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Spherical Projection Format | 319 Titles

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Le dernier des injustes (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 220 Minutes

Directed by | Claude Lanzmann | Cinematography by | Caroline Champetier, William Lubtchansky | Editing by | Chantal Hymans

Starring | Benjamin Murmelstein, Claude Lanzmann

Cameras | Aaton Penelope Camera, Aaton Xterà Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens

Le grand retournement (2013)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Gérard Mordillat | Cinematography by | François Catonné | Editing by | Marie Quinton

Starring | Jacques Weber, François Morel, Edouard Baer, Franck de la Personne

Cameras | Sony PMW-F3 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses

Something in the Air (2012)

Motion Picture | 2D | Color | 1.85:1 | 122 Minutes

Directed by | Olivier Assayas | Cinematography by | Eric Gautier | Editing by | Luc Barnier

Starring | Clément Métayer, André Marcon, Lola Créton, Felix Armand

Cameras | Aaton 35-III Camera, Aaton Penelope Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Mauvaise fille (2012)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet

Starring | Carole Bouquet, Arthur Dupont, Izïa Higelin, Bob Geldof

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

Renoir (2012)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

Directed by | Gilles Bourdos | Cinematography by | Ping Bin Lee | Editing by | Yannick Kergoat

Starring | Michel Bouquet, Christa Théret, Vincent Rottiers, Thomas Doret

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Camille redouble (2012)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Annette Dutertre, Michel Klochendler

Starring | Noémie Lvovsky, Samir Guesmi, Judith Chemla, India Hair

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Les aventures de Philibert, capitaine puceau (2011)

Motion Picture | 2D | 1.85:1 | 103 Minutes

Les aventures de Philibert, capitaine puceau | ShotOnWhat?

Directed by | Sylvain Fusée | Cinematography by | Régis Blondeau | Editing by | Reynald Bertrand

Starring | Jérémie Renier, Alexandre Astier, Manu Payet, Élodie Navarre

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

La brindille (2011)

Motion Picture | 2D | Color | 1.85:1 | 81 Minutes

Directed by | Emmanuelle Millet | Cinematography by | Antoine Héberlé | Editing by | Emmanuelle Castro, Anny Danché

Starring | Christa Théret, Johan Libéreau, Maud Wyler, Anne Le Ny

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Enough Said (2013)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Nicole Holofcener | Cinematography by | Xavier Grobet | Editing by | Robert Frazen

Starring | Julia Louis-Dreyfus, James Gandolfini, Catherine Keener, Toni Collette

Cameras | ARRI ALEXA Studio Camera

Lenses | Leitz Summilux-C Series Lenses

Verrückt nach Paris (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Pago Bahlke, Eike Besuden | Cinematography by | Piotr Lenar | Editing by | Margot Neubert-Maric

Starring | Paula Kleine, Wolfgang Goettsch, Frank Grabski, Dominique Horwitz

Cameras | ARRIFLEX 16SR3 Advanced Camera, Sony HDW-F900 Camera

Lenses | Fujinon E Series Lenses, Zeiss Lenses

The Bling Ring (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 90 Minutes

Directed by | Sofia Coppola | Cinematography by | Christopher Blauvelt, Harris Savides | Editing by | Sarah Flack

Starring | Katie Chang, Israel Broussard, Emma Watson, Claire Julien

Cameras | Red Epic Camera

The Way Way Back (2013)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Nat Faxon, Jim Rash | Cinematography by | John Bailey | Editing by | Tatiana S. Riegel

Starring | Steve Carell, Toni Collette, Allison Janney, AnnaSophia Robb

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

Only God Forgives (2013)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Nicolas Winding Refn | Cinematography by | Larry Smith | Editing by | Matthew Newman

Starring | Ryan Gosling, Kristin Scott Thomas, Vithaya Pansringarm, Gordon Brown

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Defiance (2008)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 137 Minutes

Directed by | Edward Zwick | Cinematography by | Eduardo Serra | Editing by | Steven Rosenblum

Starring | Daniel Craig, Liev Schreiber, Jamie Bell, Alexa Davalos

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Boy (2010)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Chris Plummer

Starring | James Rolleston, Te Aho Eketone-Whitu, Taika Waititi, Moerangi Tihore

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Molly’s Theory of Relativity (2013)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 102 Minutes

Directed by | Jeff Lipsky | Cinematography by | Jendra Jarnagin | Editing by | Patricfia Burgess, Patricia Burgess

Starring | Reed Birney, Cady Huffman, Nicholas Lampiasi, Adam LeFevre

Cameras | Red One MX Camera

Lenses | ARRI / Zeiss Lenses, Zeiss Variable Prime Lenses

Sin City: A Dame to Kill For (2014)

Motion Picture | 3D | Black & White, Color | 1.85:1 | 102 Minutes

Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt

Cameras | ARRI ALEXA M Camera

Lenses | Fujinon Premier Lenses

Noah (2014)

Motion Picture | 2D | Color | 1.85:1 | 138 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Russell Crowe, Jennifer Connelly, Anthony Hopkins, Emma Watson

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

The Butler (2013)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Brian A. Kates, Joe Klotz

Starring | Forest Whitaker, Oprah Winfrey, John Cusack, Jane Fonda

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

The Call (2013)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Brad Anderson | Cinematography by | Thomas Yatsko | Editing by | Avi Youabian

Starring | Halle Berry, Evie Thompson, Abigail Breslin, Morris Chestnut

Cameras | ARRI ALEXA Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses

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