DVD | 2011 Titles
Funny People (2009)
Directed by | Judd Apatow | Cinematography by | Janusz Kaminski | Editing by | Craig Alpert, Brent White
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
All the Real Girls (2003)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Zene Baker, Steven Gonzales
Pineapple Express (2008)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision Primo Anamorphic Lenses
Lawless (2012)
Directed by | John Hillcoat | Cinematography by | Benoît Delhomme | Editing by | Dylan Tichenor
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Moonlight Mile (2002)
Directed by | Brad Silberling | Cinematography by | Phedon Papamichael | Editing by | Lisa Zeno Churgin
Cameras | Panavision Panaflex Camera
The Twilight Samurai (2002)
Directed by | Yôji Yamada | Cinematography by | Mutsuo Naganuma | Editing by | Iwao Ishii
Cameras | ARRIFLEX Camera
8 Mile (2002)
Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz
Lenses | Zeiss Ultra Prime Lenses
Boys Don’t Cry (1999)
Directed by | Kimberly Peirce | Cinematography by | Jim Denault | Editing by | Tracy Granger, Lee Percy
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Barbarian Invasions (2003)
Directed by | Denys Arcand | Cinematography by | Guy Dufaux | Editing by | Isabelle Dedieu
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
The Lincoln Lawyer (2011)
Directed by | Brad Furman | Cinematography by | Lukas Ettlin | Editing by | Jeff McEvoy
Cameras | Red One MX Camera
The Golden Compass (2007)
Directed by | Chris Weitz | Cinematography by | Henry Braham | Editing by | Anne V. Coates, Peter Honess, Kevin Tent
Cameras | Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Gone Baby Gone (2007)
The Good Shepherd (2006)
Directed by | Robert De Niro | Cinematography by | Robert Richardson | Editing by | Tariq Anwar
Cameras | Panavision Panaflex Platinum Camera
Clash of the Titans (2010)
Directed by | Louis Leterrier | Cinematography by | Peter Menzies Jr. | Editing by | David Freeman, Vincent Tabaillon, Martin Walsh
La Vida Loca: Based on a True Story (2012)
Directed by | Adrian Nava | Cinematography by | Adrian Nava | Editing by | Adrian Nava
Cameras | Canon EOS Rebel T3i camera
Lenses | Canon Lenses
Cold Mountain (2003)
Thirteen (2003)
Directed by | Catherine Hardwicke | Cinematography by | Elliot Davis | Editing by | Nancy Richardson
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses
Scott Pilgrim vs. the World (2010)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss
Cameras | ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Bright Star (2009)
Directed by | Jane Campion | Cinematography by | Greig Fraser | Editing by | Alexandre de Franceschi
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera
Lenses | Cooke S4 Lenses, Optica Elite Lenses
The Hours (2002)
Directed by | Stephen Daldry | Cinematography by | Seamus McGarvey | Editing by | Peter Boyle
Cameras | Panavision Panaflex Millennium Camera
