John M. Pisani

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Avengers: Endgame | ShotOnWhat?

Unit Publicist

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Unit Publicist

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Unit Publicist

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Captain America: Civil War | ShotOnWhat?

Unit Publicist

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

The Wedding Ringer | ShotOnWhat?

Unit Publicist

The Wedding Ringer (2015)

Directed by: Jeremy Garelick

Cinematography by: Bradford Lipson

Edited by: Jeff Groth, Shelly Westerman, Byron Wong

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Avengers: Age of Ultron | ShotOnWhat?

Unit Publicist

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Unit Publicist

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Identity Thief | ShotOnWhat?

Unit Publicist

Identity Thief (2013)

Directed by: Seth Gordon

Cinematography by: Javier Aguirresarobe

Edited by: Peter Teschner

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Iron Man Three | ShotOnWhat?

The Avengers | ShotOnWhat?

Unit Publicist

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Hall Pass | ShotOnWhat?

Unit Publicist

Hall Pass (2011)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Change-Up | ShotOnWhat?

Unit Publicist

The Change-Up (2011)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

The Dilemma | ShotOnWhat?

Unit Publicist

The Dilemma (2011)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Going the Distance | ShotOnWhat?

Unit Publicist

Going the Distance (2010)

Directed by: Nanette Burstein

Cinematography by: Eric Steelberg

Edited by: Peter Teschner

Iron Man 2 | ShotOnWhat?

Unit Publicist

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Couples Retreat | ShotOnWhat?

Unit Publicist

Couples Retreat (2009)

Directed by: Peter Billingsley

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Friday the 13th | ShotOnWhat?

Unit Publicist

Friday the 13th (2009)

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Ken Blackwell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Old Dogs | ShotOnWhat?

Unit Publicist

Old Dogs (2009)

Directed by: Walt Becker

Cinematography by: Jeffrey L. Kimball

Edited by: Ryan Folsey, Tom Lewis

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Unborn | ShotOnWhat?

Unit Publicist

The Unborn (2009)

Directed by: David S. Goyer

Cinematography by: James Hawkinson

Edited by: Jeff Betancourt

Cameras: Panavision Cameras

Iron Man | ShotOnWhat?

Unit Publicist

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Four Christmases | ShotOnWhat?

Unit Publicist

Four Christmases (2008)

Directed by: Seth Gordon

Cinematography by: Jeffrey L. Kimball

Edited by: Mark Helfrich, Melissa Kent

Fred Claus | ShotOnWhat?

Unit Publicist

Fred Claus (2007)

Directed by: David Dobkin

Cinematography by: Remi Adefarasin

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

The Hitcher | ShotOnWhat?

Unit Publicist

The Hitcher (2007)

Directed by: Dave Meyers

Cinematography by: James Hawkinson

Edited by: Jim May

Norbit | ShotOnWhat?

Unit Publicist

Norbit (2007)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Break-Up | ShotOnWhat?

Unit Publicist

The Break-Up (2006)

Directed by: Peyton Reed

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental, David Rosenbloom

The Dukes of Hazzard | ShotOnWhat?

Publicist

The Dukes of Hazzard (2005)

Directed by: Jay Chandrasekhar

Cinematography by: Lawrence Sher

Edited by: Jay Chandrasekhar, Lee Haxall, Myron Kerstein

The Amityville Horror | ShotOnWhat?

Unit Publicist

The Amityville Horror (2005)

Directed by: Andrew Douglas

Cinematography by: Peter Lyons Collister

Edited by: Roger Barton, Christian Wagner

Wedding Crashers | ShotOnWhat?

Unit Publicist

Wedding Crashers (2005)

Directed by: David Dobkin

Cinematography by: Julio Macat

Edited by: Mark Livolsi

Soul Plane | ShotOnWhat?

Unit Publicist

Soul Plane (2004)

Directed by: Jessy Terrero

Cinematography by: Jonathan Sela

Edited by: Michael R. Miller

Dumb and Dumberer: When Harry Met Lloyd | ShotOnWhat?

Unit Publicist

Dumb and Dumberer: When Harry Met Lloyd (2003)

Directed by: Troy Miller

Cinematography by: Anthony B. Richmond

Edited by: Lawrence Jordan

The Texas Chainsaw Massacre | ShotOnWhat?

Unit Publicist

The Texas Chainsaw Massacre (2003)

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Glen Scantlebury

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

I Am Sam | ShotOnWhat?

Unit Publicist

I Am Sam (2001)

Directed by: Jessie Nelson

Cinematography by: Elliot Davis

Edited by: Richard Chew

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

Enemy of the State | ShotOnWhat?

Assistant Publicist

Enemy of the State (1998)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Chris Lebenzon

Armageddon | ShotOnWhat?

Assistant Publicist

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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