Post-production Accountant
Atomic Blonde (2017)
Directed by: David Leitch
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Lite Vintage´74 Lens
Post-production Accountant
'Better Things' Sam/Pilot (2016)
Directed by: Louis C.K.
Cinematography by: Paul Koestner
Edited by: Louis C.K.
Post-production Accountant
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Post-production Accountant
'Finding Carter' Stay with Me (2015)
Directed by: Norman Buckley
Cinematography by: Alison Kelly
Post-production Accountant
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Post-production Accountant
'Finding Carter' Love the Way You Lie (2015)
Directed by: Jennifer Lynch
Cinematography by: Alison Kelly
Edited by: Brandon Lott
Post-production Accountant
'Finding Carter' Shut Up and Drive (2015)
Directed by: Scott Speer
Cinematography by: Alison Kelly
Edited by: Tad Dennis
Post-production Accountant
'Finding Carter' We Are Never Ever Getting Back Together (2015)
Directed by: Gavin Polone
Cinematography by: Alison Kelly
Post-production Accountant
'Finding Carter' Pretty When You Cry (2015)
Directed by: Gavin Polone
Cinematography by: Alison Kelly
Edited by: Brandon Lott
Post-production Accountant
'Finding Carter' Wake Up Call (2015)
Directed by: Norman Buckley
Cinematography by: Alison Kelly
Edited by: Tad Dennis
Post-production Accountant
'Finding Carter' Something to Talk About (2015)
Directed by: Jennifer Lynch
Cinematography by: Alison Kelly
Edited by: Brandon Lott
Post-production Accountant
'Finding Carter' Riptide (2015)
Directed by: Jennifer Lynch
Cinematography by: Alison Kelly
Edited by: Tad Dennis
Post-production Accountant
'Finding Carter' I Knew You Were Trouble (2015)
Directed by: Jay Karas
Cinematography by: Alison Kelly
Post-production Accountant
'Finding Carter' Rumour Has It (2015)
Directed by: Rodman Flender
Cinematography by: Alison Kelly
Edited by: Brandon Lott
Post-production Accountant
'Finding Carter' Wrecking Ball (2015)
Directed by: Scott Speer
Cinematography by: Alison Kelly
Edited by: Tad Dennis
Post-production Accountant
'Finding Carter' Native Son (2015)
Directed by: Scott Speer
Cinematography by: Bradford Lipson
Edited by: Jim Towne
Post-production Accountant
'Finding Carter' The Sheltering Sky (2015)
Directed by: Sharat Raju
Cinematography by: Bradford Lipson
Post-production Accountant
'Finding Carter' Atonement (2015)
Directed by: Norman Buckley
Cinematography by: Bradford Lipson
Post-production Accountant
'Finding Carter' The Corrections (2015)
Directed by: Jeff Melman
Cinematography by: Bradford Lipson
Edited by: Jim Towne
Post-production Accountant
'Finding Carter' The Death of the Heart (2015)
Directed by: Jonathan Frakes
Cinematography by: Bradford Lipson
Post-production Accountant
'Finding Carter' The Heart Is a Lonely Hunter (2015)
Directed by: Jonathan Frakes
Cinematography by: Bradford Lipson
Edited by: Robin Katz
Post-production Accountant
'Finding Carter' Never Let Me Go (2015)
Directed by: Brian Dannelly
Cinematography by: Bradford Lipson
Edited by: Jim Towne
Post-production Accountant
'Finding Carter' She's Come Undone (2015)
Directed by: Brian Dannelly
Cinematography by: Bradford Lipson
Post-production Accountant
'Finding Carter' I'm Not the Only One (2015)
Directed by: John Terlesky
Cinematography by: Alison Kelly
Post-production Accountant
'Finding Carter' The Consequences of Longing (2015)
Directed by: Scott Speer
Cinematography by: Bradford Lipson
Edited by: Robin Katz
Post-production Accountant
'Finding Carter' The Sound and the Fury (2015)
Directed by: Jeff Melman
Cinematography by: Bradford Lipson
Edited by: Jim Towne
Post-production Accountant
'Finding Carter' Rabbit, Run (2015)
Directed by: Jeff Melman
Cinematography by: Bradford Lipson
Post-production Accountant
'Finding Carter' Anywhere But Here (2015)
Directed by: Anna Mastro
Cinematography by: Bradford Lipson
Edited by: Robin Katz
Post Production Accountant
Lost River (2014)
Directed by: Ryan Gosling
Cinematography by: Benoît Debie
Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
Post-production Accountant - 36 Episodes, 2014-2015
Finding Carter (2014)
Directed by: Scott Speer, Jennifer Lynch, Norman Buckley, Jeff Melman, John Terlesky, Rob Hardy, Peter Lauer, Jamie Travis, Brian Dannelly, Jonathan Frakes, Gavin Polone, Rose Troche, Rodman Flender, Jay Karas, Anna Mastro, Sharat Raju
Edited by: Jim Towne, John Wesley Whitton, Tad Dennis, Brandon Lott, Tammis Chandler, Robin Katz, Evan Henke
Lenses: Leitz Summilux-C Series Lenses
Post-production Accountant
'Finding Carter' Pilot (2014)
Directed by: Scott Speer
Cinematography by: Karsten Gopinath
Post-production Accountant
(2014)
Directed by: Scott Speer
Cinematography by: Alison Kelly
Edited by: Jim Towne
Post-production Accountant
'Finding Carter' Drive (2014)
Directed by: Rob Hardy
Cinematography by: Alison Kelly
Edited by: John Wesley Whitton
Post-production Accountant
'Finding Carter' Now You See Me (2014)
Directed by: Rob Hardy
Cinematography by: Alison Kelly
Edited by: Tammis Chandler
Post-production Accountant
'Finding Carter' The Heat (2014)
Directed by: John Terlesky
Cinematography by: Alison Kelly
Edited by: Jim Towne
Post-production Accountant
'Finding Carter' The Fugitive (2014)
Directed by: Rose Troche
Cinematography by: Alison Kelly
Edited by: John Wesley Whitton
Post-production Accountant
'Finding Carter' Throw Momma from the Train (2014)
Directed by: Jamie Travis
Cinematography by: Alison Kelly
Edited by: Tammis Chandler
Post-production Accountant
'Finding Carter' Half Baked (2014)
Directed by: Jamie Travis
Cinematography by: Alison Kelly
Edited by: Jim Towne
Post-production Accountant
'Finding Carter' Do the Right Thing (2014)
Directed by: Jennifer Lynch
Cinematography by: Alison Kelly
Edited by: John Wesley Whitton
Post-production Accountant
'Finding Carter' Love Story (2014)
Directed by: Jennifer Lynch
Cinematography by: Alison Kelly
Edited by: Tammis Chandler
Post-production Accountant
'Finding Carter' The Long Goodbye (2014)
Directed by: Peter Lauer
Cinematography by: Alison Kelly
Edited by: Jim Towne
Post-production Accountant
'Finding Carter' One Hour Photo (2014)
Directed by: Peter Lauer
Cinematography by: Alison Kelly
Edited by: John Wesley Whitton
Post-production Accountant
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Post Accountant
The Way Way Back (2013)
Cinematography by: John Bailey
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA Camera
Post-production Accountant
Temptation: Confessions of a Marriage Counselor (2013)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Post-production Accountant: Rice Gorton Pictures
The Host (2013)
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Post-production Accountant
Snitch (2013)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Jonathan Chibnall
Cameras: Red Epic Camera
Post-production Accountant
Nurse 3D (2013)
Directed by: Douglas Aarniokoski
Cinematography by: Boris Mojsovski
Edited by: Andrew Coutts
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Post Production Accountant
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Post-production Accountant
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Post Production Accountant
Good Deeds (2012)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Post-production Accountant
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Post-production Accountant: Rice Gordon Pictures
Magic Mike (2012)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Post Production Accountant
Abduction (2011)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Post-production Accountant
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Post Production Accountant
The Ides of March (2011)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Post Production Accountant
Madea's Big Happy Family (2011)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Post-production Accountant
Seeking Justice (2011)
Directed by: Roger Donaldson
Cinematography by: David Tattersall
Edited by: Jay Cassidy
Cameras: Panavision Genesis Camera
Post Production Accountant
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Post Production Accountant
Vanishing on 7th Street (2010)
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Jeffrey Wolf
Post Production Accountant
Why Did I Get Married Too? (2010)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Post Production Accountant
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Post Production Accountant
The Company Men (2010)
Directed by: John Wells
Cinematography by: Roger Deakins
Edited by: Robert Frazen
Post Production Accountant
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Post-production Accountant
Powder Blue (2009)
Directed by: Timothy Linh Bui
Cinematography by: Jonathan Sela
Edited by: Leo Trombetta
Post-production Accountant
My Best Friend's Girl (2008)
Directed by: Howard Deutch
Cinematography by: Jack N. Green
Edited by: Seth Flaum
Post-production Accountant
Thomas Kinkade's Christmas Cottage (2008)
Directed by: Michael Campus
Cinematography by: Robert Brinkmann
Edited by: Don Brochu
Post-production Accountant
The Burrowers (2008)
Directed by: J.T. Petty
Cinematography by: Phil Parmet
Cameras: Panavision Cameras
Post-production Accountant
Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Post-production Accountant
How to Rob a Bank (and 10 Tips to Actually Get Away with It) (2007)
Directed by: Andrews Jenkins
Cinematography by: Joe Meade
Post-production Accountant
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Post-production Accountant
Good Luck Chuck (2007)
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Post-production Accountant
Why Did I Get Married? (2007)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Post-production Accountant
Pride (2007)
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Post-production Accountant
Akeelah and the Bee (2006)
Directed by: Doug Atchison
Cinematography by: M. David Mullen
Edited by: Glenn Farr
Post-production Accountant
Fierce People (2005)
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Allyson C. Johnson
Post-production Accountant
The Big White (2005)
Directed by: Mark Mylod
Cinematography by: James Glennon
Edited by: Julie Monroe
Post-production Accountant
The Devil's Rejects (2005)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Post-production Accountant
Happy Endings (2005)
Directed by: Don Roos
Cinematography by: Clark Mathis
Edited by: David Codron
Editing System: Final Cut Pro Editing System
Post-production Accountant
Godsend (2004)
Directed by: Nick Hamm
Cinematography by: Kramer Morgenthau
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Post-production Accountant
The Life and Death of Peter Sellers (2004)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: John Smith
Sr. Post-production Accountant
The Punisher (2004)
Directed by: Jonathan Hensleigh
Cinematography by: Conrad W. Hall
Post-production Accountant
Confidence (2003)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Stuart Levy
Post Production Accountant
Wonderland (2003)
Directed by: James Cox
Cinematography by: Michael Grady
Edited by: Jeff McEvoy
Post-production Accountant
The Rules of Attraction (2002)
Directed by: Roger Avary
Cinematography by: Robert Brinkmann
Edited by: Sharon Rutter
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Production Auditor
Death Wish 4: The Crackdown (1987)
Directed by: J. Lee Thompson
Cinematography by: Gideon Porath
Edited by: Peter Lee-Thompson
