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Oceania

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Jaws (1975)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 124 Minutes

Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields

Starring | Roy Scheider, Robert Shaw, Richard Dreyfuss, Lorraine Gary

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses

The Deep (1977)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | Peter Yates | Cinematography by | Christopher Challis | Editing by | David Berlatsky

Starring | Jacqueline Bisset, Nick Nolte, Dick Anthony Williams, Robert Shaw

Cameras | ARRIFLEX 35 IIC Camera

Lenses | Panavision Lenses

The Matrix Revolutions (2003)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 129 Minutes

Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg

Starring | Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving

Cameras | Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Matrix Reloaded (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 138 Minutes

Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg

Starring | Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Matrix (1999)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 136 Minutes

Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg

Starring | Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

The Castle (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 85 Minutes

The Castle | ShotOnWhat?

Directed by | Rob Sitch | Cinematography by | Miriana Marusic | Editing by | Wayne Hyett

Starring | Michael Caton, Anne Tenney, Stephen Curry, Anthony Simcoe

Cameras | ARRIFLEX 16SR2 Camera

Star Wars: Episode II – Attack of the Clones (2002)

Motion Picture | 2D, 3D | HD Project | Color | 1.78:1 (16x9), 2.39:1 | 142 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, George Lucas

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Christopher Lee

Cameras | Sony HDW-F900 Camera

Lenses | Panavision Primo Anamorphic Lenses

Star Wars: Episode III – Revenge of the Sith (2005)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Samuel L. Jackson

Cameras | Sony HDC-F950 Camera

Lenses | Fujinon C Series Lenses, Fujinon E Series Lenses

White Blood (2023)

Motion Picture | 4K Project | Color | 2.39:1 | 83 Minutes

Directed by | Richard Williams | Cinematography by | Mark Brightwell

Starring | Arielle Cartwright, Liam Walker

Cameras | Red Helium (Weapon) 8K

Lenses | Zeiss Super Speeds Mk I 18 mm T1.4 Lens, Zeiss Super Speeds Mk I 25 mm T1.4 Lens, Zeiss Super Speeds Mk I 35 mm T1.4 Lens, Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I 85 mm T1.4 Lens

Thor: Ragnarok (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 130 Minutes

Directed by | Taika Waititi | Cinematography by | Javier Aguirresarobe | Editing by | Zene Baker, Joel Negron

Starring | Chris Hemsworth, Tom Hiddleston, Cate Blanchett

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Upgrade (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Leigh Whannell | Cinematography by | Stefan Duscio | Editing by | Andy Canny

Starring | Logan Marshall-Green, Melanie Vallejo, Steve Danielsen

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Alien: Covenant (2017)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 122 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Michael Fassbender, Katherine Waterston, Billy Crudup

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 129 Minutes

Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Paul Cameron | Editing by | Roger Barton, Leigh Folsom Boyd

Starring | Johnny Depp, Geoffrey Rush, Javier Bardem

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hacksaw Ridge (2016)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 139 Minutes

Directed by | Mel Gibson | Cinematography by | Simon Duggan | Editing by | John Gilbert

Starring | Andrew Garfield, Sam Worthington, Luke Bracey

Cameras | ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo V Lenses

Elvis (2022)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 159 Minutes

Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Jonathan Redmond, Matt Villa

Starring | Tom Hanks, Austin Butler, Olivia DeJonge

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses | Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

Bran Nue Dae (2009)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 85 Minutes

Directed by | Rachel Perkins | Cinematography by | Andrew Lesnie | Editing by | Rochelle Oshlack

Starring | Rocky McKenzie, Jessica Mauboy, Ernie Dingo

Land of Bad (2024)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | William Eubank | Cinematography by | Agustin Claramunt | Editing by | Todd E. Miller

Starring | Russell Crowe, Milo Ventimiglia, Liam Hemsworth

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Panavision Primo 70 Lenses

Indefinite (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 71 Minutes

Directed by | Kane Arcadia | Cinematography by | Carlos Schneider | Editing by | Ken Lee

Starring | Nina Deasley, Phoenix Raei, Ali Nazarpour, Catriona M. Coe

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Cinema Products Lenses

Body Melt (1993)

Direct to Video | 2D | Film Project | Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy

Starring | Gerard Kennedy, Andrew Daddo, Ian Smith

Cameras | ARRIFLEX 16SR2 Camera

Shine (1996)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel

Starring | Geoffrey Rush, Armin Mueller-Stahl, Justin Braine

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Canon Lenses, Cooke Varotal Lenses, Zeiss Standard Speed Prime Lenses

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