Kodak Vision Color 2383/3383 | 582 Titles
Jack and Jill (2011)
Directed by | Dennis Dugan | Cinematography by | Dean Cundey | Editing by | Tom Costain
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Here Comes the Boom (2012)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Scott Hill
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
Gangster Squad (2013)
Directed by | Ruben Fleischer | Cinematography by | Dion Beebe | Editing by | Alan Baumgarten, James Herbert
Cameras | ARRI ALEXA Studio Camera, Phantom Flex Camera
World War Z (2013)
Directed by | Marc Forster | Cinematography by | Ben Seresin, Robert Richardson | Editing by | Roger Barton, Matt Chesse
Mad Max: Fury Road (2015)
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
The Twilight Saga: Eclipse (2010)
Directed by | David Slade | Cinematography by | Javier Aguirresarobe | Editing by | Art Jones, Nancy Richardson
Cameras | Panavision Cameras
The Phantom of the Opera (2004)
The Ring (2002)
The Duchess (2008)
Outside Providence (1999)
Directed by | Michael Corrente | Cinematography by | Richard Crudo | Editing by | Kate Sanford
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Invictus (2009)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Whale Rider (2002)
Directed by | Niki Caro | Cinematography by | Leon Narbey | Editing by | David Coulson
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Moneyball (2011)
Directed by | Bennett Miller | Cinematography by | Wally Pfister | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
The Change-Up (2011)
Directed by | David Dobkin | Cinematography by | Eric Alan Edwards | Editing by | Lee Haxall, Greg Hayden
Lenses | Cooke S4 Lenses
City of God (2002)
Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende
Step Brothers (2008)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White
Cameras | Panavision Cameras
Transformers: Revenge of the Fallen (2009)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
No Country for Old Men (2007) 
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses, Zeiss Master Prime Lenses
People Like Us (2012)
Directed by | Alex Kurtzman | Cinematography by | Salvatore Totino | Editing by | Robert Leighton
Lenses | Cooke S4 Lenses
The Safety of Objects (2001)
Directed by | Rose Troche | Cinematography by | Enrique Chediak | Editing by | Geraldine Peroni
Lenses | Panavision Primo Anamorphic Lenses
