2K Project | 552 Titles
Elysium (2013)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith
Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Here Comes the Boom (2012)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Scott Hill
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
Mad Max: Fury Road (2015)
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Ray (2004)
The Duchess (2008)
Invictus (2009)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Cashback (2006)
Directed by | Sean Ellis | Cinematography by | Angus Hudson | Editing by | Carlos Domeque, Scott Thomas
Cameras | Moviecam Compact Camera
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Transformers: Revenge of the Fallen (2009)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The New World (2005)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
North Country (2005)
Directed by | Niki Caro | Cinematography by | Chris Menges | Editing by | David Coulson
Cameras | Panavision Panaflex Millennium XL Camera
I, Robot (2004)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Syriana (2005)
Directed by | Stephen Gaghan | Cinematography by | Robert Elswit | Editing by | Tim Squyres
Cameras | Panavision Panaflex Millennium XL Camera
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
The Tempest (2010)
Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Wickie auf großer Fahrt (2011)
Directed by | Christian Ditter | Cinematography by | Christian Rein | Editing by | Ueli Christen
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
The Cell (2000)
Directed by | Tarsem Singh | Cinematography by | Paul Laufer | Editing by | Robert Duffy, Paul Rubell
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera
Friends with Benefits (2011)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
Midnight in Paris (2011)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses
