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Spherical Projection Format | 319 Titles

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Lost in America (1985)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Albert Brooks | Cinematography by | Eric Saarinen | Editing by | David Finfer

Starring | Albert Brooks, Julie Hagerty, Sylvia Farrel, Tina Kincaid

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Lenses, Panavision Ultra Speed MKII Lenses

Fright Night (2011)

Motion Picture | 3D | Color | 1.85:1 | 106 Minutes

Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel

Starring | Anton Yelchin, Colin Farrell, David Tennant, Toni Collette

Cameras | Red One MX Camera

Lenses | Zeiss Master Prime Lenses

Across 110th Street (1972)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Barry Shear | Cinematography by | Jack Priestley | Editing by | Byron 'Buzz' Brandt, Carl Pingitore

Starring | Anthony Quinn, Yaphet Kotto, Anthony Franciosa, Frank Adu

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera

Charlie Wilson’s War (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 102 Minutes

Directed by | Mike Nichols | Cinematography by | Stephen Goldblatt | Editing by | John Bloom, Antonia Van Drimmelen

Starring | Tom Hanks, Julia Roberts, Philip Seymour Hoffman, Amy Adams

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

301, 302 (1995)

Motion Picture | 2D | Film Project | Color | 1.44:1 | 100 Minutes

Directed by | Cheol-su Park | Cinematography by | Eun-gil Lee | Editing by | Gok-ji Park

Starring | Eun-jin Pang, Sin-hye Hwang, Chu-Ryun Kim

Cameras | ARRIFLEX 35 BL4 Camera

Moonrise Kingdom (2012)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum

Starring | Jared Gilman, Kara Hayward, Bruce Willis, Bill Murray

Cameras | Aaton A-Minima Camera, Aaton Xterà Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

Steal Big Steal Little (1995)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Andrew Davis | Cinematography by | Frank Tidy | Editing by | Don Brochu, Tina Hirsch

Starring | Andy Garcia, Alan Arkin, Rachel Ticotin, Joe Pantoliano

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Platinum Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

Jo sok (2005)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Tung-Shing Yee | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong

Starring | Jaycee Chan, Fiona Sit, Anthony Chau-Sang Wong, Eric Tsang

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Lenses, Zeiss Lenses

End of Watch (2012)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 109 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Dody Dorn

Starring | Jake Gyllenhaal, Michael Peña, Anna Kendrick, America Ferrera

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

35 Shots of Rum (2008)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Guy Lecorne

Starring | Alex Descas, Mati Diop, Nicole Dogué, Grégoire Colin

Cameras | Aaton 35-III Camera

Lenses | Cooke Speed Panchro Lenses, Zeiss Standard Speed Prime Lenses

Marley (2012)

Motion Picture | 2D | Color | 1.85:1 | 144 Minutes

Marley | ShotOnWhat?

Directed by | Kevin Macdonald | Cinematography by | Mike Eley, Alwin H. Küchler, Wally Pfister | Editing by | Dan Glendenning

Starring | Bob Marley, Ziggy Marley, Rita Marley, Jimmy Cliff

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, Canon EOS-5D Mark II Camera

A torinói ló (2011)

Motion Picture | 2D | Film Project | Black & White | 1.66:1 | 155 Minutes

Directed by | Béla Tarr, Ágnes Hranitzky | Cinematography by | Fred Kelemen | Editing by | Ágnes Hranitzky

Starring | János Derzsi, Erika Bók, Mihály Kormos, Ricsi

Cameras | ARRIFLEX 535 B Camera

Half Nelson (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ryan Fleck | Cinematography by | Andrij Parekh | Editing by | Anna Boden

Starring | Ryan Gosling, Anthony Mackie, Shareeka Epps, Jeff Lima

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

Elizabeth (1998)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 124 Minutes

Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock

Starring | Cate Blanchett, Liz Giles, Rod Culbertson, Paul Fox

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

20th Century Boys 1: Beginning of the End (2008)

Motion Picture | 2D | Color | 1.85:1 | 142 Minutes

Directed by | Yukihiko Tsutsumi | Cinematography by | Satoru Karasawa | Editing by | Nobuyuki Ito

Starring | Toshiaki Karasawa, Etsushi Toyokawa, Takako Tokiwa, Teruyuki Kagawa

Cameras | NAC Hi-Motion (Panasonic) Camera, Phantom HD Camera, Sony HDC-F950 Camera

Lenses | Fujinon E Series Lenses

La source des femmes (2011)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Radu Mihaileanu | Cinematography by | Glynn Speeckaert

Starring | Leïla Bekhti, Hafsia Herzi, Hiam Abbass, Saleh Bakri

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Speed Panchro Lenses, Schneider Lenses

Cyclo (1995)

Motion Picture | 2D | Color | 1.85:1 | 123 Minutes

Directed by | Anh Hung Tran | Cinematography by | Benoît Delhomme | Editing by | Nicole Dedieu, Claude Ronzeau

Starring | Le Van Loc, Tony Chiu-Wai Leung, Nu Yên-Khê Tran, Nhu Quynh Nguyen

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Man Who Wasn’t There (2001)

Motion Picture | 2D | Black & White | 1.85:1 | 116 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke

Starring | Billy Bob Thornton, Frances McDormand, Michael Badalucco, James Gandolfini

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses

Driving Miss Daisy (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 99 Minutes

Directed by | Bruce Beresford | Cinematography by | Peter James | Editing by | Mark Warner

Starring | Morgan Freeman, Jessica Tandy, Dan Aykroyd, Patti LuPone

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Murder in the First (1995)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 122 Minutes

Directed by | Marc Rocco | Cinematography by | Fred Murphy | Editing by | Russell Livingstone

Starring | Christian Slater, Kevin Bacon, Gary Oldman, Embeth Davidtz

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

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