of Death (2011)
Directed by: Jay Karas
Cinematography by: Christian Sprenger
Digital Colorist
'Eagleheart' Danger: Mountain Lions (2011)
Directed by: Troy Miller
Cinematography by: Christian Sprenger
Digital Colorist
'Eagleheart' Once in a Wattle (2011)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Digital Colorist
'Eagleheart' Me Llamo Justice (2011)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Digital Colorist
'Eagleheart' The Human Bat (2011)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Benjamin Berman
Digital Colorist
'Eagleheart' Susie's Song (2011)
Directed by: Jay Karas
Cinematography by: Christian Sprenger
Digital Colorist
'Eagleheart' Chris, Susie, Brett and Malice (2011)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Benjamin Berman
Digital Colorist
'Eagleheart' Double Your Displeasure (2011)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Digital Colorist
'Eagleheart' Death Punch (2011)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Colorist / Digital Colorist - 24 Episodes, 2011-2012
Eagleheart (2010)
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola, Benjamin Berman, Seth Clark, Daniel Haworth, Michael Giambra, Steve Welch, Kabir Akhtar
Cameras: Red One Camera
Editing System: Final Cut Pro Editing System
Digital Intermediate Colorist
Stone (2010)
Directed by: John Curran
Cinematography by: Maryse Alberti
Edited by: Alexandre de Franceschi
Digital Intermediate Colorist: LightIron Digital
The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It (2010)
Directed by: Craig Moss
Cinematography by: Andrew Strahorn
Edited by: Michel Aller
Additional Digital Intermediate Colorist: LightIRON Digital
Every Day (2010)
Directed by: Richard Levine
Cinematography by: Nancy Schreiber
Edited by: Pam Wise
Colorist: Dailies
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Colorist: Dailies
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Digital Intermediate Colorist: CO3
Sunshine Cleaning (2008)
Directed by: Christine Jeffs
Cinematography by: John Toon
Edited by: Heather Persons
Colorist: Dailies
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Additional Colorist
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Additional Colorist
Slipstream (2007)
Directed by: Anthony Hopkins
Cinematography by: Dante Spinotti
Edited by: Michael R. Miller
Digital Intermediate Colorist: Company 3
The Jane Austen Book Club (2007)
Directed by: Robin Swicord
Cinematography by: John Toon
Edited by: Maryann Brandon
Additional Colorist , Colorist: Dailies
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Additional Colorist
Into the Wild (2007)
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Additional Colorist
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Additional Colorist
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Additional Colorist
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Additional Colorist
The Texas Chainsaw Massacre: The Beginning (2006)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Additional Colorist
Little Miss Sunshine (2006)
Cinematography by: Tim Suhrstedt
Edited by: Pamela Martin
Additional Colorist
Dreamgirls (2006)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Additional Colorist , Dailies Colorist
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Assistant Colorist
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Colorist
Capote (2005)
Directed by: Bennett Miller
Cinematography by: Adam Kimmel
Edited by: Christopher Tellefsen
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Additional Colorist
The Amityville Horror (2005)
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Dailies Colorist
The Weather Man (2005)
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Additional Colorist
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Colorist: Dailies
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Additional Colorist
Man on Fire (2004)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Colorist
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Additional Colorist
Adaptation. (2002)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Assistant Colorist
Spy Game (2001)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
