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ARRI Cameras | 2118 Titles

ARRI Cameras 4.13/5 8 Votes

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Bernie (2011)

Motion Picture | 2D | Color | 104 Minutes

Bernie | ShotOnWhat?

Directed by | Richard Linklater | Cinematography by | Dick Pope | Editing by | Sandra Adair

Starring | Jack Black, Shirley MacLaine, Matthew McConaughey, Brady Coleman

Cameras | ARRI ALEXA Camera

Lenses | Cooke S4 Lenses

Vampire Effect (2003)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Dante Lam | Cinematography by | Man Po Cheung | Editing by | Ki-Hop Chan

Starring | Gillian Chung, Charlene Choi, Anthony Chau-Sang Wong, Ekin Cheng

Cameras | ARRIFLEX 435 Advanced Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Lenses

A Serious Man (2009)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Michael Stuhlbarg, Richard Kind, Sari Lennick, Fred Melamed

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Sommersturm (2004)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Sommersturm | ShotOnWhat?

Directed by | Marco Kreuzpaintner | Cinematography by | Daniel Gottschalk | Editing by | Hansjörg Weißbrich

Starring | Robert Stadlober, Kostja Ullmann, Miriam Morgenstern, Jürgen Tonkel

Cameras | ARRI Cameras

Desperate Remedies (1993)

Motion Picture | 2D | Color | 93 Minutes

Desperate Remedies | ShotOnWhat?

Directed by | Stewart Main, Peter Wells | Cinematography by | Leon Narbey | Editing by | David Coulson

Starring | Jennifer Ward-Lealand, Kevin Smith, Lisa Chappell, Cliff Curtis

Cameras | ARRIFLEX Camera

Pirate Radio (2009)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Richard Curtis | Cinematography by | Danny Cohen | Editing by | Emma E. Hickox

Starring | Philip Seymour Hoffman, Bill Nighy, Nick Frost, Michael Hadley

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

A Lot Like Love (2005)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Nigel Cole | Cinematography by | John de Borman | Editing by | Susan Littenberg

Starring | Ashton Kutcher, Amanda Peet, Taryn Manning, Aimee Garcia

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Kids Are All Right (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 106 Minutes

Directed by | Lisa Cholodenko | Cinematography by | Igor Jadue-Lillo | Editing by | Jeffrey M. Werner

Starring | Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Ultra Prime Lenses

Cheong wong (2000)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Chi-Leung Law | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong

Starring | Leslie Cheung, Alex Fong, Ruby Wong, Vincent Kok

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Micmacs à tire-larigot (2009)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Tetsuo Nagata | Editing by | Hervé Schneid

Starring | Dany Boon, André Dussollier, Nicolas Marié, Yolande Moreau

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

The GWARnage Campaign (2002)

Direct to Video | 2D | SD Project | Color | 1.33:1 (4x3) | 130 Minutes

Directed by | Mark Walpole | Cinematography by | Mark Walpole | Editing by | Mark Walpole

Starring | Dave Brockie, Balsac the Jaws of Death, Flattus Maximus, Beefcake the Mighty

Cameras | ARRIFLEX 35 III Camera, Bolex H16 Camera, Canon XL1 Camera

Lenses | Angenieux HP Zoom Lenses, Schneider Xenoplan Lenses

360 (2011)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende

Starring | Rachel Weisz, Jude Law, Anthony Hopkins, Ben Foster

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Apocalypse and the Beauty Queen (2005)

Direct to Video | 2D | Film Project | Color | 1.85:1 | 95 Minutes

The Departed (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Corpse Bride (2005)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Tim Burton, Mike Johnson | Cinematography by | Pete Kozachik | Editing by | Chris Lebenzon, Jonathan Lucas

Starring | Johnny Depp, Helena Bonham Carter, Emily Watson, Tracey Ullman

Cameras | ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses | Zeiss Ultra Prime Lenses

The Rookie (1990)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 120 Minutes

The Rookie | ShotOnWhat?

Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox

Starring | Clint Eastwood, Charlie Sheen, Raul Julia, Sonia Braga

Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Panavision Super Speed Lenses

Prometheus (2012)

Motion Picture | 3D | Color | 1.66:1, 2.39:1 | 124 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Noomi Rapace, Logan Marshall-Green, Michael Fassbender, Charlize Theron

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Box of Moon Light (1996)

Motion Picture | 2D | Color | 1.66:1 | 112 Minutes

Directed by | Tom DiCillo | Cinematography by | Paul Ryan | Editing by | Camilla Toniolo

Starring | John Turturro, Sam Rockwell, Catherine Keener, Lisa Blount

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Race to Witch Mountain (2009)

Motion Picture | 2D | Color | 2.35:1 | 98 Minutes

Race to Witch Mountain | ShotOnWhat?

Directed by | Andy Fickman | Cinematography by | Greg Gardiner | Editing by | David Rennie

Starring | Dwayne Johnson, Carla Gugino, AnnaSophia Robb, Alexander Ludwig

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

The Alamo (2004)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

The Alamo | ShotOnWhat?

Directed by | John Lee Hancock | Cinematography by | Dean Semler | Editing by | Eric L. Beason

Starring | Dennis Quaid, Billy Bob Thornton, Emilio Echevarría, Jason Patric

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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