Senior Pyrotechnician / Special Effects Senior Technician
Wonder Woman 1984 (2020)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Richard Pearson
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Special Effects Senior Technician
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Floor Supervisor: Kenya
The Fifth Estate (2013)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Special Effects Technician: Dailies
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
SFX Supervisor JIGS
Hard Boiled Sweets (2012)
Directed by: David L.G. Hughes
Cinematography by: Sara Deane
Edited by: Lloyd George
Cameras: Canon EOS-5D Mark II Camera
Lenses: Canon L Series Lenses
Editing System: Autodesk Smoke Editing System, Final Cut Pro Editing System
Special Effects Consultant
Cleanskin (2012)
Directed by: Hadi Hajaig
Cinematography by: Ian Howes
Edited by: Hadi Hajaig
SFX Supervisor JIGS
Deviation (2012)
Directed by: J.K. Amalou
Cinematography by: Ollie Downey
Edited by: St. John O'Rorke
Special Effects Supervisor
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Special Effects Supervisor: Morocco, Arcadia SFX
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Special Effects Senior Technician
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Special Effects: Elements Unit
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Special Effects Supervisor
S.N.U.B! (2010)
Directed by: Jonathan Glendening
Cinematography by: Jordan Cushing
Edited by: Iain Mitchell
Floor Supervisor: Spain & Morocco
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Special Effects Floor Supervisor: Brazil
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Special Effects Supervisor
From Time to Time (2009)
Directed by: Julian Fellowes
Cinematography by: Alan Almond
Edited by: John Wilson
Stunt Pyrotechnic Supervisor
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Pyrotechnics Supervisor
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Special Effects Supervisor
Rambo (2008)
Directed by: Sylvester Stallone
Cinematography by: Glen MacPherson
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Ultra Prime Lenses
Special Effects Floor Supervisor: Second Unit
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Special Effects Floor Supervisor
Terry Pratchett's Hogfather (2006)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Edited by: Joe McNally
Cameras: ARRIFLEX D-20 Camera
Lead Senior Special Effects Supervisor: First Unit
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Special Effects Floor Supervisor / Special Effects Technician
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Special Effects Senior Technician
Hidalgo (2004)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Special Effects Floor Supervisor: Second Unit
The Phantom of the Opera (2004)
Directed by: Joel Schumacher
Cinematography by: John Mathieson
Edited by: Terry Rawlings
Special Effects Supervisor: Second Unit
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Special Effects Floor Supervisor
Bad Company (2002)
Directed by: Joel Schumacher
Cinematography by: Dariusz Wolski
Special Effects Senior Technician
Longitude (2000)
Directed by: Charles Sturridge
Cinematography by: Peter Hannan
Edited by: Peter Coulson
Special Effects Floor Supervisor
Lighthouse (1999)
Directed by: Simon Hunter
Cinematography by: Tony Imi
Edited by: Paul Green
Special Effects Floor Supervisor
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Technician
Cousin Bette (1998)
Directed by: Des McAnuff
Cinematography by: Andrzej Sekula
Special Effects Technician
Judge Dredd (1995)
Directed by: Danny Cannon
Cinematography by: Adrian Biddle
Special Effects Technician
Paperhouse (1988)
Directed by: Bernard Rose
Cinematography by: Mike Southon
Edited by: Dan Rae
