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Spherical Projection Format | 319 Titles

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Nadine (1987)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Sam O'Steen

Starring | Jeff Bridges, Kim Basinger, Rip Torn, Gwen Verdon

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

Gong yuan 2000 AD (2000)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Gordon Chan | Cinematography by | Arthur Wong | Editing by | Ki-Hop Chan

Starring | Aaron Kwok, Phyllis Quek, James Lye, Daniel Wu

Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Best in Show (2000)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton

Starring | Fred Willard, Eugene Levy, Catherine O'Hara, Jennifer Coolidge

Cameras | Aaton Cameras

Lenses | Canon Lenses, Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

Adventures of Power (2008)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Ari Gold | Cinematography by | Lisa Wiegand | Editing by | Geraud Brisson

Starring | Ari Gold, Michael McKean, Jane Lynch, Shoshannah Stern

Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Advanced Camera

Lenses | Zeiss Super Speed Lenses

Click (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 107 Minutes

Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Jeff Gourson

Starring | Adam Sandler, Kate Beckinsale, Christopher Walken, David Hasselhoff

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Primes Spherical Lenses

Drowning Mona (2000)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Drowning Mona | ShotOnWhat?

Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson

Starring | Danny DeVito, Bette Midler, Neve Campbell, Jamie Lee Curtis

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses

The Naked Man (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 98 Minutes

Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Tricia Cooke, Mark Cretcher

Starring | Michael Rapaport, Michael Jeter, John Carroll Lynch, Arija Bareikis

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Bad Teacher (2011)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 92 Minutes

Bad Teacher | ShotOnWhat?

Directed by | Jake Kasdan | Cinematography by | Alar Kivilo | Editing by | Tara Timpone

Starring | Cameron Diaz, Jason Segel, Justin Timberlake, Lucy Punch

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Lung joi gong woo (1998)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Directed by | Jing Wong | Cinematography by | Siu-Keung Cheng | Editing by | Marco Mak

Starring | Andy Lau, Gigi Leung, Suki Kwan, Mark Cheng

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux Lenses, Cooke Lenses

The Reader (2008)

Motion Picture | 2D | 2K Project | Color | 124 Minutes

Directed by | Stephen Daldry | Cinematography by | Roger Deakins, Chris Menges | Editing by | Claire Simpson

Starring | Kate Winslet, Ralph Fiennes, Bruno Ganz, Jeanette Hain

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Mr. Popper’s Penguins (2011)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Mr. Popper’s Penguins | ShotOnWhat?

Directed by | Mark Waters | Cinematography by | Florian Ballhaus | Editing by | Bruce Green

Starring | Jim Carrey, Carla Gugino, Angela Lansbury, Ophelia Lovibond

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Postcards from the Future (2007)

Motion Picture | 2D | Color | 1.85:1 | 38 Minutes

Postcards from the Future | ShotOnWhat?

Directed by | Alan Chan | Cinematography by | Eric Adkins | Editing by | John McGinley

Starring | Robb Hughes, Cori Bright, Freddie Johnson, Denise Gossett

Cameras | Dalsa Origin Camera

Lenses | Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 65 mm T1.9 Lens

The Cemetery Club (1993)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Bill Duke | Cinematography by | Steven Poster | Editing by | John Carter

Starring | Ellen Burstyn, Olympia Dukakis, Diane Ladd, Danny Aiello

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Youth in Revolt (2009)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Miguel Arteta | Cinematography by | Chuy Chávez | Editing by | Andy Keir, Pamela Martin

Starring | Michael Cera, Portia Doubleday, Ray Liotta, Jean Smart

Cameras | Phantom HD Camera, Sony CineAlta F35 Camera

Stranger Than Fiction (2006)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Will Ferrell, Emma Thompson, Dustin Hoffman, Queen Latifah

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Loss of Sexual Innocence (1999)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 106 Minutes

The Loss of Sexual Innocence | ShotOnWhat?

Directed by | Mike Figgis | Cinematography by | Benoît Delhomme | Editing by | Matthew Wood

Starring | Julian Sands, Saffron Burrows, Stefano Dionisi, Kelly Macdonald

Cameras | Aaton XTR Prod Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

London Boulevard (2010)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan

Starring | Colin Farrell, Keira Knightley, Ray Winstone, David Thewlis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Elizabeth: The Golden Age (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 114 Minutes

Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock

Starring | Cate Blanchett, Clive Owen, Geoffrey Rush, Jordi Mollà

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Hustle & Flow (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 116 Minutes

Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox

Starring | Terrence Howard, Ludacris, Anthony Anderson, Taryn Manning

Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera

Lenses | Zeiss Ultra Prime Lenses

A Soldier’s Daughter Never Cries (1998)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | James Ivory | Cinematography by | Jean-Marc Fabre | Editing by | Noëlle Boisson

Starring | Leelee Sobieski, Kris Kristofferson, Barbara Hershey, Jane Birkin

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

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