Executive In Charge Of Post-production
Natural Born Pranksters (2016)
Cinematography by: Donny Anderson
Cameras: Blackmagic Cinema Camera
Visual Effects Supervisor: A52
Maggie (2015)
Directed by: Henry Hobson
Cinematography by: Lukas Ettlin
Edited by: Jane Rizzo
Stereoscopic Compositor
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
2-d Compositor: Digital Sandbox
Won't Back Down (2012)
Directed by: Daniel Barnz
Cinematography by: Roman Osin
Edited by: Kristina Boden
Cameras: ARRICAM Lite (LT) Camera
Executive In Charge Of Stereoscopic Services: Illuminate
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Stereographer
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Stereoscopic Technical Director
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Visual Effects Supervisor
The Brazen Bull (2010)
Directed by: Douglas Elford-Argent
Cinematography by: Jayson Crothers
Edited by: Wendy Elford-Argent
Cameras: Red One Camera
Editing System: Avid Editing System
Compositor: Prime Focus
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Visual Effects Supervisor
Finish Line (2008)
Directed by: Gerry Lively
Cinematography by: Maximo Munzi
Edited by: Colleen Halsey
Digital Compositor
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Digital Compositor
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Compositor: Entity FX / Digital Compositor
Scary Movie 4 (2006)
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera
Digital Compositor
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Digital Compositor
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Digital Artist: The Pit Crew
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Digital Compositor
Final Destination 2 (2003)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Compositing Supervisor
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Digital Compositor
Agent Cody Banks (2003)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Jim Miller
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Artist: Pixel Magic
How to Lose a Guy in 10 Days (2003)
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Digital Compositor
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Digital Compositor: Pixel Magic
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Artist: Pixel Magic
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Compositor: Pixel Magic
Rollerball (2002)
Directed by: John McTiernan
Cinematography by: Steve Mason
Digital Compositor: Pixel Magic
The Rules of Attraction (2002)
Directed by: Roger Avary
Cinematography by: Robert Brinkmann
Edited by: Sharon Rutter
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Digital Compositor: Pixel Magic
Hart's War (2002)
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Digital Compositor: Pixel Magic
Max Keeble's Big Move (2001)
Directed by: Tim Hill
Cinematography by: Arthur Albert
Cameras: Moviecam Compact Camera
Digital Artist: Pixel Magic
Original Sin (2001)
Directed by: Michael Cristofer
Cinematography by: Rodrigo Prieto
Edited by: Eric A. Sears
Digital Compositor: Pixel Magic
Bones (2001)
Directed by: Ernest R. Dickerson
Cinematography by: Flavio Martínez Labiano
Digital Compositor: OCS/Freeze Frame/Pixel Magic
Driven (2001)
Directed by: Renny Harlin
Cinematography by: Mauro Fiore
Lead Digital Compositor: Pixel Magic
Domestic Disturbance (2001)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Digital Artist: Pixel Magic
3000 Miles to Graceland (2001)
Directed by: Demian Lichtenstein
Cinematography by: David Franco
Cameras: Panavision Cameras
Lenses: Panavision Lenses
2d Artist: Pixel Magic
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Digital Artist: Pixel Magic
Shallow Hal (2001)
Cinematography by: Russell Carpenter
Edited by: Christopher Greenbury
Digital Compositor: Pixel Magic
Scream 3 (2000)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Digital Artist: Pixel Magic
Big Momma's House (2000)
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
Digital Compositor: Pixel Magic
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Digital Artist: Pixel Magic
Charlie's Angels (2000)
Directed by: McG
Cinematography by: Russell Carpenter
Digital Composite Artist: Pixel Magic
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Composite Artist: Pixel Magic
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz