Digital Compositor
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Digital Compositor
Annihilation (2018)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Barney Pilling
Compositor: Double Negative
A Cure for Wellness (2016)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Compositor: Double Negative
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Compositor: Iloura
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Compositor: Iloura
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Digital Artist: Animal Logic
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Compositor: Double Negative
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Digital Compositor
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Compositor: Double Negative
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Compositor: Framestore
Your Highness (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Digital Compositor
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Compositor: Framestore
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Digital Compositor: Framestore
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Compositor: Framestore
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Digital Compositor: Framestore
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Digital Compositor
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Compositor: Framestore
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Digital Paint & Roto Artist: Framestore CFC
Blood and Chocolate (2007)
Directed by: Katja von Garnier
Cinematography by: Brendan Galvin
Edited by: Emma E. Hickox
Digital Paint & Roto Artist: Framestore CFC
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Rotoscoping Artist: Framestore CFC
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Digital Paint Artist: Framestore CFC
Children of Men (2006)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Digital Paint & Roto Artist: Framestore CFC
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Digital Paint & Roto Artist: Framestore CFC
Nanny McPhee (2005)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Digital Paint & Roto Artist: Framestore CFC
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Digital Paint Artist: Framestore CFC
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Digital Paint And Rotoscope Artist
Mrs Henderson Presents (2005)
Directed by: Stephen Frears
Cinematography by: Andrew Dunn
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Paint Artist: Framestore CFC
Lassie (2005)
Directed by: Charles Sturridge
Cinematography by: Howard Atherton
