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Spherical Projection Format | 319 Titles

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Schemer (2010)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Hanro Smitsman | Cinematography by | Joost Rietdijk | Editing by | Marc Bechtold

Starring | Matthijs van de Sande Bakhuyzen, Gaite Jansen, Roos Netjes, Robert de Hoog

Cameras | Red One Camera

Lenses | Cooke S4 Lenses

The Twilight Samurai (2002)

Motion Picture | 2D | Color | 1.85:1 | 129 Minutes

Directed by | Yôji Yamada | Cinematography by | Mutsuo Naganuma | Editing by | Iwao Ishii

Starring | Hiroyuki Sanada, Rie Miyazawa, Nenji Kobayashi, Ren Osugi

Cameras | ARRIFLEX Camera

La Vida Loca: Based on a True Story (2012)

Short Film | 2D | HD Project | Color | 2.39:1 | 28 Minutes

Directed by | Adrian Nava | Cinematography by | Adrian Nava | Editing by | Adrian Nava

Starring | Erick Montaño, Daniel Rangel-Diaz, Olivia Loza, Miriam Gomez

Cameras | Canon EOS Rebel T3i camera

Lenses | Canon Lenses

Bright Star (2009)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 119 Minutes

Directed by | Jane Campion | Cinematography by | Greig Fraser | Editing by | Alexandre de Franceschi

Starring | Abbie Cornish, Ben Whishaw, Paul Schneider, Kerry Fox

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Cooke S4 Lenses, Optica Elite Lenses

Ted (2012)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman

Starring | Mark Wahlberg, Mila Kunis, Seth MacFarlane, Joel McHale

Cameras | Panavision Genesis Camera, Sony PMW-EX3 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hak hap (1996)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka Tai Cheung, Ka-Fai Cheung, Ettie M. Feldman

Starring | Jet Li, Ching Wan Lau, Karen Mok, Françoise Yip

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses

Twin Peaks: Fire Walk with Me (1992)

Motion Picture | 2D | Color | 1.85:1 | 134 Minutes

Directed by | David Lynch | Cinematography by | Ronald Víctor García | Editing by | Mary Sweeney

Starring | Sheryl Lee, Ray Wise, Mädchen Amick, Dana Ashbrook

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Jing wu ying xiong (1994)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Gordon Chan | Cinematography by | Derek Wan | Editing by | Ki-Hop Chan, Chak-Man Cheng

Starring | Jet Li, Shinobu Nakayama, Siu-Ho Chin, Billy Chow

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses

Violent Cop (2000)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Wai-Man Cheng | Cinematography by | Yuen Man Fung | Editing by | Angie Lam

Starring | Anthony Chau-Sang Wong, Michael Wong, Yiu-Cheung Lai, Astrid Chi Ching Chan

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses

The Shawshank Redemption (1994)

Motion Picture | 2D | Color | 1.85:1 | 142 Minutes

Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce

Starring | Tim Robbins, Morgan Freeman, Bob Gunton, William Sadler

Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera

Lenses | ARRI / Zeiss Lenses

El Mariachi (1992)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.66:1 | 81 Minutes

Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Carlos Gallardo, Consuelo Gómez, Jaime de Hoyos, Peter Marquardt

Cameras | ARRIFLEX 16S Camera

Lenses | Angenieux HEC Zoom Lenses, Kinoptik Tégéa 5.7mm f1.8 Lens

A Better Life (2011)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert

Starring | Demián Bichir, José Julián, Eddie 'Piolin' Sotelo, Joaquín Cosio

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Jennifer 8 (1992)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Bruce Robinson | Cinematography by | Conrad L. Hall | Editing by | Conrad Buff IV

Starring | Andy Garcia, Uma Thurman, Lance Henriksen, Graham Beckel

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Mo’ Better Blues (1990)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Samuel D. Pollard

Starring | Denzel Washington, Spike Lee, Wesley Snipes, Giancarlo Esposito

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Super Speed Lenses

Jane Eyre (2011)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Cary Joji Fukunaga | Cinematography by | Adriano Goldman | Editing by | Melanie Oliver

Starring | Mia Wasikowska, Michael Fassbender, Jamie Bell, Su Elliot

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

L’enfant d’en haut (2012)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Ursula Meier | Cinematography by | Agnès Godard | Editing by | Nelly Quettier

Starring | Léa Seydoux, Kacey Mottet Klein, Martin Compston, Gillian Anderson

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Blindness (2008)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Blindness | ShotOnWhat?

Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende

Starring | Julianne Moore, Mark Ruffalo, Gael García Bernal, Yûsuke Iseya

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera

Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Waiting for Guffman (1996)

Motion Picture | 2D | Color | 1.85:1 | 84 Minutes

Waiting for Guffman | ShotOnWhat?

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Andy Blumenthal

Starring | Christopher Guest, Fred Willard, Catherine O'Hara, Parker Posey

Cameras | Aaton Cameras, Aaton XTR Prod Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II Lenses

The Big Hit (1998)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Kirk Wong | Cinematography by | Danny Nowak | Editing by | Robin Russell, Pietro Scalia

Starring | Mark Wahlberg, Lou Diamond Phillips, Christina Applegate, Avery Brooks

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

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