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New Zealand | 38 Titles

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Ghost in the Shell (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 107 Minutes

Directed by | Rupert Sanders | Cinematography by | Jess Hall | Editing by | Billy Rich, Neil Smith

Starring | Scarlett Johansson, Pilou Asbæk, Takeshi Kitano

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

With Byrd at the South Pole (1930)

Motion Picture | 2D | Film Project | Black & White | 82 Minutes

Cinematography by | Joseph T. Rucker, Willard Van der VeerEditing by | Emanuel Cohen

Starring | Richard E. Byrd, Clair D. Alexander, Bernt Balchen

Cameras | Akeley 35mm Ciné Camera

Murder on the Orient Express (2017)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 114 Minutes

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Mick Audsley

Starring | Kenneth Branagh, Penélope Cruz, Willem Dafoe

Cameras | ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses | Panavision Sphero 65 Series Lenses

Mission: Impossible – Fallout (2018)

Motion Picture | 3D | 4K Project | Color | 1.90:1, 2.39:1 | 147 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Rob Hardy | Editing by | Eddie Hamilton

Starring | Tom Cruise, Henry Cavill, Ving Rhames

Cameras | ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

The Meg (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Jon Turteltaub | Cinematography by | Tom Stern | Editing by | Steven Kemper, Kelly Matsumoto

Starring | Jason Statham, Bingbing Li, Rainn Wilson

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Alien: Covenant (2017)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 122 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Michael Fassbender, Katherine Waterston, Billy Crudup

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

The Power of the Dog (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 126 Minutes

Directed by | Jane Campion | Cinematography by | Ari Wegner | Editing by | Peter Sciberras

Starring | Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Fujinon Alura Lenses, Panavision Ultra Panatar Anamorphic Lenses

The Lord of the Rings: The Fellowship of the Ring (2001)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 178 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert

Starring | Elijah Wood, Ian McKellen, Orlando Bloom

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Ultra Prime Lenses

Avatar: The Way of Water (2022)

Motion Picture | 3D | 4K Project | Color | 1.85:1, 2.39:1 | 192 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldana, Sigourney Weaver

Cameras | Sony CineAlta VENICE Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

Bad Taste (1987)

Movie | 2D | Film Project | Color | 1.66:1 | 91 Minutes

Directed by | Peter Jackson | Cinematography by | Peter Jackson | Editing by | Peter Jackson, Jamie Selkirk

Starring | Terry Potter, Pete O'Herne, Craig Smith

Cameras | Bolex H16 SBM Camera, Cinema Products CP-16 Camera

Pearl (2022)

Motion Picture | 2D | 4K Project | Color | 103 Minutes

Directed by | Ti West | Cinematography by | Eliot Rockett | Editing by | Ti West

Starring | Mia Goth, David Corenswet, Tandi Wright

Cameras | Sony CineAlta VENICE Camera

Lenses | Hawk MiniHawk Hybrid Anamorphic Lenses

Avatar (2009)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 162 Minutes

Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldana, Sigourney Weaver, Michelle Rodriguez

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

The Wilds (2020)

Television Series | 2D | Color |

| Cinematography by | Ed Wild, Rob Marsh, Peter Field | Editing by | Sophie Corra, Steve Edwards, Brad Katz, Susan J. Vinci

Starring | Rachel Griffiths, Sophia Ali, Shannon Berry, Jenna Clause

Lenses | Tokina Vista Cinema Prime 105mm T1.5, Tokina Vista Cinema Prime 135mm T1.5, Tokina Vista Cinema Prime 18mm T1.5, Tokina Vista Cinema Prime 25mm T1.5, Tokina Vista Cinema Prime 35mm T1.5, Tokina Vista Cinema Prime 50mm T1.5, Tokina Vista Cinema Prime 85mm T1.5

The Amazing Race (2001)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Peter Rieveschl, Per Larsson, Tom Cunningham, Josh Gitersonke | Editing by | Paul C. Nielsen, Julian Gomez, Andrew Kozar, Jennifer Nelson, Jacob Parsons, Eric Goldfarb, Mike Bolanowski, Ryan Leamy, Chris Dalzell, Rich Remis, Evan Finn, Andy Castor, Eric Beetner, Paolo Cascardo, Aaron M. Lewis, Jeremy Gantz, Steven J. Escobar, Andrew Frank, Jules Frazier, Steven Urrutia, Chris DiMaso, Eric Van Wagenen, Phillip Pableo, Jason Pedroza, Jon Bachmann, Trevor Frey, Tony Diaz, Matt Deitrich, Heeyeon Chang, Paul Withers, Grace Piena, Jonathan Moore, Nicole Vanderneut, Steve Mellon, James M. Smith, Katherine Griffin, Darrick Lazo, Jeff Runyan, Craig E. Serling, Hudson Smith, Tim Bartlett, Matt Antell, Tori Rodman, Byron Glickfeld, Teki Cruickshank, Eli Frankel, Scott Storm, Brian York, Damon Olney, Kinsey Beck, Noelle Debruhl, Christina Fontana, Jay Gammill, Josh Lowry, Sharmila Ariathurai, Tom McGah, Joubin Mortazavi, Rob LaLonde, Barry A. O'Brien, Adam Powell, Damien Baskette, David Dooyun Kim, Seth T. Levine, Joel Bender, Josh Belson, Conroy Browne, Fernanda Cardoso, Tenna Guthrie, Karen Smith, Danny Flynn, Josh Lennox, Marc Markley, Jason Thompson, Finian Shea Johnson, Ernesto de la O, Kathy Messer, Carrie Ansell, Paul Coyne, Clayton Halsey, Don Misraje, Brian Phillips, Michael E. Polakow, M. Edward Salier, Patrick Sayers, Michael Friedman, Chris Skopinski, Marina Catala, Edward Doty, Shari Hammerman, Mick LeGrande, Jacob Lane, Jill Pleeter, Jason Stewart, Matt Kay, Trevor Campbell, Shane Moran, Jason Groothuis, Eric Johannsen, Kelly Coskran, Hans van Riet, Zack Bell, Natalie Ebnet, Tricia Rodrigo, Eric Scott Wilson, Brooks Larson, Skip Robinson, Jimmy Giritlian, Kellen Cruden, Gary Pennington, Roderick Paramour, Ryan Morrell, Tracy Bacenas, A.G. Bealer, Heidi Scharfe, Phillip Gessert, Jennifer Barlow, Henry Harmon, Derek Vaughn, Robbie Paramor

Starring | Phil Keoghan, Joyce Agu, Uchenna Agu, Jet McCoy

The Lord of the Rings: The Two Towers (2002)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 179 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton

Starring | Elijah Wood, Ian McKellen, Viggo Mortensen, Orlando Bloom

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses

The Lord of the Rings: The Return of the King (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 201 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Elijah Wood, Viggo Mortensen, Ian McKellen, Orlando Bloom

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Netherwood (2011)

Motion Picture | 2D | HD Project | Color | 90 Minutes

Directed by | Cristobal Araus Lobos | Editing by | Cristobal Araus Lobos

Starring | Owen Black, Will Hall, Mick Innes, Miriama Smith

Cameras | Canon EOS-7D Camera

Lenses | Canon EF 50 mm f1.2 L Lens, Canon EF 70-200 mm f2.8 L IS II Lens

Pete’s Dragon (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Lowery | Cinematography by | Bojan Bazelli | Editing by | Lisa Zeno Churgin

Starring | Bryce Dallas Howard, Robert Redford, Oakes Fegley, Oona Laurence

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke Anamorphic/i Prime Lenses

Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)

Motion Picture | 3D | 4K Project | Black & White, Color | 1.90:1, 2.39:1 | 96 Minutes

Directed by | Woo-Ping Yuen | Cinematography by | Newton Thomas Sigel | Editing by | Jeff Betancourt

Starring | Donnie Yen, Michelle Yeoh, Harry Shum Jr., Natasha Liu Bordizzo

Cameras | Red Epic Dragon Camera

Lenses | Leitz Summicron-C Series Lenses, Leitz Summilux-C Series Lenses

The Dark Horse (2014)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | James Napier Robertson | Cinematography by | Denson Baker | Editing by | Peter Roberts

Starring | Cliff Curtis, James Rolleston, Kirk Torrance, James Napier Robertson

Cameras | Sony CineAlta F65 Camera

Lenses | Hawk C-Series Lenses, Zeiss Ultra Prime Lenses

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