Brenda Finster

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The Expendables 3 | ShotOnWhat?

Visual Effects Coordinator

The Expendables 3 (2014)

Directed by: Patrick Hughes

Cinematography by: Peter Menzies Jr.

Edited by: Sean Albertson, Paul Harb

Cameras: Blackmagic Cinema Camera, Red Epic Camera, Red Scarlet Camera

Winter's Tale | ShotOnWhat?

Visual Effects Coordinator

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pacific Rim | ShotOnWhat?

Visual Effects: Prologue Documentary Footage, Mirada

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Drive Angry | ShotOnWhat?

Visual Effects Coordinator

Drive Angry (2011)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Devin C. Lussier, Patrick Lussier

Hugo | ShotOnWhat?

Visual Effects Coordinator

Hugo (2011)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

A Little Bit of Heaven | ShotOnWhat?

Vfx Coordinator: Method Studios

A Little Bit of Heaven (2011)

Directed by: Nicole Kassell

Cinematography by: Russell Carpenter

Edited by: Stephen A. Rotter

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Gulliver's Travels | ShotOnWhat?

Visual Effects Coordinator

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Let Me In | ShotOnWhat?

Visual Effects Coordinator: Method Studios

Let Me In (2010)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Alice in Wonderland | ShotOnWhat?

Digital Coordinator: CafeFX

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Visual Effects Coordinator: CafeFX

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

G-Force | ShotOnWhat?

Stereoscopic Project Coordinator: In Three / Visual Effects Coordinator

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Iron Man | ShotOnWhat?

Visual Effects Coordinator: Cafe FX

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Tropic Thunder | ShotOnWhat?

Visual Effects Coordinator: CIS Hollywood

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Visual Effects Coordinator: CIS Hollywood

The Mummy: Tomb of the Dragon Emperor (2008)

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Silent Warnings | ShotOnWhat?

Digital Effects Coordinator

Silent Warnings (2003)

Direct to Video

Directed by: Christian McIntire

Cinematography by: Lorenzo Senatore

Edited by: David Flores, Christian McIntire

Armageddon | ShotOnWhat?

Information Services: DQI

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Six Days Seven Nights | ShotOnWhat?

Visual Effects Data Manager

Six Days Seven Nights (1998)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Deep Rising | ShotOnWhat?

Data Management: Dream Quest Images

Deep Rising (1998)

Directed by: Stephen Sommers

Cinematography by: Howard Atherton

Edited by: Bob Ducsay, John Wright

Crimson Tide | ShotOnWhat?

Production Assistant

Crimson Tide (1995)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

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