Kodak Vision Color 2383/3383 | 582 Titles
Journey 2: The Mysterious Island (2012)
Directed by | Brad Peyton | Cinematography by | David Tattersall | Editing by | David Rennie
Cameras | Phantom HD Camera, Red Digital Cinema Cameras, Red One Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera
Bless the Child (2000)
Directed by | Chuck Russell | Cinematography by | Peter Menzies Jr. | Editing by | Alan Heim
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
U2 3D (2007)
Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki
Cameras | Sony HDW-F900 Camera
Narc (2002)
Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy
Lenses | Zeiss Super Speed Lenses
Star Trek (2009)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Stranger Than Fiction (2006)
War Horse (2011)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
The Place Beyond the Pines (2012)
Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane
The Hitchhiker’s Guide to the Galaxy (2005)
Directed by | Garth Jennings | Cinematography by | Igor Jadue-Lillo | Editing by | Niven Howie
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Anything Else (2003)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Cameras | Panavision Panaflex Millennium Camera
Robin Hood (2010)
Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses | Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Elizabeth: The Golden Age (2007)
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
The King’s Speech (2010) 
Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Tariq Anwar
Lenses | Zeiss Master Prime Lenses
Hustle & Flow (2005)
Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Ultra Prime Lenses
Big Fish (2003)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Troy (2004)
Directed by | Wolfgang Petersen | Cinematography by | Roger Pratt | Editing by | Peter Honess
Lenses | Cooke S4 Lenses
Shooter (2007)
Directed by | Antoine Fuqua | Cinematography by | Peter Menzies Jr. | Editing by | Conrad Buff IV, Eric A. Sears
The Bourne Ultimatum (2007)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Knocked Up (2007)
Directed by | Judd Apatow | Cinematography by | Eric Alan Edwards | Editing by | Craig Alpert, Brent White
Cameras | Panavision Cameras
Hereafter (2010)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera
