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The Addams Family (1991)

Motion Picture | 2D | Color | 99 Minutes

Directed by | Barry Sonnenfeld | Cinematography by | Owen Roizman | Editing by | Dede Allen, Jim Miller

Starring | Anjelica Huston, Raul Julia, Christopher Lloyd, Dan Hedaya

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Days of Thunder (1990)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 107 Minutes

Directed by | Tony Scott | Cinematography by | Ward Russell | Editing by | Robert C. Jones, Chris Lebenzon, Bert Lovitt, Michael Tronick, Stuart Waks, Billy Weber

Starring | Tom Cruise, Nicole Kidman, Robert Duvall, Randy Quaid

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Harry Potter and the Prisoner of Azkaban (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 142 Minutes

Directed by | Alfonso Cuarón | Cinematography by | Michael Seresin | Editing by | Steven Weisberg

Starring | Daniel Radcliffe, Emma Watson, Rupert Grint, Richard Griffiths

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Cooke S4 Lenses

The Roommate (2011)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

The Roommate | ShotOnWhat?

Directed by | Christian E. Christiansen | Cinematography by | Phil Parmet | Editing by | Randy Bricker

Starring | Minka Kelly, Leighton Meester, Cam Gigandet, Aly Michalka

Cameras | Panavision Genesis Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Children of Men (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 109 Minutes

Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez

Starring | Julianne Moore, Clive Owen, Chiwetel Ejiofor, Michael Caine

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Master Prime Lenses

Toy Story 3 (2010)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 103 Minutes

Directed by | Lee Unkrich | Cinematography by | Jeremy Lasky | Editing by | Ken Schretzmann

Starring | Tom Hanks, Tim Allen, Joan Cusack, Ned Beatty

The Darkest Hour (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 89 Minutes

Directed by | Chris Gorak | Cinematography by | Scott Kevan | Editing by | Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Starring | Emile Hirsch, Olivia Thirlby, Max Minghella, Rachael Taylor

Cameras | Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses | Panavision Primo Primes Spherical Lenses

L.A. Confidential (1997)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Peter Honess

Starring | Kevin Spacey, Russell Crowe, Guy Pearce, Kim Basinger

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Almost Famous (2000)

Motion Picture | 2D | Color | 1.85:1 | 122 Minutes

Directed by | Cameron Crowe | Cinematography by | John Toll | Editing by | Joe Hutshing, Saar Klein

Starring | Billy Crudup, Patrick Fugit, Kate Hudson, Frances McDormand

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Passion in the Desert (1997)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Lavinia Currier | Cinematography by | Aleksey Rodionov | Editing by | Nicolas Gaster

Starring | Ben Daniels, Michel Piccoli, Paul M. Meston, Kenneth Collard

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Cooke Cinetal Lenses, Zeiss Standard Speed Prime Lenses

Alex Rider: Operation Stormbreaker (2006)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Geoffrey Sax | Cinematography by | Chris Seager | Editing by | Andrew MacRitchie

Starring | Alex Pettyfer, Mickey Rourke, Sophie Okonedo, Sarah Bolger

Cameras | ARRIFLEX 435 Camera

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses

S. Darko (2009)

Motion Picture | 2D | Color | 1.78:1 (16x9), 1.85:1 | 103 Minutes

Directed by | Chris Fisher | Cinematography by | Marvin V. Rush | Editing by | Kent Beyda

Starring | Daveigh Chase, Briana Evigan, James Lafferty, Ed Westwick

Cameras | Red One Camera

Interlocked: Thrilled to Death (1998)

Motion Picture | 2D | Color | 93 Minutes

Directed by | Rick Jacobson | Cinematography by | Jesse Weathington | Editing by | Jeffrey Schwarz

Starring | Jeff Trachta, Schae Harrison, Sandra Dee Robinson, Howard Mungo

Cameras | ARRIFLEX Camera

Dirty Laundry (Air It Out) (2003)

Motion Picture | Color | 90 Minutes

Directed by | Shannon Newby | Cinematography by | MJ Schirmer | Editing by | Erik Hammarberg, Shannon Newby

Starring | David O. Hopkins, Rasheda El, Justin Coleman, Clarence Hester

Cameras | ARRI Cameras, Cinema Products Cameras

Lenses | Angenieux Lenses

Red Riding Hood (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Catherine Hardwicke | Cinematography by | Mandy Walker | Editing by | Nancy Richardson, Julia Wong

Starring | Amanda Seyfried, Lukas Haas, Gary Oldman, Billy Burke

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Lovely Bones (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen

Starring | Rachel Weisz, Mark Wahlberg, Saoirse Ronan, Susan Sarandon

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Special Relationship (2010)

Television Movie | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Richard Loncraine | Cinematography by | Barry Ackroyd | Editing by | Melanie Oliver

Starring | Michael Sheen, Demetri Goritsas, Adam Godley, Marc Rioufol

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Hubble 3D (2010)

Motion Picture | 3D | Color | 1.44:1, 1.78:1 (16x9) | 44 Minutes

Hubble 3D | ShotOnWhat?

Directed by | Toni Myers | Cinematography by | James Neihouse | Editing by | Toni Myers

Starring | Leonardo DiCaprio, Scott D. Altman, Megan McArthur, Andrew J. Feustel

Cameras | Canon Cameras, IMAX 3D-15 Solido Camera, IMAX 3D-30 Camera

30 Days of Night: Dark Days (2010)

Direct to Video | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Ben Ketai | Cinematography by | Eric Maddison | Editing by | Darrin Navarro

Starring | Kiele Sanchez, Rhys Coiro, Diora Baird, Harold Perrineau

Cameras | Sony CineAlta F35 Camera

24 7: Twenty Four Seven (1997)

Motion Picture | 2D | Black & White | 1.85:1 | 96 Minutes

Directed by | Shane Meadows | Cinematography by | Ashley Rowe | Editing by | William Diver

Starring | Bob Hoskins, Danny Nussbaum, Toby, Bruce Jones

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Lenses

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