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Kodak Vision Color 2383/3383 | 582 Titles

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Dead Man Down (2013)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Dead Man Down | ShotOnWhat?

Directed by | Niels Arden Oplev | Cinematography by | Paul Cameron | Editing by | Timothy A. Good, Frédéric Thoraval

Starring | Colin Farrell, Noomi Rapace, Dominic Cooper, Terrence Howard

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Hawk 150-450 mm T2.8 Lens

Pain & Gain (2013)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Tom Muldoon, Joel Negron

Starring | Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shalhoub

Cameras | Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses | Panavision C Series Anamorphic Lenses

Side Effects (2013)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Side Effects | ShotOnWhat?

Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh

Starring | Rooney Mara, Channing Tatum, Jude Law, Catherine Zeta-Jones

Cameras | Red Epic Camera

Jack the Giant Slayer (2013)

Motion Picture | 3D | Color | 2.39:1 | 114 Minutes

Jack the Giant Slayer | ShotOnWhat?

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Bob Ducsay, John Ottman

Starring | Nicholas Hoult, Stanley Tucci, Ewan McGregor, Bill Nighy

Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

Into the Storm (2014)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Richard Armitage, Sarah Wayne Callies, Matt Walsh, Max Deacon

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Identity Thief (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Identity Thief | ShotOnWhat?

Directed by | Seth Gordon | Cinematography by | Javier Aguirresarobe | Editing by | Peter Teschner

Starring | Jason Bateman, Melissa McCarthy, John Cho, Amanda Peet

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Lenses

Beowulf (2007)

Motion Picture | 3D | Color | 1.44:1, 2.39:1 | 115 Minutes

Beowulf | ShotOnWhat?

Directed by | Robert Zemeckis | Cinematography by | Robert Presley | Editing by | Jeremiah O'Driscoll

Starring | Ray Winstone, Crispin Glover, Angelina Jolie, Robin Wright

Rise of the Guardians (2012)

Motion Picture | 3D | Color | 1.85:1 | 97 Minutes

Rise of the Guardians | ShotOnWhat?

Directed by | Peter Ramsey | Editing by | Joyce Arrastia

Starring | Hugh Jackman, Alec Baldwin, Isla Fisher, Chris Pine

The Croods (2013)

Motion Picture | 3D | Color | 1.44:1 | 98 Minutes

Directed by | Kirk DeMicco, Chris Sanders | Cinematography by | Yong Duk Jhun | Editing by | Darren T. Holmes

Starring | Nicolas Cage, Ryan Reynolds, Emma Stone, Catherine Keener

G.I. Joe: Retaliation (2013)

Motion Picture | 3D | Color | 2.39:1 | 110 Minutes

Directed by | Jon M. Chu | Cinematography by | Stephen F. Windon | Editing by | Roger Barton, Jim May

Starring | Dwayne Johnson, Channing Tatum, Adrianne Palicki, Byung-Hun Lee

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Lone Ranger (2013)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | James Haygood, Craig Wood

Starring | Johnny Depp, Armie Hammer, William Fichtner, Tom Wilkinson

Cameras | ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

The Hunger Games: Catching Fire (2013)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 146 Minutes

Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell

Starring | Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Philip Seymour Hoffman

Cameras | ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Gatekeepers (2012)

Documentary | 2D | Black & White, Color | 1.85:1 | 101 Minutes

Directed by | Dror Moreh | Cinematography by | Avner Shahaf | Editing by | Oron Adar

Starring | Ami Ayalon, Avraham Shalom, Avi Dichter, Yaakov Peri

Iron Man Three (2013)

Motion Picture | 3D | Color | 2.39:1 | 130 Minutes

The Hobbit: The Desolation of Smaug (2013)

Motion Picture | 3D | Color | 2.39:1 | 161 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen

Starring | Ian McKellen, Martin Freeman, Richard Armitage, Ken Stott

Cameras | GoPro HD Hero3 Camera, Red Epic Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Zero Dark Thirty (2012)

Motion Picture | 2D | Color | 1.85:1 | 157 Minutes

Directed by | Kathryn Bigelow | Cinematography by | Greig Fraser | Editing by | William Goldenberg, Dylan Tichenor

Starring | Jessica Chastain, Joel Edgerton, Chris Pratt, Mark Strong

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses

Silver Linings Playbook (2012)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | David O. Russell | Cinematography by | Masanobu Takayanagi | Editing by | Jay Cassidy, Crispin Struthers

Starring | Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jacki Weaver

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Les Misérables (2012)

Motion Picture | 2D | Color | 1.85:1 | 158 Minutes

Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Chris Dickens, Melanie Oliver

Starring | Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Bullet to the Head (2012)

Motion Picture | 2D | Color, Black and White | 1.85:1 | 92 Minutes

Bullet to the Head | ShotOnWhat?

Directed by | Walter Hill | Cinematography by | Lloyd Ahern II | Editing by | Timothy Alverson

Starring | Sylvester Stallone, Jason Momoa, Christian Slater, Sung Kang

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Parker (2013)

Motion Picture | 2D | Color | 2.35:1 | 118 Minutes

Parker | ShotOnWhat?

Directed by | Taylor Hackford | Cinematography by | James M. Muro | Editing by | Mark Warner

Starring | Jason Statham, Jennifer Lopez, Michael Chiklis, Nick Nolte

Cameras | Red Epic Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

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