DVD | 2011 Titles
Violent Cop (2000)
Directed by | Wai-Man Cheng | Cinematography by | Yuen Man Fung | Editing by | Angie Lam
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
The Inbetweeners Movie (2011)
Directed by | Ben Palmer | Cinematography by | Ben Wheeler | Editing by | Charlie Fawcett, William Webb
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Fighter (2010)
The Village (2004)
Directed by | M. Night Shyamalan | Cinematography by | Roger Deakins | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
Takers (2010)
Directed by | John Luessenhop | Cinematography by | Michael Barrett | Editing by | Armen Minasian
Cameras | ARRIFLEX 435 ES Camera, Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Cowboys & Aliens (2011)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Jim May
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Kinsey (2004)
Letters from Iwo Jima (2006)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera
Playing by Heart (1998)
Directed by | Willard Carroll | Cinematography by | Vilmos Zsigmond | Editing by | Pietro Scalia
Cameras | Panavision Panaflex Platinum Camera
Encounters at the End of the World (2007)
Directed by | Werner Herzog | Cinematography by | Peter Zeitlinger | Editing by | Joe Bini
Cameras | Sony HVR-Z1E Camera
The Girl with the Dragon Tattoo (2011)
Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | Kirk Baxter, Angus Wall
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Master Prime Lenses
A History of Violence (2005)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Antitrust (2001)
Directed by | Peter Howitt | Cinematography by | John Bailey | Editing by | Zach Staenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Shawshank Redemption (1994)
Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce
Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera
Lenses | ARRI / Zeiss Lenses
The Loss of a Teardrop Diamond (2008)
Directed by | Jodie Markell | Cinematography by | Giles Nuttgens | Editing by | Susan E. Morse, Jeremy Workman
Cameras | Panavision Panaflex Platinum Camera
Dead Presidents (1995)
Directed by | Albert Hughes, Allen Hughes | Cinematography by | Lisa Rinzler | Editing by | Dan Lebental
Cameras | Panavision Panaflex Gold II Camera
X-Men Origins: Wolverine (2009)
Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Nicolas De Toth, Megan Gill
The Apostle (1997)
Directed by | Robert Duvall | Cinematography by | Barry Markowitz | Editing by | Stephen Mack
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Machine Gun Preacher (2011)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
Dredd (2012)
Directed by | Pete Travis | Cinematography by | Anthony Dod Mantle | Editing by | Mark Eckersley
Lenses | Zeiss Ultra Prime Lenses
