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ARRIFLEX 235 Camera : 162ARRIFLEX 35 BL Camera : 30ARRIFLEX 35 BL2 Camera : 4ARRIFLEX 35 BL3 Camera : 16ARRIFLEX 35 BL4 Camera : 37ARRIFLEX 35 BL4s Camera : 18ARRIFLEX 35 Camera : 1ARRIFLEX 35 IIA Camera : 3ARRIFLEX 35 IIB Camera : 1ARRIFLEX 35 IIC Camera : 43ARRIFLEX 35 III Camera : 81ARRIFLEX 35 IIIC Camera : 5ARRIFLEX 435 Advanced Camera : 15ARRIFLEX 435 Camera : 201ARRIFLEX 435 ES Camera : 72ARRIFLEX 435 Xtreme Camera : 24ARRIFLEX 535 B Camera : 82ARRIFLEX 535 Camera : 56

ARRIFLEX 35mm Cameras | 649 Titles

ARRIFLEX 35mm Cameras 3.00/5 2 Votes

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O Brother, Where Art Thou? (2000)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke

Starring | George Clooney, John Turturro, Tim Blake Nelson, John Goodman

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses

Battle Royale (2000)

Motion Picture | 2D, 3D | Color | 1.85:1 | 114 Minutes

Directed by | Kinji Fukasaku | Cinematography by | Katsumi Yanagijima | Editing by | Hirohide Abe

Starring | Tatsuya Fujiwara, Aki Maeda, Tarô Yamamoto, Takeshi Kitano

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Habemus Papam (2011)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Nanni Moretti | Cinematography by | Alessandro Pesci | Editing by | Esmeralda Calabria

Starring | Michel Piccoli, Nanni Moretti, Jerzy Stuhr, Renato Scarpa

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Public Enemies (2009)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell

Starring | Christian Bale, Johnny Depp, Christian Stolte, Jason Clarke

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses | Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

To the Wonder (2012)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

To the Wonder | ShotOnWhat?

Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa

Starring | Ben Affleck, Olga Kurylenko, Javier Bardem, Rachel McAdams

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Cameras, Red One MX Camera

Lenses | Zeiss Master Prime Lenses

House of Sand and Fog (2003)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin

Starring | Jennifer Connelly, Ben Kingsley, Ron Eldard, Frances Fisher

Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses | Cooke S4 Lenses

The Mummy: Tomb of the Dragon Emperor (2008)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Directed by | Rob Cohen | Cinematography by | Simon Duggan | Editing by | Kelly Matsumoto, Joel Negron

Starring | Brendan Fraser, Jet Li, Maria Bello, Michelle Yeoh

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Twister (1996)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Twister | ShotOnWhat?

Directed by | Jan de Bont | Cinematography by | Jack N. Green | Editing by | Michael Kahn

Starring | Helen Hunt, Bill Paxton, Cary Elwes, Jami Gertz

Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Belle épine (2010)

Motion Picture | 2D | Color | 2.39:1 | 80 Minutes

Directed by | Rebecca Zlotowski | Cinematography by | Georges Lechaptois | Editing by | Julien Lacheray

Starring | Léa Seydoux, Anaïs Demoustier, Agathe Schlenker, Johan Libéreau

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Before Night Falls (2000)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

Directed by | Julian Schnabel | Cinematography by | Xavier Grobet, Guillermo Rosas | Editing by | Michael Berenbaum

Starring | Javier Bardem, Johnny Depp, Olatz López Garmendia, Giovani Florido

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Super Speed Lenses

The Constant Gardener (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 129 Minutes

Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson

Starring | Ralph Fiennes, Rachel Weisz, Danny Huston, Hubert Koundé

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux HR Zoom Lenses

Vampire Effect (2003)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Dante Lam | Cinematography by | Man Po Cheung | Editing by | Ki-Hop Chan

Starring | Gillian Chung, Charlene Choi, Anthony Chau-Sang Wong, Ekin Cheng

Cameras | ARRIFLEX 435 Advanced Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Lenses

A Serious Man (2009)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Michael Stuhlbarg, Richard Kind, Sari Lennick, Fred Melamed

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Pirate Radio (2009)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Richard Curtis | Cinematography by | Danny Cohen | Editing by | Emma E. Hickox

Starring | Philip Seymour Hoffman, Bill Nighy, Nick Frost, Michael Hadley

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

A Lot Like Love (2005)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Nigel Cole | Cinematography by | John de Borman | Editing by | Susan Littenberg

Starring | Ashton Kutcher, Amanda Peet, Taryn Manning, Aimee Garcia

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Kids Are All Right (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 106 Minutes

Directed by | Lisa Cholodenko | Cinematography by | Igor Jadue-Lillo | Editing by | Jeffrey M. Werner

Starring | Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Ultra Prime Lenses

Cheong wong (2000)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Chi-Leung Law | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong

Starring | Leslie Cheung, Alex Fong, Ruby Wong, Vincent Kok

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Micmacs à tire-larigot (2009)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Tetsuo Nagata | Editing by | Hervé Schneid

Starring | Dany Boon, André Dussollier, Nicolas Marié, Yolande Moreau

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

The GWARnage Campaign (2002)

Direct to Video | 2D | SD Project | Color | 1.33:1 (4x3) | 130 Minutes

Directed by | Mark Walpole | Cinematography by | Mark Walpole | Editing by | Mark Walpole

Starring | Dave Brockie, Balsac the Jaws of Death, Flattus Maximus, Beefcake the Mighty

Cameras | ARRIFLEX 35 III Camera, Bolex H16 Camera, Canon XL1 Camera

Lenses | Angenieux HP Zoom Lenses, Schneider Xenoplan Lenses

Apocalypse and the Beauty Queen (2005)

Direct to Video | 2D | Film Project | Color | 1.85:1 | 95 Minutes

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