Foley Artist
All Ages Night (2009)
Directed by: Nancy Montuori Stein
Cinematography by: Jeffrey D. McCoy
Edited by: Richard Conkling
Foley Artist
Get Low (2009)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Edited by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Final Cut Pro Editing System
Foley Editor
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Dialogue Editor
American Son (2008)
Directed by: Neil Abramson
Cinematography by: Kris Kachikis
Edited by: Karen Schmeer
Dialogue Editor
American Pastime (2007)
Directed by: Desmond Nakano
Cinematography by: Matthew Williams
Edited by: Mark Yoshikawa
Cameras: Moviecam Compact Camera
Sound Effects Editor
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Sound Mixer
One Six Right (2005)
Directed by: Brian J. Terwilliger
Cinematography by: Steven R. Miles
Edited by: Kimberley Furst
Additional Audio Recordist
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Sound Recording Supervisor: Aviation
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Foley Supervisor
The Motorcycle Diaries (2004)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: Daniel Rezende
Cameras: Aaton 35-III Camera, Aaton XTR Prod Camera
Sound Effects Recordist
Once Upon a Time in Mexico (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Sound Effects Recordist
Levity (2003)
Directed by: Ed Solomon
Cinematography by: Roger Deakins
Edited by: Pietro Scalia
Foley Supervisor
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Foley Supervisor
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Foley Supervisor
Moonlight Mile (2002)
Directed by: Brad Silberling
Cinematography by: Phedon Papamichael
Edited by: Lisa Zeno Churgin
Cameras: Panavision Panaflex Camera
Supervising Foley Editor
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Sound Recordist
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Sound Effects Editor
The Contender (2000)
Directed by: Rod Lurie
Cinematography by: Denis Maloney
Edited by: Michael Jablow
Sound Effects Editor
All the Pretty Horses (2000)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Foley Supervisor
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Foley Editor
Get Carter (2000)
Directed by: Stephen Kay
Cinematography by: Mauro Fiore
Edited by: Gerald B. Greenberg
Sound Effects Editor
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Sound Effects Recordist
Black Dog (1998)
Directed by: Kevin Hooks
Cinematography by: Buzz Feitshans IV
Sound Effects Editor
Disturbing Behavior (1998)
Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Randy Jon Morgan
Sound Editor
Jackie Brown (1997)
Directed by: Quentin Tarantino
Cinematography by: Guillermo Navarro
Edited by: Sally Menke
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Sound Effects Editor
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Supervising Foley Editor
Rosewood (1997)
Directed by: John Singleton
Cinematography by: Johnny E. Jensen
Edited by: Bruce Cannon
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Sound Effects Recordist
Mad Dog Time (1996)
Directed by: Larry Bishop
Cinematography by: Frank Byers
Edited by: Norman Hollyn
Editing System: Lightworks Editing System
Sound Effects Editor
The Sunchaser (1996)
Directed by: Michael Cimino
Cinematography by: Douglas Milsome
Edited by: Joe D'Augustine
Sound Effects Editor
Kansas City (1996)
Directed by: Robert Altman
Cinematography by: Oliver Stapleton
Edited by: Geraldine Peroni
Sound Editor
Die Hard: With a Vengeance (1995)
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Sound Effects Editor
Rob Roy (1995)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter Honess
Sound Editor
Hideaway (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Edited by: B.J. Sears
Sound Effects Editor
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Sound Editor
Pulp Fiction (1994)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Editing System: Lightworks Editing System
Sound Effects Recording
City Slickers II: The Legend of Curly's Gold (1994)
Directed by: Paul Weiland
Cinematography by: Adrian Biddle
Sound Effects Editor
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Sound Recordist
The Real McCoy (1993)
Directed by: Russell Mulcahy
Cinematography by: Denis Crossan
Edited by: Peter Honess
Effects Recordist
Ricochet (1991)
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Recordist
Salmonberries (1991)
Directed by: Percy Adlon
Cinematography by: Newton Thomas Sigel
Edited by: Conrad M. Gonzalez
