Spherical Projection Format | 319 Titles
A Midsummer Night’s Rave (2002)
Directed by | Gil Cates Jr. | Cinematography by | Tom Harting | Editing by | Jonathan Cates
Cameras | Moviecam Compact Camera
Lenses | ARRI / Zeiss Lenses
A Dangerous Method (2011)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Lenses | Cooke S4 Lenses
Downfall (2004)
Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck
Lenses | Zeiss Ultra Prime Lenses
Crank: High Voltage (2009)
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Brandon Trost | Editing by | Marc Jakubowicz, Fernando Villena
Three Fugitives (1989)
Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Charlie and the Chocolate Factory (2005)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
La délicatesse (2011)
Directed by | David Foenkinos, Stéphane Foenkinos | Cinematography by | Rémy Chevrin | Editing by | Virginie Bruant
Cameras | Aaton Penelope Camera
Hei mao zhi ci sha Ye Li Qin (1992)
Directed by | Stephen Shin | Cinematography by | Siu-Keung Cheng, Chi-Wah Lee | Editing by | Wing-Ming Wong
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, Cooke Lenses
The Clink of Ice (2010)
Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier
Cameras | Aaton Penelope Camera
Annie Hall (1977) 
Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Wendy Greene Bricmont, Ralph Rosenblum
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Sons of Tennessee Williams (2010)
Directed by | Tim Wolff | Cinematography by | Eric Adkins | Editing by | Matt Bucy, Tim Wolff
Cameras | Sony CineAlta F23 Camera, Sony PMW-EX1 Camera
The French Connection (1971)
Directed by | William Friedkin | Cinematography by | Owen Roizman | Editing by | Gerald B. Greenberg
Cameras | ARRIFLEX 35 IIC Camera
Lenses | ARRI / Zeiss Lenses
Sai chiu (2006)
Directed by | Kin-Lung Lam | Cinematography by | Chiu-Lam Ko | Editing by | Wing-Ming Wong
Cameras | ARRIFLEX 535 B Camera
Naked Weapon (2002)
Directed by | Siu-Tung Ching | Cinematography by | Sung Fai Choi | Editing by | Angie Lam
Lenses | Angenieux Lenses, Zeiss Lenses
Aizea: City of the Wind (2001)
Directed by | Ione Hernández | Cinematography by | Daniel Aranyó | Editing by | Andrea Zondler
Cameras | ARRIFLEX 16SR2 Camera
Un amour de jeunesse (2011)
Directed by | Mia Hansen-Løve | Cinematography by | Stéphane Fontaine | Editing by | Marion Monnier
Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses
Lebanon, Pa. (2010)
Directed by | Ben Hickernell | Cinematography by | MJ Schirmer | Editing by | Ben Hickernell
Cameras | Red One Camera
Lenses | ARRI / Zeiss Lenses, Zeiss Lenses
Belizaire the Cajun (1986)
Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Triumph of the Spirit (1989)
Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Norman Buckley, Arthur Coburn
The Hudsucker Proxy (1994)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Thom Noble
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
