Motion Control Operator: Stop-motion Unit
Marcel the Shell with Shoes On (2021)
Directed by: Dean Fleischer Camp
Cameras: ARRI ALEXA Mini Camera, Sony PMW-F5 Camera
Matte Camera
La La Land (2016)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Motion Control Supervisor
Anomalisa (2015)
Cinematography by: Joe Passarelli
Edited by: Garret Elkins
Cameras: Canon EOS-7D Camera
Additional Photography
'Ray Donovan' The Captain (2014)
Directed by: Michael Uppendahl
Cinematography by: Robert McLachlan
Edited by: Lynne Willingham
Additional Photography
'Ray Donovan' Uber Ray (2014)
Directed by: Michael Uppendahl
Cinematography by: Robert McLachlan
Edited by: Peter B. Ellis
Lead Motion Control Operator
Walking with Dinosaurs 3D (2013)
Cinematography by: John Brooks
Edited by: John Carnochan
Cameras: Red Epic Camera
Additional Photography - 2 Episodes, 2014
Ray Donovan (2013)
Directed by: John Dahl, Michael Uppendahl, Tucker Gates, David Hollander, Allen Coulter, Daniel Attias, Colin Bucksey, Guy Ferland, Michael Apted, Lesli Linka Glatter, Phil Abraham, Liev Schreiber, Robert McLachlan, Daisy von Scherler Mayer, Stephen Williams, Zetna Fuentes, Daniel Minahan, Jeremy Podeswa, Greg Yaitanes, Ed Bianchi, Tricia Brock, James Whitmore Jr., Carl Franklin, Denise Di Novi, Tarik Saleh, Joshua Marston
Cinematography by: Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff
Edited by: Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Motion Control Operator
The Unborn (2009)
Directed by: David S. Goyer
Cinematography by: James Hawkinson
Edited by: Jeff Betancourt
Cameras: Panavision Cameras
Visual Effects
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Motion Control Supervisor
Click (2006)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Motion Control Operator
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Motion Control Supervisor
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Motion Control Operator
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Visual Effects
A Sound of Thunder (2005)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Sylvie Landra
Visual Effects
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Motion Control Operator
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Motion Control Operator
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Motion Control Operator: Cinema Production Services Inc.
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
Motion Control Operator
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Visual Effects Director Of Photography
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Additional Photographer, Director, Photographic/matte Effects, Producer, Writer
Night Train (1999)
Directed by: Les Bernstien
Cinematography by: Patrick Melly
Edited by: George Lockwood
Motion Control Operator: VIFX
The Astronaut's Wife (1999)
Directed by: Rand Ravich
Cinematography by: Allen Daviau
Visual Effects Director Of Photography
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Director Of Photography
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Visual Effects Director Of Photography
City of Angels (1998)
Directed by: Brad Silberling
Cinematography by: John Seale
Edited by: Lynzee Klingman
Title Sequence Director Of Photography
Small Soldiers (1998)
Directed by: Joe Dante
Cinematography by: Jamie Anderson
Director Of Photography: Miniature Shoot
The Game (1997)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: James Haygood
Director Of Photography: Digital Domain
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Visual Effects Director Of Photography
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Effects Camera: Available Light Ltd.
Bordello of Blood (1996)
Directed by: Gilbert Adler
Cinematography by: Tom Priestley Jr.
Edited by: Stephen Lovejoy
Visual Effects Director Of Photography
Escape from L.A. (1996)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Director Of Photography: Miniature Shoot
Down Periscope (1996)
Directed by: David S. Ward
Cinematography by: Victor Hammer
Visual Effects Director Of Photography
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Motion Control Camera Operator: Los Angeles Blue Screen Unit, Visual Effects Cameraman
The Santa Clause (1994)
Directed by: John Pasquin
Cinematography by: Walt Lloyd
Edited by: Larry Bock
Motion Control Supervisor
The Shadow (1994)
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Stage And Matte Camera: Buena Vista Visual Effects
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Visual Effects
Beetlejuice (1988)
Directed by: Tim Burton
Cinematography by: Thomas E. Ackerman
Edited by: Jane Kurson
Technical Animator: EEG
Ghostbusters (1984)
Directed by: Ivan Reitman
Cinematography by: László Kovács
Cameras: Panavision Cameras
Lenses: Panavision Lenses
