Driver
'Jane the Virgin' Chapter Ninety-Five (2019)
Directed by: Neema Barnette
Cinematography by: Lowell Peterson
Driver
'Jane the Virgin' Chapter One-Hundred (2019)
Directed by: Brad Silberling
Cinematography by: Lowell Peterson
Driver
'Jane the Virgin' Chapter Ninety-One (2019)
Directed by: Gina Lamar
Cinematography by: Lowell Peterson
Driver
'Jane the Virgin' Chapter Eighty-Two (2019)
Directed by: Gina Rodriguez
Cinematography by: Lowell Peterson
Driver
'Jane the Virgin' Chapter Fifty-Four (2017)
Directed by: Melanie Mayron
Cinematography by: Joe Gallo
Driver
'Jane the Virgin' Chapter Seventy-One (2017)
Directed by: Micah Schraft
Cinematography by: Lowell Peterson
Edited by: Eric Lea
Driver
'Jane the Virgin' Chapter Seventy (2017)
Directed by: Melanie Mayron
Cinematography by: Joe Gallo
Driver
'Jane the Virgin' Chapter Sixty-Nine (2017)
Directed by: Stuart Gillard
Cinematography by: Lowell Peterson
Edited by: Eric Lea
Driver
'Jane the Virgin' Chapter Sixty-Seven (2017)
Directed by: Fernando Sariñana
Cinematography by: Lowell Peterson
Driver
'Jane the Virgin' Chapter Sixty-Eight (2017)
Directed by: Gina Lamar
Cinematography by: Joe Gallo
Driver
'Jane the Virgin' Chapter Sixty-Five (2017)
Directed by: Brad Silberling
Cinematography by: Lowell Peterson
Driver
'Jane the Virgin' Chapter Sixty-Six (2017)
Directed by: Gina Lamar
Cinematography by: Joe Gallo
Edited by: Eric Lea
Driver
'Jane the Virgin' Chapter Fifty-Six (2017)
Directed by: Matthew Diamond
Cinematography by: Joe Gallo
Driver
'Jane the Virgin' Chapter Fifty-Five (2017)
Directed by: Brad Silberling
Cinematography by: Lowell Peterson
Edited by: Eric Lea
Driver
Jane Got a Gun (2015)
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Driver
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Driver - 15 Episodes, 2017-2019
Jane the Virgin (2014)
Directed by: Gina Lamar, Melanie Mayron, Brad Silberling, Zetna Fuentes, Uta Briesewitz, Edward Ornelas, Anna Mastro, Jann Turner, Stuart Gillard, Joanna Kerns, Micah Schraft, Gina Rodriguez, Debbie Allen, Howard Deutch, Robert Luketic, Matthew Diamond, Fernando Sariñana, Eric Lea, Norman Buckley, Janice Cooke, Elodie Keene, Georgina Garcia Riedel, Eva Longoria, Jason Reilly, Justin Baldoni, Neema Barnette, Leo Zisman
Edited by: Eric Lea, Bruce Green, Gregg Featherman, Janet Weinberg, Raúl Dávalos, Brad Katz, Shannon Mitchell, Susan Kobata
Cameras: ARRI ALEXA Camera
Driver
A Million Ways to Die in the West (2014)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Driver: Georgia
The Homesman (2014)
Directed by: Tommy Lee Jones
Cinematography by: Rodrigo Prieto
Edited by: Roberto Silvi
Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera
Driver
We're the Millers (2013)
Directed by: Rawson Marshall Thurber
Cinematography by: Barry Peterson
Edited by: Michael L. Sale
Cameras: ARRI ALEXA Camera
Driver
2 Guns (2013)
Directed by: Baltasar Kormákur
Cinematography by: Oliver Wood
Edited by: Michael Tronick
Transportation Captain
'In Plain Sight' Four Marshals and a Baby (2012)
Directed by: Andy Wolk
Edited by: Jennifer Barbot
Transportation Captain
'In Plain Sight' Drag Me to Hell (2012)
Directed by: Bethany Rooney
Cinematography by: John B. Aronson
Driver
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Transportation Captain
'In Plain Sight' A Womb with a View (2011)
Directed by: Bethany Rooney
Edited by: Regis Kimble
Transportation Captain
'In Plain Sight' Girls, Interrupted (2011)
Directed by: Lee Rose
Cinematography by: John B. Aronson
Edited by: Sarah Boyd
Transportation Captain
'In Plain Sight' Kumar vs Kumar (2011)
Directed by: Michael Fields
Edited by: Jennifer Barbot
Transportation Captain
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Driver
Hereafter (2010)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Transportation Captain
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Transportation Dispatcher
The Smell of Success (2009)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Cary Gries
Transportation Captain
Stay Cool (2009)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Cary Gries
Transportation Captain - 8 Episodes, 2011-2012
In Plain Sight (2008)
Directed by: Dan Lerner, Michael W. Watkins, Bryan Spicer, Bethany Rooney, Sam Weisman, Michael Morris, Fred Gerber, Michael Fields, Andy Wolk, John Badham, Tricia Brock, John Fortenberry, Rod Hardy, John T. Kretchmer, Mark Piznarski, John F. Showalter, Jesús Salvador Treviño, Ernest R. Dickerson, Félix Enríquez Alcalá, Stephen Hopkins, Leslie Libman, Anton Cropper, Charles Haid, Jerry Levine, Tawnia McKiernan, Deran Sarafian, Michael Zinberg, Jan Eliasberg, Matthew Penn, Lee Rose, Michael Schultz, David Warren
Transportation Captain
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Transportation Captain
Four Christmases (2008)
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Driver
Rails & Ties (2007)
Directed by: Alison Eastwood
Cinematography by: Tom Stern
Edited by: Gary Roach
Driver
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Driver
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Driver
Believe in Me (2006)
Directed by: Robert Collector
Cinematography by: James L. Carter
Edited by: Anthony Redman
Driver
Accepted (2006)
Directed by: Steve Pink
Cinematography by: Matthew F. Leonetti
Edited by: Scott Hill
Cameras: Moviecam Cameras
Transportation Captain
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Driver
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Additional Driver
Kiss Kiss Bang Bang (2005)
Directed by: Shane Black
Cinematography by: Michael Barrett
Edited by: Jim Page
Driver
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Driver
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Driver: Baltimore
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Driver
The Girl Next Door (2004)
Directed by: Luke Greenfield
Cinematography by: Jamie Anderson
Edited by: Mark Livolsi
Driver
Elvis Has Left the Building (2004)
Directed by: Joel Zwick
Cinematography by: Paul Elliott
Edited by: Heather Persons
Driver: John Frankenheimer
Path to War (2002)
Directed by: John Frankenheimer
Edited by: Richard Francis-Bruce
Dispatcher
The Hot Chick (2002)
Directed by: Tom Brady
Cinematography by: Tim Suhrstedt
Edited by: Peck Prior
Office Coordinator: Los Angeles
NightScream (1997)
Directed by: Noel Nosseck
Cinematography by: Paul Maibaum
Edited by: Michael Brown
Office Coordinator: Los Angeles
No One Would Tell (1996)
Directed by: Noel Nosseck
Cinematography by: Paul Maibaum
Edited by: Michael Brown
Production Assistant
The Good Old Boys (1995)
Directed by: Tommy Lee Jones
Cinematography by: Alan Caso
Edited by: Kimberly Ray
