Sony Dynamic Digital Sound (SDDS) | 1011 Titles
Live Free or Die Hard (2007)
 Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth  
 
  Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0 
Rosewood (1997)
 Directed by | John Singleton | Cinematography by | Johnny E. Jensen | Editing by | Bruce Cannon 
 
  Cameras | Panavision Panaflex Camera 
 The Mirror Has Two Faces (1996)
 Directed by | Barbra Streisand | Cinematography by | Andrzej Bartkowiak, Dante Spinotti | Editing by | Jeff Werner 
 
  Cameras | Panavision Panaflex Camera 
Face/Off (1997)
 Directed by | John Woo | Cinematography by | Oliver Wood | Editing by | Steven Kemper, Christian Wagner 
 
  Cameras | Panavision Cameras 
  Lenses | Panavision Lenses 
Immortals (2011)
 Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Wyatt Jones, Stuart Levy, David Rosenbloom 
 
  Cameras | Panavision Genesis Camera, Phantom HD Gold Camera 
 8MM (1999)
 Directed by | Joel Schumacher | Cinematography by | Robert Elswit | Editing by | Mark Stevens 
 
  Cameras | Beaulieu Cameras, Panavision Cameras 
  Lenses | Panavision Lenses 
Ralph Breaks the Internet (2018)
 Directed by | Phil Johnston, Rich Moore | Cinematography by | Nathan Warner | Editing by | Jeremy Milton, Fabienne Rawley
 
 A Star Is Born (2018)
 Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Jay Cassidy 
 
  Cameras | ARRI ALEXA Mini Camera 
  Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses 
Eyes Wide Shut (1999)
 Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt 
 
  Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera 
 The Patriot (2000)
 Directed by | Roland Emmerich | Cinematography by | Caleb Deschanel | Editing by | David Brenner, Christopher Holmes, Julie Monroe 
 
  Cameras | Panavision Cameras 
  Lenses | Panavision Lenses 
A Time to Kill (1996)
 Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp 
 
  Cameras | Panavision Panaflex Platinum Camera 
   A Beautiful Mind   (2001)  
 
    Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill 
 
  Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera 
 Just Like Heaven (2005)
Music of the Heart (1999)
 Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Gregg Featherman, Patrick Lussier 
 
  Cameras | Panavision Cameras 
  Lenses | Panavision Lenses 
  Schindler’s List   (1993)  
 
   Paradise Now (2005)
 Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos 
 
  Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera 
  Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses 
Romeo + Juliet (1996)
 Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock 
 
  Cameras | Panavision Panaflex Gold Camera 
  Lenses | Panavision Primo Anamorphic Lenses 
The Lord of the Rings: The Two Towers (2002)
 Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton  
 
  Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses 
  The Lord of the Rings: The Return of the King   (2003)  
 
    Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk 
 
  Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera 
 Krippendorf’s Tribe (1998)
 Directed by | Todd Holland | Cinematography by | Dean Cundey | Editing by | Jon Poll 
 
  Cameras | Panavision Cameras 
 
  
 
































































