Lead Artist: Industrial Light & Magic
Captain America: Civil War (2016)
| USA
Cinematography by: Trent Opaloch
Lighting Supervisor: Industrial Light & Magic
Doctor Strange (2016)
| USA
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Lead Artist: Industrial Light & Magic
Avengers: Age of Ultron (2015)
| USA
Directed by: Joss Whedon
Cinematography by: Ben Davis
Lead Artist: Industrial Light & Magic
Tomorrowland (2015)
| USA, Spain, France, UK
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Look Development Lead: Industrial Light & Magic
Captain America: The Winter Soldier (2014)
| USA
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Digital Artist
Unbroken (2014)
| USA
Directed by: Angelina Jolie
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Lead Artist: Industrial Light & Magic
Pacific Rim (2013)
| USA
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Digital Artist: Industrial Light & Magic
Battleship (2012)
| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Digital Artist: ILM
Rango (2011)
| USA, Brazil, UK
Directed by: Gore Verbinski
Cinematography by: Roger Deakins
Edited by: Craig Wood
Editing System: Avid Editing System
Digital Artist: Industrial Light & Magic
Transformers: Revenge of the Fallen (2009)
| USA
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Artist: ILM
Indiana Jones and the Kingdom of the Crystal Skull (2008)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Digital Artist: ILM
Transformers (2007)
| USA
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Techincal Assistant: ILM
Mission: Impossible III (2006)
| USA, Germany, China, Italy
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Digital Artist: Industrial Light & Magic
Poseidon (2006)
| USA
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Technical Support: ILM
Harry Potter and the Goblet of Fire (2005)
| UK, USA
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Techincal Assistant: ILM
Star Wars: Episode III - Revenge of the Sith (2005)
| USA
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Techincal Assistant: ILM
The Bourne Supremacy (2004)
| USA, Germany
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
