2.39:1 | 1410 Titles
The New Tenants (2009)
The Lady and the Reaper (La dama y la muerte) (2009)
Il divo – La spettacolare vita di Giulio Andreotti (2008)
Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli
Embrace of the Serpent (2015)
Directed by | Ciro Guerra | Cinematography by | David Gallego | Editing by | Etienne Boussac
Cameras | ARRICAM Lite (LT) Camera
The Messenger (2009)
Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Alex Hall
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Style Lenses, Cooke S4 Lenses
Sette opere di misericordia (2011)
Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Più buio di mezzanotte (2014)
Directed by | Sebastiano Riso | Cinematography by | Piero Basso | Editing by | Marco Spoletini
Cameras | ARRI ALEXA Studio Camera
Lenses | Technovision Cooke Anamorphic 100mm T2.8 Lens, Technovision Cooke Anamorphic 32mm T2.3 Lens, Technovision Cooke Anamorphic 40mm T3.0 Lens, Technovision Cooke Anamorphic 50mm T2.5 Lens, Technovision Cooke Anamorphic 75mm T2.5 Lens
Straight Outta Compton (2015)
Directed by | F. Gary Gray | Cinematography by | Matthew Libatique | Editing by | Billy Fox, Michael Tronick
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses
Alles wird gut (2015)
Directed by | Patrick Vollrath | Cinematography by | Sebastian Thaler | Editing by | Patrick Vollrath
Cameras | ARRI ALEXA Studio Camera
Youth (2015)
Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Ultra Prime Lenses
The 100 Year-Old Man Who Climbed Out the Window and Disappeared (2013)
Directed by | Felix Herngren | Cinematography by | Göran Hallberg | Editing by | Henrik Källberg
Cameras | ARRI ALEXA Camera
Mustang (2015)
Directed by | Deniz Gamze Ergüven | Cinematography by | David Chizallet, Ersin Gok | Editing by | Mathilde Van de Moortel
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Super Speed Lenses
Theeb (2014)
Directed by | Naji Abu Nowar | Cinematography by | Wolfgang Thaler | Editing by | Rupert Lloyd
Starring | Jacir Eid Al-Hwietat, Hussein Salameh Al-Sweilhiyeen, Hassan Mutlag Al-Maraiyeh, Jack Fox
Cameras | ARRIFLEX 416 Camera
Lenses | Hawk V-Lite 16 Lens
Cartel Land (2015)
Directed by | Matthew Heineman | Cinematography by | Matthew Heineman, Matt Porwoll | Editing by | Matthew Hamachek, Matthew Heineman, Bradley J. Ross, Pax Wassermann
Cinderella (2015)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh
Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Anomalisa (2015)
Directed by | Duke Johnson, Charlie Kaufman | Cinematography by | Joe Passarelli | Editing by | Garret Elkins
Cameras | Canon EOS-7D Camera
Creed (2015)
Directed by | Ryan Coogler | Cinematography by | Maryse Alberti | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera
Room (2015)
Directed by | Lenny Abrahamson | Cinematography by | Danny Cohen | Editing by | Nathan Nugent
Cameras | Red Epic Dragon Camera
