Anna Pinnock

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Indiana Jones and the Dial of Destiny | ShotOnWhat?

Set Decorator

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Tenet | ShotOnWhat?

Set Decorator

Tenet (2020)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Ready Player One | ShotOnWhat?

Set Decorator

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Set Decorator

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Legend of Tarzan | ShotOnWhat?

Set Decorator

The Legend of Tarzan (2016)

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Spectre | ShotOnWhat?

Set Decorator

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Grand Budapest Hotel | ShotOnWhat?

Set Decorator

The Grand Budapest Hotel (2014)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Barney Pilling

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

Editing System: Avid Editing System

Into the Woods | ShotOnWhat?

Set Decorator

Into the Woods (2014)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Wyatt Smith

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Life of Pi | ShotOnWhat?

Set Decorator

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Skyfall | ShotOnWhat?

Set Decorator

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Tourist | ShotOnWhat?

Set Decorator

The Tourist (2010)

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Clash of the Titans | ShotOnWhat?

Set Decorator

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Quantum of Solace | ShotOnWhat?

Set Decorator

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Golden Compass | ShotOnWhat?

Set Decorator

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

The Holiday | ShotOnWhat?

Set Decorator: United Kingdom

The Holiday (2006)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Breaking and Entering | ShotOnWhat?

Set Decorator

Breaking and Entering (2006)

Directed by: Anthony Minghella

Cinematography by: Benoît Delhomme

Edited by: Lisa Gunning

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Ultra Prime Lenses

Sahara | ShotOnWhat?

Set Decorator

Sahara (2005)

Directed by: Breck Eisner

Cinematography by: Seamus McGarvey

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Casanova | ShotOnWhat?

Set Decorator

Casanova (2005)

Directed by: Lasse Hallström

Cinematography by: Oliver Stapleton

Edited by: Andrew Mondshein

Troy | ShotOnWhat?

Set Decorator

Troy (2004)

Directed by: Wolfgang Petersen

Cinematography by: Roger Pratt

Edited by: Peter Honess

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Cooke S4 Lenses

Van Helsing | ShotOnWhat?

Set Decorator

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Gosford Park | ShotOnWhat?

Set Decorator

Gosford Park (2001)

Directed by: Robert Altman

Cinematography by: Andrew Dunn

Edited by: Tim Squyres

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Golden Bowl | ShotOnWhat?

Set Decorator

The Golden Bowl (2000)

Directed by: James Ivory

Cinematography by: Tony Pierce-Roberts

Edited by: John David Allen

Proof of Life | ShotOnWhat?

Set Decorator, Set Decorator: London

Proof of Life (2000)

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

The Beach | ShotOnWhat?

Set Decorator

The Beach (2000)

Directed by: Danny Boyle

Cinematography by: Darius Khondji

Edited by: Masahiro Hirakubo

Cameras: ARRIFLEX 235 Camera

Entrapment | ShotOnWhat?

Set Decorator

Entrapment (1999)

Directed by: Jon Amiel

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Lost in Space | ShotOnWhat?

Set Decorator

Lost in Space (1998)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Ray Lovejoy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Fifth Element | ShotOnWhat?

Set Decorator

The Fifth Element (1997)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses: Zeiss Lenses

Restoration | ShotOnWhat?

Set Buyer

Restoration (1995)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

Cutthroat Island | ShotOnWhat?

Set Buyer

Cutthroat Island (1995)

Directed by: Renny Harlin

Cinematography by: Peter Levy

Edited by: Derek Brechin, Florent Retz, Frank J. Urioste, Ralph E. Winters, Bert Lovitt

Four Weddings and a Funeral | ShotOnWhat?

Set Decorator

Four Weddings and a Funeral (1994)

Directed by: Mike Newell

Cinematography by: Michael Coulter

Edited by: Jon Gregory

Waterland | ShotOnWhat?

Production Buyer

Waterland (1992)

Directed by: Stephen Gyllenhaal

Cinematography by: Robert Elswit

Edited by: Lesley Walker

The Krays | ShotOnWhat?

Prop Buyer

The Krays (1990)

Directed by: Peter Medak

Cinematography by: Alex Thomson

Edited by: Martin Walsh

Hellbound: Hellraiser II | ShotOnWhat?

Production Buyer

Hellbound: Hellraiser II (1988)

Directed by: Tony Randel

Cinematography by: Robin Vidgeon

Edited by: Richard Marden, Tony Randel

Cameras: Panavision Cameras

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