William B. Kaplan

55 Titles

Is this you? Add a Profile

The Morning Show | ShotOnWhat?

Sound Mixer - 1 Episode, 2021

The Morning Show (2019)

Television Series

Directed by: Mimi Leder, Tucker Gates, David Frankel, Stacie Passon, Kevin Bray, Roxann Dawson, Michelle MacLaren, Lynn Shelton, Miguel Arteta, Lesli Linka Glatter, Victoria Mahoney, Rachel Morrison, Jessica Yu, Thomas Carter, Jennifer Getzinger, Millicent Shelton

Cinematography by: David Lanzenberg, Michael Grady, John Grillo, Tami Reiker, John Brawley, Jeffrey Waldron

Edited by: Carole Kravetz Aykanian, Ron Rosen, Vikash Patel, Henk Van Eeghen, Sidney Wolinsky, Aleshka Ferrero, J. Kathleen Gibson, Bjørn T. Myrholt, Plummy Tucker, Elliott Eisman, Peter B. Ellis, Andrew Gust

Sleepless | ShotOnWhat?

Sound Mixer

Sleepless (2017)

Directed by: Baran bo Odar

Cinematography by: Mihai Malaimare Jr.

Edited by: Robert Rzesacz

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Red Epic Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses

The Walk | ShotOnWhat?

Sound Mixer

The Walk (2015)

Directed by: Robert Zemeckis

Cinematography by: Dariusz Wolski

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Dragon Camera

Guardians of the Galaxy | ShotOnWhat?

Sound Mixer: USA

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Flight | ShotOnWhat?

Sound Mixer

Flight (2012)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Rock of Ages | ShotOnWhat?

Production Sound Mixer

Rock of Ages (2012)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Emma E. Hickox

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Unstoppable | ShotOnWhat?

Production Sound Mixer

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Alice in Wonderland | ShotOnWhat?

Sound Mixer

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Production Sound Mixer

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Yes Man | ShotOnWhat?

Production Sound Mixer

Yes Man (2008)

Directed by: Peyton Reed

Cinematography by: Robert D. Yeoman

Edited by: Craig Alpert

Cameras: Panavision Cameras

The House Bunny | ShotOnWhat?

Production Sound Mixer

The House Bunny (2008)

Directed by: Fred Wolf

Cinematography by: Shelly Johnson

Edited by: Debra Chiate

Cameras: Panavision Genesis Camera

Next | ShotOnWhat?

Production Sound Mixer

Next (2007)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

Spider-Man 3 | ShotOnWhat?

Sound Mixer: Reshoots, Los Angeles

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Beowulf | ShotOnWhat?

Sound Mixer

Beowulf (2007)

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Monster House | ShotOnWhat?

Production Sound Mixer

Monster House (2006)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Fabienne Rawley, Adam P. Scott

Stealth | ShotOnWhat?

Sound Mixer: Aircraft Carrier Unit

Stealth (2005)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

National Treasure | ShotOnWhat?

Sound Mixer

National Treasure (2004)

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

The Polar Express | ShotOnWhat?

Sound Mixer

The Polar Express (2004)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

House of Sand and Fog | ShotOnWhat?

Production Sound Mixer

House of Sand and Fog (2003)

Directed by: Vadim Perelman

Cinematography by: Roger Deakins

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Terminator 3: Rise of the Machines | ShotOnWhat?

Production Sound Mixer

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Collateral Damage | ShotOnWhat?

Sound Mixer: Eeshoots, Los Angeles

Collateral Damage (2002)

Directed by: Andrew Davis

Cinematography by: Adam Greenberg

Edited by: Dov Hoenig, Dennis Virkler

xXx | ShotOnWhat?

Production Sound Mixer

xXx (2002)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

Evolution | ShotOnWhat?

Production Sound Mixer

Evolution (2001)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Cast Away | ShotOnWhat?

Production Sound Mixer

Cast Away (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

What Lies Beneath | ShotOnWhat?

Production Sound Mixer

What Lies Beneath (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Enemy of the State | ShotOnWhat?

Sound Mixer

Enemy of the State (1998)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Chris Lebenzon

Contact | ShotOnWhat?

Production Sound Mixer, TV Interviewer

Contact (1997)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Down Periscope | ShotOnWhat?

Sound Mixer

Down Periscope (1996)

Directed by: David S. Ward

Cinematography by: Victor Hammer

Edited by: William M. Anderson, Armen Minasian

The Fan | ShotOnWhat?

Production Sound Mixer

The Fan (1996)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson, Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Crimson Tide | ShotOnWhat?

Sound Mixer

Crimson Tide (1995)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Forrest Gump | ShotOnWhat?

Production Sound Mixer

Forrest Gump (1994)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

True Romance | ShotOnWhat?

Production Sound Mixer

True Romance (1993)

Directed by: Tony Scott

Cinematography by: Jeffrey L. Kimball

Edited by: Michael Tronick, Christian Wagner

Death Becomes Her | ShotOnWhat?

Production Sound Mixer

Death Becomes Her (1992)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Oscar | ShotOnWhat?

Sound Mixer

Oscar (1991)

Directed by: John Landis

Cinematography by: Mac Ahlberg

Edited by: Dale Beldin

Deceived | ShotOnWhat?

Additional Music Editor

Deceived (1991)

Directed by: Damian Harris

Cinematography by: Jack N. Green

Edited by: Neil Travis

Back to the Future Part III | ShotOnWhat?

Production Sound Mixer

Back to the Future Part III (1990)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Troop Beverly Hills | ShotOnWhat?

Production Sound Mixer

Troop Beverly Hills (1989)

Directed by: Jeff Kanew

Cinematography by: Donald E. Thorin

Edited by: Mark Melnick

Back to the Future Part II | ShotOnWhat?

Production Sound Mixer

Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Coming to America | ShotOnWhat?

Sound Mixer: Los Angeles

Coming to America (1988)

Directed by: John Landis

Cinematography by: Woody Omens

Edited by: Malcolm Campbell, George Folsey Jr.

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Rambo III | ShotOnWhat?

Sound Mixer

Rambo III (1988)

Directed by: Peter MacDonald

Cinematography by: John Stanier

Edited by: O. Nicholas Brown, Andrew London, James R. Symons, Edward Warschilka

Born in East L.A. | ShotOnWhat?

Sound Mixer

Born in East L.A. (1987)

Directed by: Cheech Marin

Cinematography by: Álex Phillips Jr.

Edited by: Don Brochu, Stephen Lovejoy, David Newhouse, Mike Sheridan

Beverly Hills Cop II | ShotOnWhat?

Sound Mixer

Beverly Hills Cop II (1987)

Directed by: Tony Scott

Cinematography by: Jeffrey L. Kimball

Edited by: Chris Lebenzon, Michael Tronick, Billy Weber

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Top Gun | ShotOnWhat?

Sound Mixer

Top Gun (1986)

Directed by: Tony Scott

Cinematography by: Jeffrey L. Kimball

Edited by: Chris Lebenzon, Billy Weber

Cameras: Panavision Cameras

The Whoopee Boys | ShotOnWhat?

Sound Mixer

The Whoopee Boys (1986)

Directed by: John Byrum

Cinematography by: Ralf D. Bode

Edited by: Eric Jenkins

Back to the Future | ShotOnWhat?

Production Sound Mixer

Back to the Future (1985)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Romancing the Stone | ShotOnWhat?

Sound Mixer

Romancing the Stone (1984)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Donn Cambern, Frank Morriss

Tightrope | ShotOnWhat?

Sound Mixer

Tightrope (1984)

Directed by: Richard Tuggle

Cinematography by: Bruce Surtees

Edited by: Joel Cox

Doctor Detroit | ShotOnWhat?

Production Sound

Doctor Detroit (1983)

Directed by: Michael Pressman

Cinematography by: King Baggot

Edited by: Christopher Greenbury

Twilight Zone: The Movie | ShotOnWhat?

Production Sound Mixer

Twilight Zone: The Movie (1983)

Directed by: Joe Dante, John Landis, George Miller, Steven Spielberg

Cinematography by: Allen Daviau, John Hora, Stevan Larner

Edited by: Malcolm Campbell, Tina Hirsch, Michael Kahn, Howard E. Smith

Continental Divide | ShotOnWhat?

Sound

Continental Divide (1981)

Directed by: Michael Apted

Cinematography by: John Bailey

Edited by: Dennis Virkler

Heart Beat | ShotOnWhat?

Production Sound Mixer

Heart Beat (1980)

Directed by: John Byrum

Cinematography by: László Kovács

Edited by: Eric Jenkins

The Blues Brothers | ShotOnWhat?

Production Sound

The Blues Brothers (1980)

Directed by: John Landis

Cinematography by: Stephen M. Katz

Edited by: George Folsey Jr.

Over the Edge | ShotOnWhat?

Sound Mixer

Over the Edge (1979)

Directed by: Jonathan Kaplan

Cinematography by: Andrew Davis

Edited by: Robert Barrere

Animal House | ShotOnWhat?

Sound

National Lampoon's Animal House (1978)

Directed by: John Landis

Cinematography by: Charles Correll

Edited by: George Folsey Jr.

Blue Sunshine | ShotOnWhat?

Sound Mixer

Blue Sunshine (1977)

Directed by: Jeff Lieberman

Cinematography by: Don Knight

Edited by: Brian Smedley-Aston

©2012 - 2025 ShotOnWhat?

20254.20