Glynna Grimala

44 Titles

Is this you? Add a Profile

Fast 8 | ShotOnWhat?

Dialogue Editor

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Furious 7 | ShotOnWhat?

Sound Effects Editor

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Spy | ShotOnWhat?

Dialogue Editor

Spy (2015)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Birdman or (The Unexpected Virtue of Ignorance) | ShotOnWhat?

Dialogue Editor

Birdman or (The Unexpected Virtue of Ignorance) (2014)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses: Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Seventh Son | ShotOnWhat?

Adr Supervisor

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Winter's Tale | ShotOnWhat?

Adr Editor

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Unbroken | ShotOnWhat?

Adr Editor

Unbroken (2014)

Directed by: Angelina Jolie

Cinematography by: Roger Deakins

Edited by: William Goldenberg, Tim Squyres

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses

Dumb and Dumber To | ShotOnWhat?

Adr Supervisor

Dumb and Dumber To (2014)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Steven Rasch

Cameras: ARRI ALEXA Camera

Lenses: Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

August: Osage County | ShotOnWhat?

Sound Editor

August: Osage County (2013)

Directed by: John Wells

Cinematography by: Adriano Goldman

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Heat | ShotOnWhat?

Adr Supervisor

The Heat (2013)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Jay Deuby, Brent White

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Furious 6 | ShotOnWhat?

Sound Effects Editor

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Hunger Games | ShotOnWhat?

Adr Supervisor

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Dictator | ShotOnWhat?

Supervisng Adr Editor

The Dictator (2012)

Directed by: Larry Charles

Cinematography by: Lawrence Sher

Edited by: Greg Hayden, Eric Kissack

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark III Camera

Lenses: Panavision Primo Anamorphic Lenses

In the Land of Blood and Honey | ShotOnWhat?

Dialogue Editor

In the Land of Blood and Honey (2011)

Directed by: Angelina Jolie

Cinematography by: Dean Semler

Edited by: Patricia Rommel

What's Your Number? | ShotOnWhat?

Sound Effects Editor

What's Your Number? (2011)

Directed by: Mark Mylod

Cinematography by: James M. Muro

Edited by: Julie Monroe

Larry Crowne | ShotOnWhat?

Sound Effects Editor

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Hall Pass | ShotOnWhat?

Sound Effects Editor

Hall Pass (2011)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Fast Five | ShotOnWhat?

Sound Designer

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Cedar Rapids | ShotOnWhat?

Supervising Adr Editor / Supervising Dialogue Editor

Cedar Rapids (2011)

Directed by: Miguel Arteta

Cinematography by: Chuy Chávez

Edited by: Eric Kissack

Flipped | ShotOnWhat?

Adr Supervisor

Flipped (2010)

Directed by: Rob Reiner

Cinematography by: Thomas Del Ruth

Edited by: Robert Leighton

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Classic Spherical Lenses

Vampires Suck | ShotOnWhat?

Sound Effects Editor

Vampires Suck (2010)

Directed by: Jason Friedberg, Aaron Seltzer

Cinematography by: Shawn Maurer

Edited by: Peck Prior

Cameras: Moviecam Compact Camera

A Nightmare on Elm Street | ShotOnWhat?

Supervising Adr Editor / Supervising Dialogue Editor

A Nightmare on Elm Street (2010)

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

London Boulevard | ShotOnWhat?

Sound Effects Editor

London Boulevard (2010)

Directed by: William Monahan

Cinematography by: Chris Menges

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Shrink | ShotOnWhat?

Dialogue & Adr Editor / Sound Editor

Shrink (2009)

Directed by: Jonas Pate

Cinematography by: Lukas Ettlin, Isaac Phillips

Edited by: Luis Carballar

Cameras: Panavision Cameras

He's Just Not That Into You | ShotOnWhat?

Foley Editor

He's Just Not That Into You (2009)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

The Time Traveler's Wife | ShotOnWhat?

Effects Editor

The Time Traveler's Wife (2009)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Friday the 13th | ShotOnWhat?

Sound Effects Editor

Friday the 13th (2009)

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Ken Blackwell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Disaster Movie | ShotOnWhat?

Sound Effects Editor

Disaster Movie (2008)

Directed by: Jason Friedberg, Aaron Seltzer

Cinematography by: Shawn Maurer

Edited by: Peck Prior

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

My Best Friend's Girl | ShotOnWhat?

Adr Editor / Dialogue Editor

My Best Friend's Girl (2008)

Directed by: Howard Deutch

Cinematography by: Jack N. Green

Edited by: Seth Flaum

Nothing But the Truth | ShotOnWhat?

Dialogue Editor

Nothing But the Truth (2008)

Directed by: Rod Lurie

Cinematography by: Alik Sakharov

Edited by: Sarah Boyd

Sex Drive | ShotOnWhat?

Dialogue Editor

Sex Drive (2008)

Directed by: Sean Anders

Cinematography by: Tim Orr

Edited by: George Folsey Jr., Charles Kaplan

Untraceable | ShotOnWhat?

Dialogue Editor

Untraceable (2008)

Directed by: Gregory Hoblit

Cinematography by: Anastas N. Michos

Edited by: Gregory Plotkin, David Rosenbloom

Never Back Down | ShotOnWhat?

Adr Supervisor

Never Back Down (2008)

Directed by: Jeff Wadlow

Cinematography by: Lukas Ettlin

Edited by: Victor Du Bois, Debra Beth Weinfeld

Good Luck Chuck | ShotOnWhat?

Adr Editor / Dialogue Editor

Good Luck Chuck (2007)

Directed by: Mark Helfrich

Cinematography by: Anthony B. Richmond

Edited by: Julia Wong

The Bucket List | ShotOnWhat?

Foley Supervisor

The Bucket List (2007)

Directed by: Rob Reiner

Cinematography by: John Schwartzman

Edited by: Robert Leighton

Cameras: Panavision Cameras

Gone Baby Gone | ShotOnWhat?

Dialogue Editor

Gone Baby Gone (2007)

Directed by: Ben Affleck

Cinematography by: John Toll

Edited by: William Goldenberg

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

War | ShotOnWhat?

Supervising Dialogue Editor

War (2007)

Directed by: Philip G. Atwell

Cinematography by: Pierre Morel

Edited by: Scott Richter

Then She Found Me | ShotOnWhat?

Adr Editor / Dialogue Editor

Then She Found Me (2007)

Directed by: Helen Hunt

Cinematography by: Peter Donahue

Edited by: Pam Wise

Blood Diamond | ShotOnWhat?

Adr Editor

Blood Diamond (2006)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses

Bobby | ShotOnWhat?

Supervising Sound Effects Editor

Bobby (2006)

Directed by: Emilio Estevez

Cinematography by: Michael Barrett

Edited by: Richard Chew

Final Destination 2 | ShotOnWhat?

Foley Editor

Final Destination 2 (2003)

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Eric A. Sears

Cameras: Panavision Cameras

Two Soldiers | ShotOnWhat?

Sound Effects Editor

Two Soldiers (2003)

Directed by: Aaron Schneider

Cinematography by: David Boyd

Edited by: Kelly Matsumoto, Aaron Schneider

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Runaway Jury | ShotOnWhat?

Bg Editor

Runaway Jury (2003)

Directed by: Gary Fleder

Cinematography by: Robert Elswit

Edited by: William Steinkamp

Windtalkers | ShotOnWhat?

Additional Sound

Windtalkers (2002)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Jeff Gullo, Steven Kemper, Tom Rolf

©2012 - 2025 ShotOnWhat?

20254.20