United States | 1624 Titles
American History X (1998)
Directed by | Tony Kaye | Cinematography by | Tony Kaye | Editing by | Gerald B. Greenberg, Alan Heim
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Extremely Loud & Incredibly Close (2011)
Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
National Treasure (2004)
Directed by | Jon Turteltaub | Cinematography by | Caleb Deschanel | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Kite Runner (2007)
54 (1998)
Directed by | Mark Christopher | Cinematography by | Alexander Gruszynski | Editing by | Lee Percy
Cameras | Panavision Cameras
Lenses | Panavision Lenses
247°F (2011)
Directed by | Levan Bakhia, Beka Jguburia | Cinematography by | Vigen Vartanov | Editing by | Peter Hollywood
Cameras | Red One Camera
Sleepy Hollow (1999)
Directed by | Tim Burton | Cinematography by | Emmanuel Lubezki | Editing by | Chris Lebenzon, Joel Negron
Cameras | Panavision Panaflex Platinum Camera
Batman Returns (1992)
Directed by | Tim Burton | Cinematography by | Stefan Czapsky | Editing by | Bob Badami, Chris Lebenzon
Cameras | Panavision Panaflex Gold II Camera
O Brother, Where Art Thou? (2000)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Eternal Sunshine of the Spotless Mind (2004)
Directed by | Michel Gondry | Cinematography by | Ellen Kuras | Editing by | Valdís Óskarsdóttir
Cameras | ARRICAM Lite (LT) Camera
The Insider (1999)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | William Goldenberg, David Rosenbloom, Paul Rubell
Rachel Getting Married (2008)
Directed by | Jonathan Demme | Cinematography by | Declan Quinn | Editing by | Tim Squyres
Cameras | Sony HDW-F900R Camera
Copycat (1995)
Directed by | Jon Amiel | Cinematography by | László Kovács | Editing by | Jim Clark, Alan Heim
Cameras | Panavision Panaflex Camera
The Silence of the Lambs (1991)
Directed by | Jonathan Demme | Cinematography by | Tak Fujimoto | Editing by | Craig McKay
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
A Series of Unfortunate Events (2004)
Directed by | Brad Silberling | Cinematography by | Emmanuel Lubezki | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
The Brave One (2007)
Directed by | Neil Jordan | Cinematography by | Philippe Rousselot | Editing by | Tony Lawson
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Jackie Brown (1997)
Directed by | Quentin Tarantino | Cinematography by | Guillermo Navarro | Editing by | Sally Menke
Cameras | Moviecam Compact Camera
Lenses | Zeiss Super Speed Lenses
House of Sand and Fog (2003)
Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
The Accountant (2001)
Directed by | Ray McKinnon | Cinematography by | Blake B. Jackson | Editing by | Joan Sobel
Cameras | Panavision Cameras
Lenses | Panavision Lenses
My Big Fat Greek Wedding (2002)
Directed by | Joel Zwick | Cinematography by | Jeffrey Jur | Editing by | Mia Goldman
Cameras | Panavision Cameras
Lenses | Panavision Lenses