ARRI Cameras | 2118 Titles
In Her Skin (2009)
Directed by | Simone North | Cinematography by | Jules O'Loughlin | Editing by | Jane Moran
Lenses | Cooke S4 Lenses
Battle Royale (2000)
Directed by | Kinji Fukasaku | Cinematography by | Katsumi Yanagijima | Editing by | Hirohide Abe
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Habemus Papam (2011)
Directed by | Nanni Moretti | Cinematography by | Alessandro Pesci | Editing by | Esmeralda Calabria
Public Enemies (2009)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera
Brighton Rock (2010)
Directed by | Rowan Joffe | Cinematography by | John Mathieson | Editing by | Joe Walker
Lenses | Optica Elite 35 Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision Lenses
Un heureux événement (2011)
Directed by | Rémi Bezançon | Cinematography by | Antoine Monod | Editing by | Sophie Reine
Cameras | ARRICAM Studio (ST) Camera
To the Wonder (2012)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa
Lenses | Zeiss Master Prime Lenses
House of Sand and Fog (2003)
Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
The Hangover Part II (2011)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher, Michael L. Sale
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by | Rob Cohen | Cinematography by | Simon Duggan | Editing by | Kelly Matsumoto, Joel Negron
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Twister (1996)
Directed by | Jan de Bont | Cinematography by | Jack N. Green | Editing by | Michael Kahn
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera
Belle épine (2010)
Directed by | Rebecca Zlotowski | Cinematography by | Georges Lechaptois | Editing by | Julien Lacheray
Good Deeds (2012)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
Before Night Falls (2000)
Directed by | Julian Schnabel | Cinematography by | Xavier Grobet, Guillermo Rosas | Editing by | Michael Berenbaum
Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Super Speed Lenses
Brass Tacks (2004)
Directed by | Gavin Dougan | Cinematography by | Edwin Myers | Editing by | Rob Bonz, Jeffrey Cooper, Todd Sali, Chapin Wilson
Cameras | ARRIFLEX Camera
Tepenin Ardi (2012)
Directed by | Emin Alper | Cinematography by | George Chiper | Editing by | Özcan Vardar
Cameras | ARRI ALEXA Camera
A Thousand Words (2012)
The Constant Gardener (2005)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux HR Zoom Lenses
Across the Universe (2007)
Directed by | Julie Taymor | Cinematography by | Bruno Delbonnel | Editing by | Françoise Bonnot
Cameras | ARRI Cameras, Panavision Cameras
Lenses | Panavision Lenses
The Rum Diary (2011)
Directed by | Bruce Robinson | Cinematography by | Dariusz Wolski | Editing by | Carol Littleton
Lenses | Zeiss Ultra Prime Lenses
