Distributed Aspect Ratio » 2.39:1

2.39:1 | 1565 Titles

2.39:1 3.44/5 9 Votes

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Atomic Blonde (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Charlize Theron, James McAvoy, John Goodman, Eddie Marsan

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Lite Vintage´74 Lens

The Curious Case of Benjamin Button (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 166 Minutes

Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall

Starring | Brad Pitt, Cate Blanchett, Tilda Swinton, Julia Ormond

Cameras | ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses | Zeiss DigiPrime Lenses

War for the Planet of the Apes (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas

Starring | Andy Serkis, Woody Harrelson, Steve Zahn, Karin Konoval

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

The Girl in the Spider’s Web (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Tatiana S. Riegel

Starring | Claire Foy, Beau Gadsdon, Sverrir Gudnason, LaKeith Stanfield

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | ARRI Rental Prime DNA Lenses, Zeiss Master Prime Lenses

The Radicalization of Jeff Boyd (2017)

Motion Picture | 2D | HD Project | Black & White, Color | 2.39:1 | 117 Minutes

Directed by | Uwe Schwarzwalder | Cinematography by | Brian Pinkus, Uwe Schwarzwalder | Editing by | Uwe Schwarzwalder

Starring | Uwe Schwarzwalder, Yessica Sanchez, Zarina Tadjibaeva, Jörg Reichlin

Cameras | Blackmagic Pocket Cinema Camera

The Expendables (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb

Starring | Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

End of Days (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 122 Minutes

Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Jeff Gullo, Steven Kemper

Starring | Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Second Act (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Peter Segal | Cinematography by | Ueli Steiger | Editing by | Jason Gourson

Starring | Jennifer Lopez, Vanessa Hudgens, Leah Remini, Treat Williams

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

Superman Returns (2006)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 154 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Elliot Graham, John Ottman

Starring | Brandon Routh, Kevin Spacey, Kate Bosworth, James Marsden

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Fast and the Furious (2001)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess

Starring | Vin Diesel, Paul Walker, Michelle Rodriguez, Jordana Brewster

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

Measure of a Man (2018)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper

Starring | Judy Greer, Donald Sutherland, Luke Wilson, Liana Liberato

Cameras | ARRI ALEXA Camera

Lenses | Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

The Strangers: Prey at Night (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 85 Minutes

Directed by | Johannes Roberts | Cinematography by | Ryan Samul | Editing by | Martin Brinkler

Starring | Christina Hendricks, Martin Henderson, Bailee Madison, Lewis Pullman

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

The Cable Guy (1996)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg

Starring | Jim Carrey, Matthew Broderick, Leslie Mann, Jack Black

Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses

Innerself (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Johnny Wu | Cinematography by | Peter Sampson | Editing by | Johnny Wu

Starring | Jason L. Wang, Mikhail Tot, Stephen Haas, Rosy Hong

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | Meike 25mm T2.2, Panasonic Lumix G X Vario 12-35mm f2.8 Lens, Panasonic Lumix G X Vario 35-100mm f2.8 Lens

Tango (1998)

Motion Picture | 2D | Film Project | Color | 2.0:1, 2.39:1 | 115 Minutes

Directed by | Carlos Saura | Cinematography by | Vittorio Storaro | Editing by | Julia Juaniz

Starring | Miguel Ángel Solá, Cecilia Narova, Mía Maestro, Juan Carlos Copes

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Traitor (2008)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 114 Minutes

Directed by | Jeffrey Nachmanoff | Cinematography by | James M. Muro | Editing by | Billy Fox

Starring | Don Cheadle, Guy Pearce, Archie Panjabi, Saïd Taghmaoui

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Set Fire to the Stars (2014)

Motion Picture | 2D | HD Project | Black & White | 2.39:1 | 97 Minutes

Directed by | Andy Goddard | Cinematography by | Chris Seager | Editing by | Mike Jones

Starring | Elijah Wood, Celyn Jones, Kelly Reilly, Steven Mackintosh

Cameras | ARRI ALEXA Series Cameras

The Vanishing (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Kristoffer Nyholm | Cinematography by | Jørgen Johansson | Editing by | Morten Højbjerg

Starring | Gerard Butler, Peter Mullan, Connor Swindells, Søren Malling

Cameras | ARRI Cameras

Pitch Black (2000)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | David Twohy | Cinematography by | David Eggby | Editing by | Rick Shaine

Starring | Radha Mitchell, Cole Hauser, Vin Diesel, Keith David

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Perfect Storm (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Richard Francis-Bruce

Starring | George Clooney, Mark Wahlberg, John C. Reilly, Diane Lane

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

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