Richard Conkling

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The Spy Who Dumped Me | ShotOnWhat?

Assistant Editor

The Spy Who Dumped Me (2018)

Directed by: Susanna Fogel

Cinematography by: Barry Peterson

Edited by: Jonathan Schwartz

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Fast 8 | ShotOnWhat?

First Assistant Editor

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Furious 7 | ShotOnWhat?

First Assistant Editor

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Furious 6 | ShotOnWhat?

First Assistant Editor

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Thor | ShotOnWhat?

Second Assistant Editor

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

The Experiment | ShotOnWhat?

Assistant Editor

The Experiment (2010)

Directed by: Paul Scheuring

Cinematography by: Amy Vincent

Edited by: Peter S. Elliot

Public Enemies | ShotOnWhat?

Assistant Editor

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

All Ages Night | ShotOnWhat?

Editor

All Ages Night (2009)

Directed by: Nancy Montuori Stein

Cinematography by: Jeffrey D. McCoy

Edited by: Richard Conkling

Fighting | ShotOnWhat?

First Assistant Editor

Fighting (2009)

Directed by: Dito Montiel

Cinematography by: Stefan Czapsky

Edited by: Saar Klein, Jake Pushinsky

Vantage Point | ShotOnWhat?

Assistant Editor

Vantage Point (2008)

Directed by: Pete Travis

Cinematography by: Amir Mokri

Edited by: Stuart Baird

Idlewild | ShotOnWhat?

First Assistant Editor

Idlewild (2006)

Directed by: Bryan Barber

Cinematography by: Pascal Rabaud

Edited by: Anne Goursaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Something's Gotta Give | ShotOnWhat?

Assistant Editor

Something's Gotta Give (2003)

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

The Scorpion King | ShotOnWhat?

Assistant Editor

The Scorpion King (2002)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

8 Mile | ShotOnWhat?

First Assistant Editor: Film

8 Mile (2002)

Directed by: Curtis Hanson

Cinematography by: Rodrigo Prieto

Edited by: Craig Kitson, Jay Rabinowitz

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Almost Famous | ShotOnWhat?

Assistant Editor

Almost Famous (2000)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Saar Klein

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Permanent Midnight | ShotOnWhat?

Assistant Film Editor

Permanent Midnight (1998)

Directed by: David Veloz

Cinematography by: Robert D. Yeoman

Edited by: Cara Silverman, Steven Weisberg

The Replacement Killers | ShotOnWhat?

Assistant Film Editor

The Replacement Killers (1998)

Directed by: Antoine Fuqua

Cinematography by: Peter Lyons Collister

Edited by: Jay Cassidy

Meet Joe Black | ShotOnWhat?

Assistant Editor

Meet Joe Black (1998)

Directed by: Martin Brest

Cinematography by: Emmanuel Lubezki

Edited by: Joe Hutshing, Michael Tronick

Jerry Maguire | ShotOnWhat?

Second Assistant Editor

Jerry Maguire (1996)

Directed by: Cameron Crowe

Cinematography by: Janusz Kaminski

Edited by: Joe Hutshing, David Moritz

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Waiting for Guffman | ShotOnWhat?

Conformer: 16 MM

Waiting for Guffman (1996)

Directed by: Christopher Guest

Cinematography by: Roberto Schaefer

Edited by: Andy Blumenthal

Cameras: Aaton Cameras, Aaton XTR Prod Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II Lenses

Dangerous Minds | ShotOnWhat?

Apprentice Film Editor

Dangerous Minds (1995)

Directed by: John N. Smith

Cinematography by: Pierre Letarte

Edited by: Tom Rolf

My Girl 2 | ShotOnWhat?

Apprentice Editor

My Girl 2 (1994)

Directed by: Howard Zieff

Cinematography by: Paul Elliott

Edited by: Wendy Greene Bricmont

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