Halo VFX: Exec Producer
Bohemian Rhapsody (2018)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Editing System: Avid Editing System
Exec Visaul Effects Producer: BaseBlack
Anthropoid (2016)
Directed by: Sean Ellis
Cinematography by: Sean Ellis
Edited by: Richard Mettler
Cameras: ARRIFLEX 416 Camera
Lenses: Hawk V-Lite 16 Lens
Visual Effects Executive Producer: Milk VFX
Ex Machina (2014)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Exec Vfx Producer: Milk Visual Effects
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Visual Effects Producer: The Mill
Les Misérables (2012)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Visual Effects Producer: The Mill
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Producer: WEBvFX
Ironclad (2011)
Directed by: Jonathan English
Cinematography by: David Eggby
Cameras: Panavision Genesis Camera
Lenses: Panavision Lenses
Visual Effects Producer: WEBvFX
Hanna (2011)
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Visual Effects Producer: WEBvFX
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Visual Effects Producer: WEBvFX
Angels Crest (2011)
Directed by: Gaby Dellal
Cinematography by: David Johnson
Visual Effects Producer: CIS London
The Nutcracker in 3D (2010)
Directed by: Andrey Konchalovskiy
Cinematography by: Mike Southon
Visual Effects Coordinator
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Visual Effects Production Manager: CIS London
Case 39 (2009)
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Visual Effects Production Manager: CIS London
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Visual Effects Production Manager: CIS London
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Visual Effects Production Manager: Rainmaker UK
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Production Manager: CIS London
Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Visual Effects Production Manager: CIS London
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Visual Effects Production Manager: Rainmaker
Vantage Point (2008)
Directed by: Pete Travis
Cinematography by: Amir Mokri
Edited by: Stuart Baird
Visual Effects Production Manager: CIS London
Slumdog Millionaire (2008)
Cinematography by: Anthony Dod Mantle
Edited by: Chris Dickens
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Visual Effects Producer: Rainmaker Animation & Visual Effects UK
Shattered (2007)
Directed by: Mike Barker
Cinematography by: Ashley Rowe
Visual Effects Production Manager: CIS London
La Vie en Rose (2007)
Directed by: Olivier Dahan
Cinematography by: Tetsuo Nagata
Edited by: Richard Marizy
Production Manager: Rainmaker UK
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Visual Effects Production Manager: CIS London
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Visual Effects Production Manager: Rainmaker UK
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Visual Effects Production Manager: Rainmaker UK
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Digital Production Support: Rainmaker
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Visual Effects Producer: Rainmaker UK
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Visual Effects Producer: Jim Henson's Creature Shop
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Visual Effects Producer: Jim Henson's Creature Shop
Are We There Yet? (2005)
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Visual Effects Producer: Jim Henson's Creature Shop
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Visual Effects Producer: Jim Henson's Creature Shop
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Visual Effects Coordinator: Jim Henson's Creature Shop
Brotherhood of the Wolf (2001)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Visual Effects Producer: Jim Henson's Creature Shop
Birthday Girl (2001)
Directed by: Jez Butterworth
Cinematography by: Oliver Stapleton
Edited by: Christopher Tellefsen
Visual Effects Producer: Jim Henson's Creature Shop
Gosford Park (2001)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Tim Squyres
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Coordinator: Jim Henson's Creature Shop
'Arabian Nights' Episode #1.1 (2000)
Directed by: Steve Barron
Cinematography by: Remi Adefarasin
Edited by: David Yardley
Visual Effects Coordinator: Jim Henson's Creature Shop
'Arabian Nights' Episode #1.2 (2000)
Directed by: Steve Barron
Cinematography by: Remi Adefarasin
Edited by: David Yardley
Visual Effects Coordinator: Jim Henson's Creature Shop
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Visual Effects Line Producer: Jim Henson's Creature Shop
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Visual Effects Coordinator: Jim Henson's Creature Shop - 2 Episodes, 2000
Arabian Nights (2000)
Directed by: Steve Barron
Cinematography by: Remi Adefarasin
Edited by: David Yardley
Visual Effects: Jim Henson's Creature Shop
The Talented Mr. Ripley (1999)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Production Assistant: Jim Henson's Creature Shop, "Blawp" Animation Unit
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
