Oceania | 126 Titles
Boy (2010)
Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Chris Plummer
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera
Walking with Dinosaurs 3D (2013)
Directed by | Barry Cook, Neil Nightingale | Cinematography by | John Brooks | Editing by | John Carnochan
Cameras | Red Epic Camera
I, Frankenstein (2014)
Directed by | Stuart Beattie | Cinematography by | Ross Emery | Editing by | Marcus D'Arcy
Cameras | Red Epic Camera
The Lego Movie (2014)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Pablo Plaisted, Barry Peterson | Editing by | David Burrows, Chris McKay
Cameras | ARRI ALEXA Series Cameras
The Waiting Game (2014)
Directed by | Timothy David Mitchell | Cinematography by | Timothy David Mitchell | Editing by | Timothy David Mitchell
Cameras | Canon EOS-7D Camera, Sony DCR-SR60 Camera
Lenses | Canon Lenses
Alpha/Bravo (2011)
Directed by | Timothy David Mitchell | Cinematography by | Timothy David Mitchell | Editing by | Timothy David Mitchell
Cameras | Sony DCR-SR60 Camera
The Great Gatsby (2013)
Directed by | Baz Luhrmann | Cinematography by | Simon Duggan | Editing by | Jason Ballantine, Jonathan Redmond, Matt Villa
Cameras | Red Epic Camera
Lenses | Zeiss Ultra Prime Lenses
Liquid Bridge (2003)
Directed by | Phillip Avalon | Cinematography by | Roger Buckingham | Editing by | David Stiven
Lenses | Cooke Lenses, Zeiss Lenses
Legend of the Seeker (2008)
| Cinematography by | Kevin Riley, Donald Duncan, Aaron Morton | Editing by | Gary Hunt, Eric De Beus, Peter Roberts
Cameras | Panavision Cameras, Panavision Genesis Camera
Lenses | Panavision Lenses
The Hobbit: An Unexpected Journey (2012)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Happy Feet (2006)
Directed by | George Miller, Warren Coleman, Judy Morris | Cinematography by | David Peers | Editing by | Christian Gazal, Margaret Sixel
Whale Rider (2002)
Directed by | Niki Caro | Cinematography by | Leon Narbey | Editing by | David Coulson
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Home (2009)
Directed by | Yann Arthus-Bertrand | Cinematography by | Michel Benjamin, Dominique Gentil | Editing by | Yen Le Van
Cameras | Cineflex V14HD Camera
The Black Balloon (2008)
Directed by | Elissa Down | Cinematography by | Denson Baker | Editing by | Veronika Jenet
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
The Lost World: Jurassic Park (1997)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera
Willow (1988)
Directed by | Ron Howard | Cinematography by | Adrian Biddle | Editing by | Daniel P. Hanley, Mike Hill, Richard Hiscott
Cameras | Panavision Panaflex Gold Camera
Crawl (2011)
Directed by | Paul China | Cinematography by | Brian J. Breheny | Editing by | Bin Li, John Scott
Cameras | Red One MX Camera
Lenses | Cooke Lenses
U2 3D (2007)
Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki
Cameras | Sony HDW-F900 Camera
Mad Max (1979)
Directed by | George Miller | Cinematography by | David Eggby | Editing by | Cliff Hayes, Tony Paterson
Cameras | ARRIFLEX 35 BL Camera
Lenses | Todd-AO Lenses