Standby Art Director
Napoleon (2023)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: ARRI ALEXA Mini LF Camera
Standby Art Director
The Last Duel (2021)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA Mini LF Camera
On Set Dresser
6 Underground (2019)
Directed by: Michael Bay
Cinematography by: Bojan Bazelli
Chargehand Stand-by Propman
The Counselor (2013)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: Red Epic Camera
Production Buyer
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Chargehand Standby Propman
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Standby Props Chargehand
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Chargehand Stand-by Prop
The Veteran (2011)
Directed by: Matthew Hope
Cinematography by: Philipp Blaubach
Edited by: Emma Gaffney
Production Buyer
Thorne: Sleepyhead (2010)
Directed by: Stephen Hopkins
Cinematography by: Joel Ransom
Edited by: John Smith
Chargehand Stand-by Props
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Stand-by Propman
An Education (2009)
Directed by: Lone Scherfig
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: ARRIFLEX 235 Camera
Lenses: Cooke Speed Panchro Lenses
Props Buyer
Body of Lies (2008)
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Stand-by Props
Brideshead Revisited (2008)
Directed by: Julian Jarrold
Cinematography by: Jess Hall
Edited by: Chris Gill
Cameras: Panavision Cameras
Prop Buyer
Son of Rambow (2007)
Directed by: Garth Jennings
Cinematography by: Jess Hall
Edited by: Dominic Leung
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Chargehand / Stand-by Props
When Did You Last See Your Father? (2007)
Directed by: Anand Tucker
Cinematography by: Howard Atherton
Edited by: Trevor Waite
Lenses: Hawk V-Series Lenses
Set Buyer
Where the Truth Lies (2005)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Stand-by Props
The Descent (2005)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Jon Harris
Charge Hand Stand-by Propman
The Upside of Anger (2005)
Directed by: Mike Binder
Cinematography by: Richard Greatrex
Property Buyer
Being Julia (2004)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
Stand-by Props
Tooth (2004)
Directed by: Edouard Nammour
Cinematography by: Clive Tickner
Edited by: Alan Strachan
Stand-by Props
Billy Elliot (2000)
Directed by: Stephen Daldry
Cinematography by: Brian Tufano
Edited by: John Wilson
Cameras: Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Stand-by Props
The House of Mirth (2000)
Directed by: Terence Davies
Cinematography by: Remi Adefarasin
Edited by: Michael Parker
Stand-by Propman
RKO 281 (1999)
Directed by: Benjamin Ross
Cinematography by: Mike Southon
Edited by: Alex Mackie
Assistant Modeler, Assistant Sculptor
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stand-by Props
The Secret Agent (1996)
Directed by: Christopher Hampton
Cinematography by: Denis Lenoir
Edited by: George Akers
