Distributed Aspect Ratio » 2.39:1

2.39:1 | 1565 Titles

2.39:1 3.44/5 9 Votes

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Toy Story 4 (2019)

Motion Picture | 3D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | Josh Cooley | Cinematography by | Jean-Claude Kalache, Patrick Lin | Editing by | Axel Geddes

Starring | Tom Hanks, Tim Allen, Annie Potts, Tony Hale

Wounds (2019)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Babak Anvari | Cinematography by | Kit Fraser | Editing by | Chris Barwell

Starring | Armie Hammer, Zazie Beetz, Karl Glusman, Christin Rankins

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses

Five Feet Apart (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Justin Baldoni | Cinematography by | Frank G. DeMarco | Editing by | Angela M. Catanzaro

Starring | Haley Lu Richardson, Cole Sprouse, Moises Arias, Kimberly Hebert Gregory

Cameras | ARRI AMIRA Camera

Lenses | Cooke Lenses, Cooke Spherical Lenses

Solo: A Star Wars Story (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 135 Minutes

Directed by | Ron Howard | Cinematography by | Bradford Young | Editing by | Pietro Scalia

Starring | Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

A Star Is Born (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 136 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Jay Cassidy

Starring | Lady Gaga, Bradley Cooper, Sam Elliott, Greg Grunberg

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

Malaria (2016)

Motion Picture | 2D | 2.8K Project | Color | 2.39:1 | 86 Minutes

Directed by | Parviz Shahbazi | Cinematography by | Hooman Behmanesh | Editing by | Parviz Shahbazi

Starring | Saed Soheili, Saghar Ghanaat, Azarakhsh Farahani, Azade Namdari

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Skull (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Yusron Fuadi | Editing by | Yusron Fuadi

Starring | Eka Nusa Pertiwi, Yusron Fuadi, Guh S Mana, Haydar Salishz

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH3 Camera

Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85 mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE

The Patriot (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 165 Minutes

Directed by | Roland Emmerich | Cinematography by | Caleb Deschanel | Editing by | David Brenner, Christopher Holmes, Julie Monroe

Starring | Mel Gibson, Heath Ledger, Joely Richardson, Jason Isaacs

Cameras | Panavision Cameras

Lenses | Panavision Lenses

A Time to Kill (1996)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 149 Minutes

Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp

Starring | Matthew McConaughey, Sandra Bullock, Samuel L. Jackson, Kevin Spacey

Cameras | Panavision Panaflex Platinum Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Paradise Now (2005)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos

Starring | Kais Nashif, Ali Suliman, Lubna Azabal, Hamza Abu-Aiaash

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses

Master of None (2015)

Television Series | 2D | 4K Project | Color | 2.39:1 | 30 Minutes

| Cinematography by | Mark Schwartzbard | Editing by | Jennifer Lilly, Suzy Elmiger, Daniel Haworth

Starring | Aziz Ansari, Eric Wareheim, Lena Waithe, Noël Wells

Cameras | Panasonic VariCam 35

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Titus (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 162 Minutes

Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot

Starring | Anthony Hopkins, Jessica Lange, Osheen Jones, Dario D'Ambrosi

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

The Bastard Sword (2018)

Motion Picture | 2D | Color | 2.39:1 | 182 Minutes

Directed by | Eveshka Ghost

Starring | Xander Phillips, Seth Easterbrook, Martyn Eade, Chris Comber

Cameras | Sony α7S Camera

Romeo + Juliet (1996)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 120 Minutes

Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock

Starring | Leonardo DiCaprio, Claire Danes, John Leguizamo, Harold Perrineau

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Anamorphic Lenses

I Viceré (2007)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Roberto Faenza | Cinematography by | Maurizio Calvesi | Editing by | Massimo Fiocchi

Starring | Alessandro Preziosi, Lando Buzzanca, Cristiana Capotondi, Guido Caprino

Cameras | Moviecam Compact Camera

The Granary (2017)

Motion Picture | 2D | Black & White | 2.39:1 | 150 Minutes

Directed by | Eveshka Ghost | Editing by | Eveshka Ghost

Starring | Alex Willis, Xander Phillips, Becky Kentfield, Will Lightburn

Cameras | Canon EOS 550D Camera, Canon EOS Rebel T2i Camera

The Lord of the Rings: The Two Towers (2002)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 179 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton

Starring | Elijah Wood, Ian McKellen, Viggo Mortensen, Orlando Bloom

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses

The Lord of the Rings: The Return of the King (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 201 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Elijah Wood, Viggo Mortensen, Ian McKellen, Orlando Bloom

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Body of Lies (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia

Starring | Leonardo DiCaprio, Russell Crowe, Mark Strong, Golshifteh Farahani

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Unstoppable (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 98 Minutes

Directed by | Tony Scott | Cinematography by | Ben Seresin | Editing by | Robert Duffy, Chris Lebenzon

Starring | Denzel Washington, Chris Pine, Rosario Dawson, Ethan Suplee

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

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