Vithaya Pansringarm

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The Meg | ShotOnWhat?

Thai Boat Captain

The Meg (2018)

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Mechanic: Resurrection | ShotOnWhat?

Prison Warden

Mechanic: Resurrection (2016)

Directed by: Dennis Gansel

Cinematography by: Daniel Gottschalk

Edited by: Ueli Christen, Michael J. Duthie, Todd E. Miller

Cameras: Red Epic Camera, Red Scarlet Camera

Only God Forgives | ShotOnWhat?

Chang

Only God Forgives (2013)

Directed by: Nicolas Winding Refn

Cinematography by: Larry Smith

Edited by: Matthew Newman

Cameras: ARRI ALEXA Camera, Red Epic Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Trade of Innocents | ShotOnWhat?

Nath

Trade of Innocents (2012)

Directed by: Christopher M. Bessette

Cinematography by: Philip Hurn

Edited by: Diane Brunjes

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

The Hangover Part II | ShotOnWhat?

Minister

The Hangover Part II (2011)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher, Michael L. Sale

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Sop-mai-ngeap | ShotOnWhat?

Father Ananda, Screenplay

Sop-mai-ngeap (2011)

Directed by: Tom Waller

Cinematography by: Wade Muller

Edited by: Sawit Prasertphan

Largo Winch II | ShotOnWhat?

Colonel Komsan

Largo Winch II (2011)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Stan Collet

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-5D Mark II Camera

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