Additional Visual Effects: Onyx Visual Effects
Indiana Jones and the Dial of Destiny (2023)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Visual Effects Supervisor
Babylon (2022)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
In-house Visual Effects Artist
First Man (2018)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Visual Effects Supervisor
La La Land (2016)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Compositing Supervisor
Focus (2015)
Cinematography by: Xavier Grobet
Edited by: Jan Kovac
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Editing System: Final Cut Pro Editing System
Compositing Supervisor
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Senior Compositor
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Senior Compositor
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Senior Compositor
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Senior Compositor
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Senior Compositor
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Senior Compositor
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Compositor: Hammerhead
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Digital Artist: ILM
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Digital Compositor
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Compositor: Asylum
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Digital Compositor
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Digital Compositor
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Compositor: Asylum
The Unborn (2009)
Directed by: David S. Goyer
Cinematography by: James Hawkinson
Edited by: Jeff Betancourt
Cameras: Panavision Cameras
Digital Compositor: Asylum Visual Effects
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Digital Compositor: Asylum Visual Effects
The Taking of Pelham 123 (2009)
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
Digital Compositor
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Digital Compositor: Asylum Visual Effects
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor: Asylum Visual Effects
Confessions of a Shopaholic (2009)
Directed by: P.J. Hogan
Cinematography by: Jo Willems
Edited by: William Goldenberg
Cameras: Panavision Panaflex Platinum Camera
Lead Compositor: Asylum Visual Effects
G-Force (2009)
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Digital Compositor: Asylum Visual Effects
Gentlemen Broncos (2009)
Directed by: Jared Hess
Cinematography by: Munn Powell
Edited by: Yuka Ruell
Digital Compositor: Asylum VFX
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Digital Compositor: Asylum
Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Digital Compositor: Asylum VFX
National Treasure: Book of Secrets (2007)
Directed by: Jon Turteltaub
Digital Compositor
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Compositor
Hostel: Part II (2007)
Directed by: Eli Roth
Cinematography by: Milan Chadima
Edited by: George Folsey Jr.
Digital Compositor
Mr. Brooks (2007)
Directed by: Bruce A. Evans
Cinematography by: John Lindley
Edited by: Miklos Wright
Digital Compositor
King of California (2007)
Directed by: Mike Cahill
Cinematography by: Jim Whitaker
Edited by: Glenn Garland
Main Title Designer & Animator
Bachelor Party Vegas (2006)
Directed by: Eric Bernt
Cinematography by: Robert Primes
Edited by: David Finfer
Compositor: Identity Studios Inc.
Peaceful Warrior (2006)
Directed by: Victor Salva
Cinematography by: Sharone Meir
Edited by: Ed Marx
Lead Compositor / Main Title Animation
Domestic Import (2006)
Directed by: Kevin Connor
Cinematography by: Barry M. Wilson
Edited by: Jan Popiden
Lead Compositor
Bottoms Up (2006)
Directed by: Erik MacArthur
Cinematography by: Massimo Zeri
Edited by: Sherwood Jones
Rotoscoper: Captive Audience Productions
The Exorcism of Emily Rose (2005)
Directed by: Scott Derrickson
Cinematography by: Tom Stern
Edited by: Jeff Betancourt
Digital Compositor
The Russian Specialist (2005)
Directed by: Dolph Lundgren
Cinematography by: Ross W. Clarkson
Edited by: Joe Plenys
Cameras: ARRI Cameras
