Paul Parsons

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Furious 7 | ShotOnWhat?

Visual Effects Editor

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

The Last Stand | ShotOnWhat?

Assistant Editor

The Last Stand (2013)

Directed by: Jee-woon Kim

Cinematography by: Ji-yong Kim

Edited by: Steven Kemper

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Oblivion | ShotOnWhat?

Visual Effects Editor

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Piranha 3D | ShotOnWhat?

First Assistant Editor

Piranha 3D (2010)

Directed by: Alexandre Aja

Cinematography by: John R. Leonetti

Edited by: Baxter

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Public Enemies | ShotOnWhat?

Assistant Editor

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Charlotte's Web | ShotOnWhat?

Visual Effects Editor

Charlotte's Web (2006)

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

The Island | ShotOnWhat?

Assistant Editor

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

I, Robot | ShotOnWhat?

Visual Effects Editor

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

The League of Extraordinary Gentlemen | ShotOnWhat?

Assistant Editor

The League of Extraordinary Gentlemen (2003)

Directed by: Stephen Norrington

Cinematography by: Dan Laustsen

Edited by: Paul Rubell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Core | ShotOnWhat?

Assistant Editor

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

X2 | ShotOnWhat?

Assistant Editor

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Riding in Cars with Boys | ShotOnWhat?

Assistant Editor

Riding in Cars with Boys (2001)

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Lawrence Jordan, Richard Marks

Shallow Hal | ShotOnWhat?

Assistant Sound Editor

Shallow Hal (2001)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Russell Carpenter

Edited by: Christopher Greenbury

Wing Commander | ShotOnWhat?

Assistant Editor

Wing Commander (1999)

Directed by: Chris Roberts

Cinematography by: Thierry Arbogast

Edited by: Peter Davies

U.S. Marshals | ShotOnWhat?

Assistant Editor

U.S. Marshals (1998)

Directed by: Stuart Baird

Cinematography by: Andrzej Bartkowiak

Edited by: Terry Rawlings

Armageddon | ShotOnWhat?

Assistant Sound Editor

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Fifth Element | ShotOnWhat?

Assistant Editor

The Fifth Element (1997)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses: Zeiss Lenses

The American President | ShotOnWhat?

Assistant Sound Editor

The American President (1995)

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Usual Suspects | ShotOnWhat?

Assistant Sound Editor

The Usual Suspects (1995)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: Panavision Panaflex Platinum Camera

Airheads | ShotOnWhat?

Assistant Sound Editor

Airheads (1994)

Directed by: Michael Lehmann

Cinematography by: John Schwartzman

Edited by: Stephen Semel

The Getaway | ShotOnWhat?

Assistant Sound Editor

The Getaway (1994)

Directed by: Roger Donaldson

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Léon: The Professional | ShotOnWhat?

Assistant Film Editor

Léon: The Professional (1994)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Angenieux HR Zoom Lenses, Technovision Lenses

Mr. Destiny | ShotOnWhat?

Apprentice Film Editor

Mr. Destiny (1990)

Directed by: James Orr

Cinematography by: Alex Thomson

Edited by: Michael R. Miller

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