Kodak Vision Color 2383/3383 | 582 Titles
Io sono l’amore (2009)
Directed by | Luca Guadagnino | Cinematography by | Yorick Le Saux | Editing by | Walter Fasano
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
To Rome with Love (2012)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Cooke 5/i Lenses, Cooke Speed Panchro Lenses
Life as We Know It (2010)
Directed by | Greg Berlanti | Cinematography by | Andrew Dunn | Editing by | Jim Page
Lenses | Panavision Primo Anamorphic Lenses
Bronson (2008)
Tears of the Sun (2003)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | Conrad Buff IV, Christopher Holmes
Cameras | Panavision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Bourne Supremacy (2004)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Richard Pearson, Christopher Rouse
Cameras | ARRI Cameras
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Friends with Benefits (2011)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
Aquamarine (2006)
Directed by | Elizabeth Allen Rosenbaum | Cinematography by | Brian J. Breheny | Editing by | Jane Moran
Cameras | Panavision Cameras
Villa Amalia (2009)
Directed by | Benoît Jacquot | Cinematography by | Caroline Champetier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
Max Keeble’s Big Move (2001)
Directed by | Tim Hill | Cinematography by | Arthur Albert | Editing by | Tony Lombardo, Peck Prior
Cameras | Moviecam Compact Camera
Babylon A.D. (2008)
Directed by | Mathieu Kassovitz | Cinematography by | Thierry Arbogast | Editing by | Benjamin Weill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera
Lenses | Panavision Primo Anamorphic Lenses
4 Months, 3 Weeks and 2 Days (2007)
Directed by | Cristian Mungiu | Cinematography by | Oleg Mutu | Editing by | Dana Bunescu
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Ultra Prime Lenses
Midnight in Paris (2011)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses
Terminator Salvation (2009)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Think Like a Man (2012)
Directed by | Tim Story | Cinematography by | Larry Blanford | Editing by | Peter S. Elliot
Cameras | Red Epic Camera
Hidalgo (2004)
Hugo (2011)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Zodiac (2007)
Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | Angus Wall
Cameras | Thomson Viper Camera
Lenses | Zeiss DigiPrime Lenses
The Wolfman (2010)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Walter Murch, Dennis Virkler, Mark Goldblatt
Cameras | Panavision Panaflex Millennium XL Camera
